A documentary about Berlin's former airport Tempelhof. A film about Departures and Arrivals. And about those Berliners who come here to escape from their daily lives and those refugees who came here to finally arrive somewhere.
U2 bring their stadium-filling rock to Abbey Road Studios to perform exclusive versions of classics like With or Without You, Beautiful Day and One, alongside new music from their latest album Songs of Experience, accompanied by a live orchestra and choir.
Elton John: I'm Still Standing – A Grammy Salute. Taped at the Theater at Madison Square Garden shortly after the 2018 Grammys and broadcast on CBS this week, the evening saw Elton John and husband David Furnish seated front row for a tribute to the works of Elton John and Bernie Taupin from Ed Sheeran, Kesha, Sam Smith, Shawn Mendes & SZA, Little Big Town and more. The whole thing ended with a stellar performance from the man himself, with the majority of his all-star guests joining him for a rollicking "I'm Still Standing."
Few know what happened, in fact, on August 23, 1944, and who were the main actors of change. Words like "coup", "war" and "communists" are used often in the same sentence, without knowing anything about the courage that a king nor 23 had when it was across Hitler's plan.
The story behind the classic movie musical. The programme examines the original stage musical in the early 1970s, which starred a young Richard Gere, and the changes that occurred between stage and screen, including the addition of several new songs and toning down the original show's darker elements. Plus, a look at some of the actors who could have played the roles made famous by John Travolta and Olivia Newton-John.
Great filmmakers claim the artistic influence of French director Henri-Georges Clouzot (1907-1977), a master of suspense, with a unique vision of the world, who knew how to offer both great shows and subtle studies of characters. Beyond the myth of the tyrannical director, a contrasting portrait of a visionary, an agitator, an artist against the system.
The fascinations of filmmaker Peter Greenaway, whose motto is "art is life and life is art,"are captured like butterflies and arranged in an alphabet, a form that suits him perfectly as an encyclopedist. In intimate conversations with his perceptive 16-year-old daughter Zoë, we discover the whos, whats and whys about Greenaway.
A poetic and atypical nature film about the various inhabitants of an old-growth forest, on the ground, in the air and in the water. There's no commentary, only the rich, almost palpable sounds of the forest and the magical situations captured by the camera. Although we might sometimes be puzzled as to what's actually happening a mating ritual or the start of a fight? the lack of explanation leaves space for us to associate freely and simply experience the images. The film offers a close-up view of a wide range of creatures such as the insect that appears out of the melting snow, gradually begins to move and impatiently waits until all its legs are free so it can fly away. The scale of the portraits is sometimes grand and at other times modest, but always filmed with precision, whether in daylight or at night. Time doesn't seem to matter in this extraordinary piece of slow cinema.
The Élan School was a for-profit, residential behavior modification program and therapeutic boarding school located deep within the woods of Maine. Delinquent teenagers who failed to comply with other treatment programs were referred to the school as a last resort. Treatment entailed harsh discipline, surveillance, degradation, and downright abuse. Years later, the patients who were institutionalized in this facility still carry the trauma they endured, with mixed opinions on the impact of their experience.
If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound.
Grammy nominated comedian Bob Saget returns to his home, on the stand-up stage. Filmed as a warm embrace in these troubling times, the comedy legend declares himself to be the last TV father you can trust in this R’ish rated hour of entertaining stories, riffing with the audience, words of wisdom, and new original comedy songs.
The Normandy landings of 6 June 1944 were pivotal to the outcome of WW2. We learn when Churchill and Roosevelt first proposed the operation and how preparations started—finishing with the key events of D-Day and the far-reaching effects of its outcome.
100 million records sold, 16 Grammy Awards and a place on the Rock and Roll Hall of Fame: Sting is a genre-breaking, unique paradox in the world of music. Yet we know so little about the man. Behind the global rock star hides an intellectual, a free and frail man who uses his art to express his inner thoughts and bear the battles important to him.
On the morning of February 8, 1977, Tony Kiritsis walked into an office on East Market Street and wired a shotgun to mortgage broker Richard Hall’s head. After making a 40-minute 911 call that ran the emotional gamut from polite respect to seething rants and tearful breakdowns, Kiritsis then paraded Hall along the streets of downtown Indianapolis followed by a cadre of police and media who were unable to do anything other than watch the event unfold. Kiritsis went on to hold Hall captive for three days as SWAT snipers, the bomb squad, and FBI looked for a way to disarm him without Hall being shot. The crisis culminated in a shocking press conference broadcast live on TV
Alberto Laiseca was a writer, a writing teacher, and creator of the “delirious realism”. This is a depiction of the author of Los Soria and El jardín de las máquinas parlantes, and his relationship with writing and his students.
Rabot is one of the poorest neighborhoods in Gent. The documentary focusses on the last remaining members living in three tower blocks that are ready to be demolished. It’s a universal parabel about dreams, loneliness and our own indifference.
Rob Grant and Mike Kovac receive a disturbing fan video inspired by their previous horror movie Mon Ami, motivating them to investigate the responsibility of filmmakers in portraying violence in movies. In their pursuit of the truth they are unwittingly introduced to the real world of violent criminals and their victims.