One of the most remarkable and innovative documentaries ever made, this film follows the famous true story of two English women who as babies got switched in the hospital and 20 years later discovered that they'd been raised by the wrong sets of parents. Romand enlists all the surviving family members in her haunting and bizarre investigation, which involves not only a recounting but a reenactment of all the significant events in the two daughters' emotional histories.
It’s a black-and-white record of European cities in the dark (2-5am), from Basle to Belfast. Quiet, and meditative, what emerges most strongly is an eerie sense of city landscapes as deserted film sets, in which the desolate architecture overwhelms any sense of reality. The only reassurance that we are not in some endless machine-Metropolis is the shadow of daytime activity: a juggernaut plunging through a darkened village, a plague of small birds in the predawn light. The whole thing is underscored by a beautiful ‘composed’ soundtrack, from quietly humming streetlights to reggae and the rumble of armoured cars in Belfast. A strange and remarkable combination of dream, documentary and science-fiction.
A documentary film about a tour of three Finnish rock bands around Saimaa lake system in a steam boat in 1981. The bands (Juice Leskinen Slam, Eppu Normaali and Hassisen Kone) are shown playing songs in their gigs and, in between, the members give intimate interviews or just act plain silly and have a good time.
This is a documentary of Captain R.F. Scott's second Antarctic expedition, begun in 1910. The British, under Scott, attempted to reach the South Pole before Roald Amundsen's Norwegians. Scott's writings reveal that the British made it to the South Pole, only to find that the Norwegians had gotten there first. Scott, and the other four men who had made it to the Pole with him, died on the return trip.
Documentary about the work and the unconventional approach of the painter Karel Appel. The film shows him flinging vast amounts of paint onto the canvas, resulting in dynamic paintings showing an overful, raging, run-away world. In 1962 awarded with a Golden Bear at the Berlinale. (filmcommission.nl)
"A Film About Coffee" is a love letter to, and meditation on, specialty coffee. It examines what it takes, and what it means, for coffee to be defined as "specialty." The film whisks audiences on a trip around the world, from farms in Honduras and Rwanda to coffee shops in Tokyo, Portland, Seattle, San Francisco and New York. Through the eyes and experiences of farmers and baristas, the film offers a unique overview of all the elements-the processes, preferences and preparations; traditions old and new-that come together to create the best cups. This is a film that bridges gaps both intellectual and geographical, evoking flavor and pleasure, and providing both as well.
Poetry by Rudyard Kipling, John Milton, and William Blake, and excerpts from speeches by Abraham Lincoln and Winston Churchill, all read by Laurence Olivier, illuminate documentary footage of England during its defense against the Nazi blitz in World War II. This short film serves as both propaganda and as a rallying cry to the British people.
The beginning of the 20th century. The recklessness of fanatics is pushing humanity towards the abyss. A revolution begins in Russia. Crazy Dr. Farkus induces an orgasm of inanimate matter. White Moroccan dwarfs are becoming active. A second Sun appears in the sky. In this difficult environment, captains selflessly confront the forces of chaos, maintaining the cosmic balance of history.
While filming the Olympics, a filmmaker encounters a Japanese girl. Manchurian born and French educated, she's an intriguing anomaly. He films her around Tokyo, as she speaks of Japan, being Japanese and her unique perspective on life.
Tells the story of the American civil rights movement through its powerful music - the freedom songs protesters sang on picket lines, in mass meetings, and in jail cells as they fought for justice and equality. Features new performances of the freedom songs by top artists; archival footage; and interviews with civil rights foot soldiers and leaders. Freedom songs evolved from slave chants, from the labor movement, and especially from the black church. Music enabled blacks to sing words they could not say, and it was crucial in helping the protesters as they faced down brutal aggression with dignity and non-violence. The infectious energy of the songs swept people up and empowered them to fight for their rights. This film celebrates the vitality of this music.
Starting with "The Wolf Man" (in 1941), Universal Studios made five movies featuring The Wolf Man, a character portrayed by Lon Chaney, Jr. Monster by Moonlight! explores these movies. Rick Baker explains how the make-up was done on Chaney's character. Screenwriter Curtis Siodmak took very little from earlier werewolf legends, providing his own story for some of the films. This documentary displays clips from several other movies, including "Abbott & Costello Meet Frankenstein" (1948) and "House of Dracula" (1945).
Though most people knew her as Vampira, a late-night, creature-feature host in Los Angeles, Maila Nurmi was so much more. From her relationships with James Dean and other Hollywood luminaries to her significant contributions to the eventual Goth craze, Nurmi was a multifaceted woman, with more than a few amazing stories to share. Having befriended Nurmi while she was still alive, Greene finds himself perfectly situated to give us the complete story on this fascinating individual, blending extensive interviews with remarkable found footage of Nurmi's long and varied career. Whether being groomed by a major Hollywood director or making a surprising foray into music, Nurmi proves herself to be so much more than a scream queen. Still, when it comes to snappy one-liners cracked at the stroke of midnight, it's certainly safe to say that no one did it better than Vampira.
Further explores some of the world’s most remote mountain terrain while continuing Jones’ mission to camp deep in the backcountry and on the summits of unridden lines to access nearly vertical spines and wide-open powder fields.
A BBC documentary producer is given unprecedented access in North Korea to chronicle the story of the famed 1966 World Cup team from the North that advanced to the quarterfinals. The feature includes interviews with surviving members of the team, English fans and soccer pundits who saw the North Koreans upset Italy, 1-0.
This film turns on two basic axes: the inquiry into ways of cinematographic representation and a critical image of official Spain at the time of the Franco dictatorship. “Montage of attractions” and Brechtianism in strong doses. Umbracle is made up of fragments (some are archive footage) that resound rather than progress by unusual links, with dejá vu scenes that promise us more but remain tensely unfinished. Jonathan Rosembaun said: “few directors since Resnais have played so ruthlessly with the unconscious narrative expectations to bug us”. Learning from the feeling of strangeness caused by Rossellini as he threw well known actors into savage scenery in southern Europe. Portabella makes Christopher Lee wander around a dream-like Barcelona. Without a doubt Portabella’s most structurally complex and most profoundly political film, that is ferociously poetic.
The deterioration of a small community in Fogo Island is forcing its inhabitants to leave and resettle. Places once occupied by humans are now becoming part of the tundra landscape. In spite of a condemn future, there are some residents who decide to remain, holding on to their memories and grieving for the past, when life in Fogo was different.
There's a bad mood rising against the corporate brands. No Logo is the warning on the label. In the last decade, No Logo has become a cultural manifesto for the critics of unfettered capitalism worldwide. As the world faces a second economic depression, No Logo's analysis of our corporate and branded world is as timely and powerful as ever. Equal parts cultural analysis, political manifesto, mall-rat memoir, and journalistic exposé, No Logo is the first book to put the new resistance into pop-historical and clear economic perspective. It tells a story of rebellion and self-determination in the face of our new branded world.