I Like The Way You Taste is a short film where our couple, Kaeshelle and Nicholle, embody softness, Black queer love, and the unspoken power of touch. Through intimate moments and the challenges of public affection, they explore how love fosters self-acceptance and growth.
The film follows three young leaders under the age of 40 during the historic 2024 elections that ended 58 years of rule by the Botswana Democratic Party. Through their campaigns and struggles, the film captures the hopes, challenges, and urgent demand for new leadership on Africa's youngest and oldest continent.
World Over is a film by Ed Tullett (Lowswimmer) that explores his experience of live touring with Novo Amor. Intended to show a more realistic side of touring compared to the usual hand-picked and finessed exciting moments, the film explores the monotony of its constant travel, the repetitiveness of playing the same show over and over, and the disorientation of being in ever-changing, unfamiliar places for a day or two at a time.
When Olympic soccer star Diana Matheson retires, she sets out alongside other players to build something that has never existed: a professional women’s soccer league in Canada. Their journey becomes a modern David and Goliath story as they take on institutional power, doubt, and inertia. Directed by award-winning documentary filmmaker Michèle Hozer (Shake Hands with the Devil, Genius Within: The Inner Life of Glenn Gould, Sugar Coated), the film was shot extensively across the country, including Olympic medalist Erin McLeod's return home to play for the Halifax Tides. The Pitch offers rare access to this fight to change the game: a universal story of resilience and rewriting the rules.
On the 1991 European Basketball Championship an incredible event occured. A team of some of the greatest Balkan basketball stars accepted gold and watched the flag of their country be lifted up. The flag of a country that no longer existed.
Follows young advocates and business leaders as they fight to expand nuclear power in America. They must overcome the power source’s controversial past, as they tackle policy and financial challenges to unlock its transformative potential as a clean baseload energy source.
In the heart of Goiás, young quilombolas reinvent traditions and transform their cultural heritage into strength for the future. "Voices and Gaps" is a sensitive portrait of the resilience and hope of these young people.
The story of a Japanese scholar, Minoru Hokari, who, before his death in 2004 at the age of 32, achieved work which today commands an ever-widening audience. It is a story of cross-cultural understanding, how Gurindji Elders in the Northern Territory tasked Minoru to relay stories from their culture to a wider world.
“SABU” is an intimate documentary that follows the enigmatic career of professional wrestler Sabu as he seeks closure in his storied life—a final match. From his tumultuous upbringing under the influence of The Sheik to the electrifying days of ECW, Sabu reflects on his evolution as a performer and the extreme style that defined his legacy. The film captures the highs and lows of his journey, including personal challenges, injuries, and the emotional turmoil that shaped him both inside and outside the ring.
Existential Risk is a film about the possibility of human extinction or civilizational collapse, as these questions (and others) are grappled with in Cambridge, England. A personal documentary in which the filmmaker's own existential crisis (micro) is contrasted with planetary risk (macro).
Directed by Lih-Kuei Chen, this film honours Professor Chiou’s legacy and traces his journey from early disillusionment under martial law in Taiwan, to formative years in the United States, and decades of community-based activism in Australia. Through interviews, archival footage, and his own writings, the film explores Cold War exile, the making of diasporic identity, and the small but powerful role of critical thought in shaping transnational Taiwanese democracy. More than a portrait of a single intellectual, the documentary reflects on broader dynamics of cultural resistance, diaspora diplomacy, and the political life of ideas beyond the Taiwan/China binary.
A portrait of Maine artist Mitchell Rasor’s wintertime salt marsh drawings. Filmed in the Spears Farm Estuary Preserve on the Royal River in Yarmouth, the film is a finely observed and evocative meditation on landscape, memory, and one man’s obsession with capturing nature’s fleeting essence on paper.