The conflict between Dole Food Company and Swedish filmmaker Fredrik Gertten unfolds dramatically in the documentary "BIG BOYS GONE BANANAS!" as the corporation attempts to suppress Gertten's earlier film, "BANANAS!"—chronicling Nicaraguan workers' lawsuit against Dole. Initially selected for the 2009 Los Angeles Film Festival, "BANANAS!" was abruptly removed from competition, followed by a negative article in the Los Angeles Business Journal and legal threats from Dole's attorneys. Gertten captures this saga of corporate intimidation, media manipulation, and legal challenges in his documentary, showcasing the struggles documentary filmmakers face and highlighting the threat to freedom of speech posed by powerful corporations protecting their reputations.
Trek Nation is a documentary film directed by Scott Colthorp examining the positive impact that Star Trek and creator Gene Roddenberry may have had on people's lives as seen through the eyes of his son, Eugene Roddenberry, Jr. ("Rod"). It includes interviews with castmembers and crew from all five Star Trek shows, as well as various fans and celebrities who were markedly influenced by the show while growing up. Rod Roddenberry also visits Skywalker Ranch to interview George Lucas on the influence that Star Trek had on him. Lucas shares how he had gone to Star Trek conventions prior to creating Star Wars.
The film follows a simple structure, and shows the drug-related degradation of five youths (Jake, Tracey, Jessica, Alice, Oreo) during the course of three years. The film depicts drug-related crimes and diseases: prostitution, male prostitution, AIDS, and lethal overdoses.
Pacino takes us on a journey as he unravels and re-interprets Oscar Wilde's once banned and most controversial work SALOME, a scintillating tale of lust, greed and one woman's scorn.
Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.
Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.
If it weren't for a series of cataclysmic events, a comet impact being first on the list, our planet could well still be the domain of dinosaurs. Following Pr Rodolfo Coria, a world-renowned Argentinian paleontologist, we visit sites of major discoveries he has contributed to in Patagonia and travel back in time to see these amazing beasts come to life in 3D...
French essay film focusing on global political turmoil in the 1960s and '70s, particularly the rise of the New Left in France and the development of socialist movements in Latin America.
108 shows, 78 cities, 32 countries, 6 continents, 1.1 million fans. Beyoncé’s I Am... World Tour captures concert footage from numerous shows edited into one extraordinary concert. Weaved into this concert are highlights that give a rare glimpse into the dynamic and personal world of this multi-faceted icon. As a bonus is a behind-the-scenes documentary entitled Mic and a Light. I Am... World Tour Blu-ray captures not only an unforgettable performance from the superstar singer and entertainer, but showcases her astonishing talent as a filmmaker, director and producer.
An account of the professional and personal life of renowned American photographer Annie Leibovitz, from her early artistic endeavors to her international success as a photojournalist, war reporter, and pop culture chronicler.
Richard Pryor: Live & Smokin' is the first stand-up act of Richard Pryor to be filmed out of the four that were released in total. This film was filmed in 1971 but not released until 1985, on VHS. This was the first stand-up act that Pryor did before he hit the mainstream audience. With only 48 minutes of footage, it is the shortest of Pryor's stand-up routines.
On 2 July 2005 an estimated 3 billion people came together in the fight against extreme poverty. LIVE 8 - 10 concerts featuring over 1000 musicians from across the globe - asked people not for their money, but for their voice.
The story of how the classic album "Paranoid" was made, with stories from band members to those who were influenced by its content, form and vitality. Paranoid is the second studio album by English rock band Black Sabbath. Released in September 1970, it was the band's only LP to top the UK Albums Chart until the release of 13 in 2013. Paranoid contains several of the band's signature songs, including "Iron Man", "War Pigs" and the title track, which was the band's only Top 20 hit, reaching number 4 in the UK charts. It is often regarded as one of the most quintessential and influential albums in heavy metal history.
A 3-D presentation of U2's global "Vertigo" tour. Shot at seven different shows, this production employs the greatest number of 3-D cameras ever used for a single project.
This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.