In her final piece at film school, Longinotto and her partner take us into the "Theatre Girls Club" in Soho, London–a hostel for elderly and destitute women and the only shelter in London that would take in any woman at any time. The filmmakers lived in the hostel for more than two months, establishing an extraordinary level of trust with their “cast” —from the home’s feisty cook to an elderly resident who was a terminal alcoholic. In what will later be recognized as a signature style, Longinotto films without judgement and finds the humor and humanity in situations and characters that might otherwise be seen as tragic. This stunning film debut earned awards at several European festivals and screened to acclaim in the US and Asia.
Kitty Tsui, Chinese American writer, poet, body builder, and lesbian activist, tells of her arrival as an immigrant to San Francisco and, amidst the anti-Vietnam war protests, finding her way to San Francisco State, which influenced her on her path as an activist and poet. In this first ever documentary about a Chinese American Lesbian, Tsui brings to life her coming of age in San Francisco in the 1970s, her challenges, and her continued rise to celebrity by being re-discovered by a whole new generation of Feminists.
'Chinese Hip-Hop Underground' is an insider documentary following the story of Weber - one of Mainland China's first rappers. Weber's uncanny musical talents allow him to spearhead the creation of Chinese rap music - a free form of creative self-expression that spreads like wildfire amongst those struggling the most; young working class students and grassroots migrants left out of the country's meteoric rise. Even while Weber's music electrifies China's youth and gains a huge following, he is challenged by enemies posing a threat to his musical existence: state censors, on the one hand, and armies of state-backed pop stars seeking to steal the name of hip-hop for their own gain, on the other. Can Weber and underground musicians like him survive this assault? Will Underground Chinese hip-hop survive?
EL CACAO exposes the dark side of chocolate production in Latin America by examining the economics of Fair Trade from the point of view of the indigenous farmers as they attempt to sustain their community through the growth, harvest, and trade of cacao beans in the global market. This 20-minute documentary film highlights the life of an indigenous Ngabe farmer in Panama and his unconditional devotion to this so-called "superfood." The film threads together the themes of neoliberal ideology, human rights, and the economics of the chocolate industry. While the demand for chocolate in developed nations continues to raise, the farmers in developing countries, like Panama, are rarely awarded the economic incentive promised to them. The film utilizes cinema verite techniques with candid interviews. Most of the film hinges on intimate shots in personal working and living space within a small Ngabe community in the Bocas del Toro region of Panama.
Through different legal cases and the complexity of the State of Florida’s legal processes involving minors, the film shows how delicate legal resolutions can be for children, who are ultimately the ones most affected by these judicial decisions.
A light-hearted yet deeply moving portrait of the Asian- and Jewish-American women who play this centuries-old Chinese game, shedding light on the common and uncommon experiences of the players that simultaneously define and transcend cultural boundaries. Along the way, it proves again and again to be a bridge connecting seemingly unlike individuals, spanning generations, continents and cultures, and transcending classification as merely a game.
In the Image explores the daily lives of Palestinian women living in the occupied West Bank. The film portrays their stories in a novel and eye-opening manner; through video footage captured by the women themselves.
Considered the finest example of Byzantine architecture in the world, Hagia Sophia was constructed on a scale unprecedented in human history. Built in the amazingly short time of five years, it bears witness to an amazing scientific knowledge and a rich cultural heritage from the past.
Raised in a small farming village in the mountains of southern Peru, Feliciano works as a porter on the Inca Trail to Machu Picchu in hopes of some day taking his son to live in the city. Framed by the seasons, Mi Chacra chronicles one year in Feliciano’s life, from the planting season in his community to the harvest, and through a season of work on the Inca Trail. The film paints a vivid picture of this man’s world, of the conflict between his love of the land and the work he has learned from his father, and the desire to see his son living what he sees as a better life in the city.
This classic case study in media bias examines how the three network affiliates covered urban unrest in Miami's predominantly African American Liberty Hill neighborhood, following the 1980 acquittal of police officers for the killing of a local resident; how it framed the uprising as "riots," chose the community's "spokespersons" and focused on the inconvenience to white commuters.
The documentary aims to portray the protagonist while exposing different areas in which he performs. The film not only accompanies him during the creation of murals, exhibits and curatorships in several countries, but also challenges the established social parameters since Elian, who was born with dissident body, has lived and lives outside both ideological and physical norms.
This is the true story of how the 1982 Miami Hurricanes baseball team was able to steal a victory from the top ranked Wichita State Shockers and win their first NCAA National Championship.
ARC OF JUSTICE traces the remarkable journey of New Communities, Inc. and the struggle for racial justice and economic empowerment among African Americans in southwest Georgia.
The latest film from acclaimed filmmaker David Sutherland (Kind Hearted Woman, Country Boys, The Farmer's Wife), Marcos Doesn't Live Here Anymore examines the US immigration system through the lives of two unforgettable protagonists whose lives reveal the human cost of deportation.
In the historically most famous ancestral house of the matrilineal Amis tribe in Taiwan, the carved pillars tell legends, such as the great flood, the glowing girl, the descending shaman sent by the Mother Sun, and the father-killing headhunting event. After a strong typhoon toppled the house 40 years ago, the pillars were moved to the Institute of Ethnology Museum. Recently young villagers, with assistance from female shamans, pushed the descendants and village representatives to communicate with ancestors in the pillars. They eventually brought the ancestral souls rather than the pillars back and began reconstructing the house.