Henery Hawk hides in an egg to catch his first chicken, while Foghorn Leghorn tells him that Sylvester is the real chicken and the farm dog joins in the fun.
Porky Pig and his family inherit Uncle Solomon's estate, but if they die everything goes to the lawyer, who turns himself into a Mr. Hyde-style monster in an effort to kill off the pigs.
Sylvester Cat and Tweety Bird are snowbound in a mountain cabin, and though Tweety has lots of bird seed, Sylvester will starve unless he can cook the unsuspecting Tweety. Meanwhile, a starving mouse thinks Sylvester is edible.
The tourists have left behind lots of trash. Ranger Woodlore enlists his bears to clean up by turning the task into a game (and a dance), but when he takes to his hammock, they see through his ruse. Plan B: bribery no food until cleanup complete. But all the other bears put their trash in to Humphrey's section, so he resorts to a number of unsuccessful ruses to dispose of it
A journey back in time in the form of a cartoon with characterizations of the Trapalhões, from the time of the Roman Empire to the present day, through the Middle Ages, the Old West and the First World War. They begin the film by doing a stand-up show at the Teatro Scala, in Rio de Janeiro, receiving on stage the designer Mauricio de Sousa. From then on, the story unfolds in a cartoon, in which Os Trapalhões is chased by an evil wizard whose aim is to try to hold Didi's (always unsuccessful) hand to rule the world during the passage of the famous Halley Comet.
One of a series of French-Canadian folk songs, this film was illustrated by Norman McLaren for the Chants populaires series. White gouache drawings on black cards were photographed with overlapping ‘zooms’ to suggest the forward movement of a canoe along rivers and lakes. This film appears in Chants populaires no. 5 and in Chants populaires no. 6.
A 19th-century inventor is close to perfecting motion pictures but doesn't want to reveal his invention to the public until he can show films with sound and color.
As every morning, men get on the tram to go to work. But on that day, to the rhythm of the tickets inserted in the ticket-stamping machine, the vehicle gets erotic and the conductress’ desire turns the reality into a surrealistic and phallic fantasy.
Brijes are magical animal spirits that have been in contact with human beings since the beginning of time. Every human had his brije: The human cared for his brije and vice versa. When the human turned 13 the old shamans performed the ritual a synchronizing ritual trough which the human and the brije were able to transform into the warrior form: a physical state in which the human acquired the powers of his brije and extraordinary strength needed to perform acts of heroism. Unfortunately hundreds of years ago, with the birth of modern science and technology, this union was severed and humans stopped believing in magic.
One night, a shooting star appears, whizzing through outer space towards the moon. Moon Man seizes his chance, grabs the speeding comet by the tail and hitches a ride to earth. This 'attack from outer space' sets the alarm bells ringing in the Presidential Headquarters. While escaping the President and his soldiers, Moon Man sets off on a long journey and marvels at the many wonders the earth has to offer – and he realizes how much children love and need him.
The Little Wooden Toy. The unforgettable story of a little wooden boy who longs with all his heart to become real. When a small spark of magic escapes from the Blue Fairy's home, it travels down toy maker Gepetto's chimney, bringing one small log to life. Then, when Gepetto's toys stop being sold regularly, he decides to make a toy for his own using this same log. Soon, his new wooden puppet is complete, which instantly comes to life getting mixed up in all kinds of troubles. Soon, however, with the guidance of the talking cricket and the Blue Fairy, Pinocchio learns what is needed for him to earn his heart's desire of becoming a real boy. Written by Frederick Irizarry.
An animation film, made without the use of a camera, in which "boogie" played by Albert Ammons and "doodle" drawn by Norman McLaren combine to make a rhythmic, brightly colored film experiment. The main title is in eight languages.
Viola writes novels in a darkened room. Marie, her sister and only companion, takes care of her every need. Together, they are an island unto themselves, quiet and complete in their isolation. And then the abrupt arrival of a stranger throws their tenuous order into chaos. An animated short etched directly onto tinted 70 mm film.