At the time of the Polish social regime, a security officer is promoted to work at a prison yard. Introducing concurrently with the narrator; he speaks of himself, his thoughts, his point of view.
Mark Kermode brings a tribute to the successful Alien series, featuring interviews with the cast members and directors, including Sigourney Weaver and Ridley Scott. This documentary is featured on the 9th disc of the Alien Quadrilogy DVD set, released in 2003.
Carmaux is in south-central France, near the Tarn River. As a brick of coke, about four feet high and three feet wide, is gradually pushed out of a smelter into a yard, one worker sprays it with water from a hose while two workers with long metal rakes wait to spread it out. Other workers buzz in and out of the foreground of the stationary camera. Atop the first level of the brick smelter, workers push full carts of coal along a track.
On May 19, 1997, Blaine's first television special, David Blaine: Street Magic aired on the ABC network. According to the New York Daily News, “Blaine can lay claim to his own brand of wizardry. The magic he offers in tonight’s show operates on an uncommonly personal level.” When asked about his performance style, David explained, “I'd like to bring magic back to the place it used to be 100 years ago.”'
For No Good Reason a film about Ralph Steadman. Johnny Depp guides the visually stunning journey, smashing narrative conventions, moving seamlessly from interview to animation and in the finest Gonzo tradition questions of witness and authenticity are challenged. Steadman's art is for the first time animated, including illustrations from Hunter S Thompson's Fear and Loathing in Las Vagas. Featuring Richard E Grant, Terry Gilliam, Bruce Robinson and with music from Slash, The All American Rejects, Jason Mraz, Crystal Castles, Ed Hardcourt and Beth Orton. A touching and at times funny film about honesty, friendship and the ambition driving an artist. This is a true record of the demise of the 20th Century counterculture and hipster dream with Ralph Steadman the last of the Gonzo visionaries.
Time-lapse photography of books, paintings, reflections, and light falling on textures, shot entirely through a glass ashtray. "'All that is is light.' – Dun Scotus Erigena. 'To see the world in a grain of sand.' – William Blake. These are the primary impulses while working on this film. It is dedicated to Jim Davis who showed me the first spark of refracted film light." - S.B.
A unique look at the making of Stand by Me including interviews from Stephen King, Rob Reiner, Kiefer Sutherland, Richard Dreyfuss, Wil Wheaton, Corey Feldman, and Jerry O'Connell.
This short Depression-era documentary describes the importance of the Mississippi River to the United States and laments the environmental destruction committed in the name of progress, particularly farming and timber practices and their impact on impoverished farmers.
The flat on the third floor of a Bauhaus building in Tel Aviv was where my grandparents lived since they immigrated to Palestine in the 1930s. Were it not for the view from the windows, one might have thought that the flat was in Berlin. When my grandmother passed away at the age of 98 we were called to the flat to clear out what was left. Objects, pictures, letters and documents awaited us, revealing traces of a troubled and unknown past. The film begins with the emptying out of a flat and develops into a riveting adventure, involving unexpected national interests, a friendship that crosses enemy lines, and deeply repressed family emotions. And even reveals some secrets that should have probably remained untold...
A priceless gem from the fine folks at The Internet Archive: Bruce Lee’s only existing television interview, from 1971. Martial arts expert Bruce Lee became world-renowned for his performances in such Kung-fu classics as ENTER THE DRAGON. Now his only interview in English is available. Just after the release of his first film THE BIG BOSS, he spoke in Hong Kong with Canada's premier journalist Pierre Berton. This is the closest one can get to this extraordinary master.
Trashed - looks at the risks to the food chain and the environment through pollution of our air, land and sea by waste. The film reveals surprising truths about very immediate and potent dangers to our health. It is a global conversation from Iceland to Indonesia between the film star Jeremy Irons and scientists, politicians and ordinary individuals whose health and livelihoods have been fundamentally affected by waste pollution. Visually and emotionally the film is both horrific and beautiful: an interplay of human interest and political wake-up call. But it ends on a message of hope: showing how the risks to our survival can easily be averted through sustainable approaches that provide far more employment than the current 'waste industry.'
After three decades, Jaws continues to intrigue, thrill and frighten viewers. This documentary focuses on the many ways in which Jaws has helped to shape popular culture.
A behind-the-scenes retrospective made for the twenty-fifth anniversary of the classic horror film, The Exorcist. Includes interviews with Linda Blair and the other stars of the film, along with commentary from the director and writer on some of the deeper meanings behind the elements they used to terrify their audiences, and previously unreleased footage including make-up tests and deleted scenes.
A look at the 1950s muscle men's magazines and the representative industry which were popular supposedly as health and fitness magazines, but were in reality primarily being purchased by the still-underground homosexual community. Chief among the purveyors of this literature was Bob Mizer, who maintained a magazine and developed sexually inexplicit men's films for over 40 years. Aided by his mother, the two maintained a stable of not so innocent studs.
The conflict between Dole Food Company and Swedish filmmaker Fredrik Gertten unfolds dramatically in the documentary "BIG BOYS GONE BANANAS!" as the corporation attempts to suppress Gertten's earlier film, "BANANAS!"—chronicling Nicaraguan workers' lawsuit against Dole. Initially selected for the 2009 Los Angeles Film Festival, "BANANAS!" was abruptly removed from competition, followed by a negative article in the Los Angeles Business Journal and legal threats from Dole's attorneys. Gertten captures this saga of corporate intimidation, media manipulation, and legal challenges in his documentary, showcasing the struggles documentary filmmakers face and highlighting the threat to freedom of speech posed by powerful corporations protecting their reputations.