Can Homo sapiens evolve into Homo spatius? For over 50 years now, we have been testing our human nature in our effort to conquer outer space, and still 30 years away from a possible human exploration of Mars, a question remains: Can our body take such travels? Will it ever adapt? Combining human adventure and the exploration of the human body, this film offers unique insights into the physical and psychological effects of space travel on the Astronauts and measures the impact on medical sciences.
Sue Klebold attempts to reconcile how the son she affectionately referred to as "Sunshine Boy" became a school shooter. "If love could have stopped Columbine," she says, "Columbine would never have happened."
A Japanese-American director digs deep into the controversial 'comfort women' issue to settle the debate on whether the women were paid prostitutes or sex slaves, and reveals the motivations and intentions of the main actors pushing to revise history in Japan.
Army Aviators say they fly "above the best" see the lengths these heroes will go to, to protect the soldiers on the ground, and each other during intense combat in the most dangerous places on Earth.
"I Am Human" tells the origin story of the world’s first “cyborgs” - three humans for whom the restorative potential of brain technology is no sci-fi daydream. As we follow their journeys with implantable brain interfaces, we’re forced to reconcile with the larger societal implications: will the same technologies that heal disease and dysfunction lead to super human abilities, telepathic communication, and cognitive enhancement?
It influences elections and sways outcomes -- gerrymandering has become a hot-button political topic and symbol for everything broken about the American electoral process. But there are those on the front lines fighting to change the system.
Co-founder of Greenpeace and founder of Sea Shepherd, Captain Watson is part pirate, part philosopher in this provocative documentary about a man who will stop at nothing to protect what lies beneath.
On 6 March 1906, four men were executed for the attempted murder of Colombian president Rafael Reyes. The event was photographed, and the photos were later used for a fictionalised film on the failed coup. From then on, cinema in this South American country has been inextricably linked to its violent history. Moving images have been used for historiography, propaganda, disinformation and to instil unity in a nation that refuses to come together. Falsos positivos, murdered youths disguised as guerrillas by the army to simulate military success, are a common element.
Assembled from over 10 years of footage, Markie in Milwaukee tells the story of a midwestern transgender woman as she struggles with the prospect of de-transitioning under the pressures of her fundamentalist church, family and community.
Rosine Mbakam is invited to step in Sabine’s small hairdresser’s because it is dangerous in the street. She accepts and pushes in with her camera. Sabine’s stories and the customers’ joys, worries, problems and fears bring depth and life into the premises. At times, it feels like the entire African quarter of Brussels had squeezed in. Laughter abounds, anecdotes and life stories elicit emotions, and a male visitor brings a touch of flirt into the salon.
An uncensored look into the life of '90s fashion photographer and youth culture icon, Davide Sorrenti. Known for his prodigious photos and responsible for the rise of "heroin chic", this is the story of a young photographer and how he came to define an era.
What started out as an inside joke amongst two self proclaimed weirdos in Ft. Worth, Texas soon becomes much more than they bargained for. Frustrated by the rising consumer-driven culture, out-of-work pals Douglass St. Clair Smith and Steve Wilcox decide to turn their conservative southern ideology on its head and invent a new religion all their own. Spurred on by the overreach of religion and zealous televangelists of the day, the pair concoct religious monikers (Reverend Ivan Stang and Dr. Philo Drummond), a newly minted prophet (J.R. "Bob" Dobbs), and devise a crusade to expose the conspiracy of normalcy by using humor as the ultimate weapon.
A cinematic exploration of the world of automated vehicles — from their technical history to the personal narratives of those affected by them to the many unanswered questions about how this technology will affect modern society. This documentary features interviews with industry pioneers and scenes with cutting-edge “AVs” in action around the world.
Molly Ivins was six feet of flame-haired Texas trouble. She was a prescient political journalist, best-selling author, and Bill of Rights warrior. She took no prisoners, leaving both sides of the aisle laughing and craving more of her razor-sharp wit. It's time to raise hell like Molly!
In 2012 a team of medical researchers asked themselves, "what would happen if we gave psilocybin (magic mushrooms) to people suffering from severe depression"? It took them three years to get the necessary permissions to find out.
Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.
When Khatera, a 23-year-old Afghan woman, forces her father to stand trial after a lifetime of sexual abuse, she risks her family, freedom, and personal safety to expose a judicial system that incriminates the very women who seek protection.
A woman is locked in her home with an egg, which she is both attracted to and scared of. She eats the egg, she repents. She kills it. She lets the egg die of hunger. EGG is a poetic short film based on a small yet significant moment of the director’s own life. It portrays a moment of shame, defeat and yet of victory.