The title tells us where we are; the vignette is in two parts, spliced together. On a busy sidewalk, a police officer holds the left arm and a suited man holds the other of a Chinese wearing a loose white shirt and hat - marching the man up the slight incline past the camera.
After looking at a photograph from the end of World War II of two young boys holding guns, celebrating the liberation of Warsaw, a documentarian for Polish television tries to find the boys and discover how their lives have went.
Eufrosina Cruz was the first woman that became Congress President in Oaxaca. This is the story about women in politics in Mexico and their fight to reach their right to vote, their right to be in power. A journey that just started.
A young Spanish director is fired from his job in television. Taking up his dream of making films, traveling to India to "find" his first feature to discover his real quest is not in India but in Madrid. However, on his return home, things do not go exactly as he had hoped ... Recorded over several years with very limited budget, the film asks, as a "film-diary", daily situations of the filmmaker's life, recorded during that time and narrated in the first person.
A journey through the incredible story of Renato Zucchelli, the last travelling shepherd living in a metropolis, who conquered the city with only his sheep and the power of fantasy.
Vou Rifar Meu Coração is a documentary about the performers and the followers of Brazilian romantic music – also known as brega (kitsch), often called "cheesy" by critics and the wealthy elite. Frequently associated with bad taste and poor quality, the style is admired by the lower working class, or unemployed population, originally from rural origins, banished to the cities in search of work and a better life. Using the music as a catalyst, this documentary shows the sentiments, love, suffering and sexuality of the fans and their idols, creating a scenario that reveals their practices and desires.
Wisconsin—birthplace of the Republican Party, government unions, cheeseheads and Paul Ryan—becomes a test market in the campaign to buy Democracy, and ground zero in the battle for the future of the GOP.
Constructed as an experimental montage of still photographs, "Diary of Yunbogi" reflects on poverty and historical responsibility through the imagined diary of a six-year-old Korean boy living in a South Korean slum. Drawing on photographs taken during Ćshima’s 1965 research trip to Korea, the film juxtaposes the child’s daily struggle to care for his siblings with the director’s own reflections on Japanese–Korean relations.
Starring 32 artists from SM Town. The movie reflect the past, present and future of each artist with behind-the-scenes footage that follows the stars as they undergo rehearsals, revealing their day-to-day lives and also features interview, video diaries and never-seen-before archive files.
One of the major documentaries on a specific chapter in modern Japanese history, this look at the trial of Japanese militarists accused of war crimes is excellently handled by director Masaki Kobayashi. Kobayashi and his assistants had to plough through 30,000 reels from the proceedings of the International Military Tribunal which took place between May, 1946 and November, 1948. It took two days to read the charges against the 100 alleged war criminals in the docket (only 28 top officials are actually in the courtroom, which was limited in space), and the final judgment took one week to read.
An expedition leaves Ushuaia for the Antarctic circle. Pierre Huyghe, along with six other artists, is brought aboard Jean-Louis Etienne's boat in search of an uncharted island inhabited by a strange creature. Imprisoned by ice floats, they come across an albino penguin that they capture with their recording station. Six months later, on the Wollman Ice Rink in New York's Central Park -- another sea of ice -- Joshua Cody conducts his orchestral score inspired by the expedition's topographical records.
Music by Prudence tells a self-empowering story of one young woman's struggle who, together with her band, overcomes seemingly insurmountable odds and, in her own voice conveys to the world that disability does not mean inability. In addition to its sheer emotional punch, Music by Prudence has become the cornerstone of an advocacy campaign and has been embraced by the UN, Human Rights Watch and the disability community as an unprecedented portrayal advocating for the rights of persons with disabilities. Prudences poignant, inspiring and irreverent message of hope has received an amazing response from press and audiences all across North America, and has won the Academy Award for Best Documentary Short and several other awards as it continues drawing in more audiences.
Amaluna invites the audience to a mysterious island governed by Goddesses and guided by the cycles of the moon. Their queen, Prospera, directs her daughter’s coming-of-age ceremony in a rite that honours femininity, renewal, rebirth and balance which marks the passing of these insights and values from one generation to the next. In the wake of a storm caused by Prospera, a group of young men lands on the island, triggering an epic, emotional story of love between Prospera’s daughter and a brave young suitor. But theirs is a love that will be put to the test. The couple must face numerous demanding trials and overcome daunting setbacks before they can achieve mutual trust, faith and harmony.
A breathtaking journey over the spectacular snow-covered peaks of the Alps as we join a small group of extraordinary mountain athletes in their pursuit of happiness and fulfillment.
A leading director of the Czech film renaissance provides a philosophical meditation on life and death, set amidst complex hospital apparatus and the sadness, hope, or resignation of the patients. Existentialist rather than optimist, the approach is one of humanistic atheism, accepting death as part of life. Interviews with doctors and nurses explore their outlook; all speak of death as a fact, without either sentimentality or religiosity. The studied objectivity of the film only imperfectly hides an intense emotionality.
Filmed in Bali in 1937 and released in 1952, this short documentary records a staged performance of the Kris Dance, documenting trance, ritual possession, and ceremonial movement within Balinese religious practice.