This film was made on the occasion of the celebration of the 20th anniversary of the Ilinden (St. Ellias Day) Rebellion. This panoramic film depicts the most significant historic figures and places situated in the Aegian, Pirin and Vardar regions.
The titular troublemakers are the New York–based Land (aka Earth) artists of the 1960s and 70s, who walked away from the reproducible and the commodifiable, migrated to the American Southwest, worked with earth and light and seemingly limitless space, and rethought the question of scale and the relationships between artist, landscape, and viewer. Director James Crump has meticulously constructed Troublemakers from interviews (with Germano Celant, Virginia Dwan, and others), photos and footage of Walter De Maria, Michael Heizer, Robert Smithson, Nancy Holt, and Charles Ross among others at work on their astonishing creations.
In the second part of the trilogy on anxiety (in continuation of White Epilepsy), the only light source that reflects on the screen is the naked human body. Its surface, full of bones and muscles, flexes and vibrates in a frantic rhythm. The livelier the reflection, the deeper a viewer feels his/her mortality, as he recognizes between the convulsions the forces he/she cannot control.
This one is a collage of Hollywood melodramas of the 1950s and 1960s, filmed directly from the television set. The constantly recurring motifs of suspense and clichés of plot make it possible to move seamlessly among scenes from different films with different protagonists: uneasy sleep, getting up, listening at the door, turning on the lights, being startled, etc. In the montage, the movements and gestures of the actresses – stars like Lana Turner, Tippi Hedren, and Grace Kelly– seem choreographed and planned for each other. The soundtrack supports this effect with connecting passages of sound that imitate the stereotypes of the genre. The treatment concentrates the dramatic shift from the familiar to the eerie and shows how women become the victims of the voyeuristic glance of film.
A diverse group of disabled people from across the U.S. take on leading roles in a magical rip-roaring costume drama Western, filmed on vintage Hollywood locations. This riveting film within a film immerses us in a dynamic, inclusive world of discipline and play, raising questions about why we so rarely see real disabled actors on the big screen?
The film presents a description of Puerto Rico of the late 1960s and early 1970s. It shows some of what the island had to offer at that time and explains that Puerto Rico is "American in every respect", except for its "360 days of sunshine", due to the results of Operation Bootstrap.
On the day young Alan receives his driver's license, Officer Hal Jackson visits the Dixon farm to sternly lecture the family on the dangers of carelessness at railroad crossings.
This educational film emphasizes the importance of good grooming and personal hygiene habits. Clothes should always appear clean and neat, and should be appropriate to the classroom setting. (Inappropriate dress makes you uncomfortable and conspicuous, not a good thing!) The functions of the skin are examined in scientific detail. Methods for cleaning the skin are demonstrated. Besides maintaining skin and body health, good grooming habits will help you "fit in" in various social situations, and may even help a gal attract a boyfriend!
The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.
Interesting short documentary on young athletes in a Soviet ice skating program, some of whom are barely past toddler age. Kinetic and up close, the doc focuses on movement with music, eschewing interview and conversation, and mostly submerging political and social commentary.
An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.
One of the most controversial, original and loved figures of Italian cinema. The most censored director of all time. An anarchist of the film, a gifted experimenter, an inventor of dreams. A truly great artist.
BBC look at whether or not Snuff films really exist. Snuff as defined by the FBI and the film is a film that shows some one being killed which was produced for gratification of the viewer who pays to see the film. The film takes a look at the start of the rumors of snuff films, the latching on by exploitation producers and how the ability of anyone to shoot video with things such as mobile phones and put them up on the Internet have made the existence of a such a film likely. A very good very reasoned film that isn't really that graphic (at least with actual footage) the film looks at the subject with filmmakers and law enforcement officials and relates the chilling tales of the people who actually set out to make a film for themselves. The key element is the profit motive since its clear that killers and other people have been using home video equipment to record their nasty deeds, we just don't know if money has changed hands. A film to make you think.
The infamous Hospital Colonia de Barbacena (Barbacena Colony Hospital), biggest mental institution of Brazil, once compared to concentration camps of Auschwitz ,opens its gates to a production crew during the country's dictatorship period. This short documentary depicts how mental patients were treated inside the institution and how anyone could end up an intern there for no plausible reason.
In SFRJ, the state officially takes care of all it's citizens. Every child is a good little pioneer. However, in reality no one (especially not the state) takes care of Roma and many other poor kids leaving them to poverty and the streets.
SFRJ is officially a place where everyone have a job and a house. The story follows hard labored workers who can't find a job, who bathe in public bathrooms and sleep in homeless centers.