A personal documentary about a public subject, My Father's Vietnam personifies the connections made and unmade by the Vietnam War. Featuring never-before-seen photographs and 8mm footage of the era, My Father's Vietnam is the story of three soldiers, only one of whom returned home alive. Interviews with the filmmaker's Vietnam Veteran father, and the friends and family members of two men he served with who were killed there, give voice to individuals who continue to silently carry the psychological burdens of a war that ended over 40 years ago. My Father's Vietnam carries with it the potential to encourage audiences to broach the subjects of service and sacrifice with the veterans in their lives.
Patricia Uberoi, an Australian woman, married an Indian professor in the 60s and moved to his home in New Delhi. They raised three children there, but the riots and the anti-Sikh feelings led to her encouraging her children to move to Australia. A documentary about a multicultural family becomes a commentary on the events surrounding the anti-Sikh riots of 1984.
Australia’s slave trade is an untold story. Few people know that the Australian sugar industry was founded on the sweat of men and women enticed or kidnapped from the islands of the South Pacific. Sugar Slaves is the story of that human traffic, euphemistically known as "blackbirding".
Part 2 of the History of Australian Cinema series. Covering the 1920s and 30s. From an origin that promised so much, the Australian film production industry faced new challenges from abroad which ultimately proved to be more than they could cope with. Unfortunately very few films from then now survive.
Set deep in the traditional territory of Tahltan First Nation, Northern British Columbia’s Red Chris gold and copper mine is the backdrop to a lyrical tapestry of landscapes and diverse personal stories from the land. Language preservation initiatives and mining opposition evoke emotional tones as the story swells with ravishing images of wilderness as a rough and untamed beauty. A thoughtful shift from Wild’s traditional narrative style of radical point of view documentary, "KONELĪNE" is a meditation on nature, culture, and economy as experienced by those who live and work on the land.
On June 3rd 1992, six months after Eddie "Koiki" Mabo's tragic death, the High Court upheld his claim that Murray Islanders held native title to land in the Torres Strait. The legal fiction that Australia was empty when first occupied by white people had been laid to rest. Mabo-Life of an Island Man tells the private and public stories of a man so passionate about family and home that he fought an entire nation and its legal system. Though his greatest victory was won only after his death, it has forever ensured his place - on Murray Island and in Australian history.
One thousand power workers went on strike against the South East Queensland Electrical Board (SEQEB)in February 1985 in protest against the introduction of contract worker hire. This documentary details the industrial relations dispute between the ensuing Joh Bjelke Peterson coalition government and the Electrical Trades Union in Queensland, Australia during 1985.
Documentary about the lives of worshippers from the congregation of the Greater Bethany Community Church in South Central LA and the sermons of its Bishop Noel Jones
One of the most honoured and distinguished documentaries in Australian film history. Stepping Out draws attention to the talents of people with intellectual disabilities. The group went on to perform at the Sydney Opera House.
Women's unwritten history is passed down through memories. Shows women talking about their experiences of the Great Depression in Australia. Covers such areas as: aboriginal women; paid and unpaid work; mothering; marriage; women's participation in the political struggles of the 1920's and 30's.
What began as a video master class evolved into a film about the political documentaries of Oscar-winning cinematographer Haskell Wexler. Comprised of footage from his films as well as interviews, the film is an intimate portrait of the genius behind the camera.
Traces the life and artistic development of the Aboriginal painter, the late Albert Namatjira. His environment, his introduction to painting, his subsequent success with beautifully original landscapes and his influence on fellow Aborigines are recorded.
“It all begins with two”: departure/return, earth/water, history/tourism… Starting from the ancient myth of Vietnam’s foundation – a battle between two dragons – and from the balance between earth and water that defines the country geographically, Trinh Minh-ha composes a palimpsest of words and images filmed in 1995 in Hi-8 video, then in HD in 2012. Words, superimposed, come and go like a graphic ballet that adds a layer to the archaeology visible in the landscape, a mix of ancient traditions and authoritarian attempts to eradicate them.
This tribute to the dynamic artist Elizabeth Murray, an intrinsic figure in New York's contemporary art landscape from the 1970s until the early 2000s, highlights her struggle to balance personal and family ambition with artistic drive in a male-dominated art world. It also addresses her later battle with cancer, at the peak of her career.
In the wake of the Sandy Hook tragedy, a theater production comes to Newtown, Connecticut, seeking to cast local children in a rock-pop version of A Midsummer Night's Dream. The project is aimed at healing the hearts and minds of a community devastated by the school shooting that occurred just over one year prior to production.
This aloha-filled portrait of Auntie Irmgard Farden Aluli, one of Hawaii's best loved composers, gently focuses on Hawai'ian women's contributions to the family structure, art, music and dance. An intimate glimpse into the real culture of the islands.
Why is it that St Patrick’s Day is the only national holiday that is celebrated in almost every country across the world? Why can Irish pubs be found from Afghanistan to Zimbabwe? It seems that nearly everybody on the planet has some sort of a connection to Ireland.