Chronicles the creation of The Metropolitan Museum of Art's most attended fashion exhibition in history, "China: Through The Looking Glass," an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton.
A full-length documentary that follows the history of Captain America from 1941 to present, and explores how "Cap" has been a reflection of the changing times and the world he has existed in throughout the years. Fans will hear from various Marvel luminaries including Stan Lee, Joe Quesada, Clark Gregg, Ming-Na Wen, Chloe Bennet, Jeph Loeb, Louis D'Esposito, Chris Evans and Hayley Attwell, as well as family members of Cap's creators.
The curtain is raised into the seldom seen world that surrounds the wine we drink. How many people understand how wine is produced? How it is grown? What goes on in the cellar? From those questions to how many hands touch a bottle, to why wine costs what it costs, to how certain wines end up on a wine list, this is a never before seen look into the world of wine.
Akerman films her mother Natalia, an elderly woman of Polish origin, in her Brussels apartment. For two hours, we will see them eating, chatting and sharing memories, sometimes accompanied by Sylvaine, Chantal's sister. Also, and to show how small the world has become, Chantal remains in contact with her mother at other times of the year via Skype from lands as far away from Belgium as Oklahoma or New York.
Matthew McConaughey narrates a fascinating look at Christopher Nolan's sci-fi film, 'Interstellar', including scientific foundations, the work of consulting Scientist Kip Thorne, basic film themes, the science behind the search for planets capable of hosting life, space-time and the theory of relativity, the science of wormholes and black holes, crafting the film's visuals based on real scientific observation, the birth of the universe, the Dust Bowl and the evolution of dust as a toxin, the likelihood of future dust storms, the prospects of escaping a dying or doomed planet and the possibilities of colonizing Mars.
The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.
For several decades, gifted and incredibly prolific forger Mark Landis compulsively created impeccable copies of works by a variety of major artists, donating them to institutions across the country and landing pieces on many of their walls. ART AND CRAFT brings us into the cluttered and insular life of an unforgettable character just as he finds his foil in an equally obsessive art registrar.
At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for "a crash course in manhood," a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months.
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
Get up close and personal with 16 of the most successful women in the adult film industry as they shed their clothes for an intimate photo shoot with director Deborah Anderson. As questions are asked, personal stories about their lives are revealed, from why they chose the business of sex to how they got into it in the first place. These porn stars have always been discreet about their private lives in the past, yet Anderson has a way of opening up a dialog allowing them to share more than just their naked skin on screen. Their true inner vulnerability is touching, yet the characters they have created are confident and intoxicating. Once you hear their stories, you'll never look at them in the same way again.
Today in the United States, by the simple acts of feeding ourselves, we are unwittingly participating in the largest experiment ever conducted on human beings. Each of us unknowingly consumes genetically engineered food on a daily basis. The risks and effects to our health and the environment are largely unknown. Yet more and more studies are being conducted around the world, which only provide even more reason for concern. We are the oblivious guinea pigs for wide-scale experimentation of modern biotechnology. GMO OMG tells the story of a fathers discovery of GMOs in relationship to his 3 young children and the world around him. We still have time to heal the planet, feed the world, and live sustainably. But we have to start now!
Two babies are shown seated next to each other, in high chairs, apparently enjoying themselves. Suddenly one snatches a toy from the other and they indulge in hair-pulling.
An Iranian man and a French woman stroll around the city of Isfahan, Iran and find that their love is mirrored perfectly in the architecture and mosaics of the city's mosques.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.
The Punk Syndrome is a film about Finland’s most kick-ass punk rock band, Pertti Kurikan Nimipäivät. The band members, Pertti, Kari, Toni and Sami, are mentally handicapped and they play their music with a lot of attitude and pride. We follow these professional musicians on their journey from obscurity to popularity. We watch them fight, fall in love and experience strong emotions. We witness long days in the recording studio and on tour. They laugh, cry, drink and fight over who gets to sit in the front on the tour bus. Then it’s time to make up and go talk to people in the audience and tell them how great their band is.