In Stephen Tobolowsky’s Birthday Party film-makers Robert Brinkmann and Andrew Putschoegl follow Stephen on his birthday and document a performance he gives for the cameras and a group of friends, during which he tells stories about his experiences in Hollywood. Instead of his regular role as a supporting actor, Stephen takes the stage in Birthday Party and shows that he has the charisma to hold the audience’s attention without the help of a script.
"Danse excentrique" (Gaumont #587) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse serpentine" (Gaumont #588, the only extant film in the series), "Danse fantaisiste" (Gaumont #589) or "La Gigue" (Gaumont #590).
In the summer of 1995, as every year, the patients and staff of "La Borde" psychiatric clinic rehearse their summer play for a performance on August 15th. The film records the ups and downs of the venture as rehearsals go by. Yet, it also delicately captures the day-to-day existence, the seemingly insignificant details, the loneliness and the fatigue but also the collective joy and the close attention that all these people pay to each other.
Ron Peck talks about his experiences of growing up as a gay man, the attitudes to homosexuality in Britain, and his journey towards making his film "Nighthawks".
United in Anger: A History of ACT UP is an inspiring documentary about the birth and life of the AIDS activist movement from the perspective of the people in the trenches fighting the epidemic. Utilizing oral histories of members of ACT UP, as well as rare archival footage, the film depicts the efforts of ACT UP as it battles corporate greed, social indifference, and government negligence.
Michel Recanati was a militant leader in the May, 1968 riots in Paris, organizing many groups to meet, discuss, and act on leftist principles both before and after the disturbances. He was imprisoned for a short while in 1973. Disillusioned after the failure of the demonstrations and the death of the only woman he had loved, his life seems to have changed from a period of hope and activism to one of bottomless despair. His friend, Romain Goupil wrote and directed this biographical documentary. Death at 30 received the 1982 Cannes Film Festival's Golden Camera Award for "Best First Feature-Length Film."
A concert film directed by and featuring the music of Laurie Anderson, filmed at the Park Theater in Union City, New Jersey, during the summer of 1985.
Lettre d’un cinéaste à sa fille is a playful, free and personal film in the form of a letter, a film interwoven with a thousand stories knit together with different textures, a book of images where a filmmaker shows the images and the stories he wants to share.
An intimate and moving portrait of one of the most remarkable women in American history. It is the story of a lonely, unhappy child who became the most admired and respected woman in the world. Richard Kaplan's lively documentary reveals the human face behind the American icon, beginning with the emotional deprivation suffered by this plain, awkward little girl born into a socially prominent and powerful family. Though she would eventually marry a man who would look beyond her awkwardness, Eleanor was not content to be the proper, silent wife to her husband Franklin's extraordinary political career. Instead, she began a lifelong crusade to speak out about injustice and oppression in any form. Preserved by the Academy Film Archive in 2006.
In September, 1959, six Europeans leave Cook's Bay on the southern coast of Dutch New Guinea, now West Papua or Irian Jaya, to trek north to the far side of the island. The journey (450 miles, as a crow flies) across unmapped territory took seven months; three Muyu porters died. Near both coasts, the expedition met villagers who invited them to observe rituals and live with them. In the interior, all villagers kept them at bay, and they depended on air lifts from Hollandia for food and supplies. They climbed above 10,000 feet, built 14 bridges, and fought leeches and malaria. The narrator focuses on describing Stone Age savages, headhunters, and cannibals.
DOMESTIC VIOLENCE shows the Tampa, Florida police responding to domestic violence calls and the work of The Spring, the principal shelter in Tampa for women and children. Sequences with the police include police response, intervention, and attempted resolution of domestic violence calls. Sequences at the shelter include intake interviews, individual counseling sessions, anger management training, group therapy, staff meetings, conversations among clients and between clients and staff, and school activities, therapy and counseling for children at the shelter.
The School for the Deaf at the Alabama Institute is organized around a theory of total communication i.e. the use of signs and finger spelling in conjunction with speech, hearing aids, lip reading, gestures and the written word. The film shows sequences dealing with various aspects of this comprehensive training such as teaching students and parents to sign; speech therapy; psychological counseling; regular academic courses; vocational training; disciplinary problems; parents visits; sports and recreational activity; training in living and working independently; and developing skills in home and money management.
Public Housing is Wiseman’s unflinching portrayal of life at the Ida B. Wells housing project in Chicago, a raw exposition of the daily conflicts between residents and the bureaucratic machinery to which they are continually subjected. With intimate detail and an abiding dedication to his subject, Wiseman unearths the hidden facets of institutions to find humanity and sites of unexpected beauty.