Track Guy Movie chronicles the career of passionate, renowned track and field announcer, Mike Jay. Through the course of an Iowa high school track & field season, he shares what it means to be a Track Guy and how he uses his platform to give back to the community
The feature film “Anti-Heróis do Udigrudi Baiano” focuses on experimental works produced in the marginal cinema movement in Bahia, including works such as “Meteorango Kid”, “Caveira My Friend”, “Anjo Negro” and “Superoutro”, among others, which explore the trajectory of disruptive characters, on the margins of society, with irreverent movements guiding the narratives and concepts that this generation proposed.
Set in the Taoyuan Aerotropolis expropriation zone, this film traces a home that no longer belongs to us. Before relocation, my mother passed away—her “too late” compelled me to return and document what remains.
Through father–daughter dialogue and acts of creation, the film records landscapes on the verge of disappearance, and the fragile traces of “home” that persist in the struggle against erasure.
"The Xingu River obeys no laws; it has been restoring and resurrecting spirits against all the evil that has been done to it," proclaims Dona Raimunda, who, with her double-edged axe, justly separates evil from good. Her struggle exposes the harsh reality of segregation experienced by riverside communities, riverside dwellers, and Indigenous people in the Volta Grande do Xingu, in Altamira, Pará, since the construction of the Belo Monte Dam.
Escaping the extreme heat, K takes a vacation to a highland retreat, only to be disappointed by a landscape far from what he saw online. To kill time, he takes photos with his smartphone and unexpectedly encounters a mysterious woman in his hotel room. He begins photographing her in earnest, and what began casually turns into deep immersion. Through the lens, the scenery transforms into unfamiliar yet beautiful images, and K becomes captivated by a world he had never truly seen. In a place detached from his expectations, his quiet journey unfolds—gently questioning the boundary between imagination and perception.
Architects, cultural planners, and public administrators come together to reopen the Gunsan Cultural Center, which had remained abandoned for over a decade after its closure. Is chronic operational deficit an unavoidable fate for public cultural facilities, or can a sustainable revenue model be developed? This film documents the struggle to reinterpret underutilized spaces and uncover new public value in cultural venues of our time.
In 2010, renowned Australian artists George Gittoes and Hellen Rose established the Yellow House in Jalalabad, Afghanistan - a sanctuary for artistic expression amidst conflict. This documentary chronicles their return to the Yellow House in 2024 under Taliban rule, aiming to demonstrate that "where war fails, art wins."
Following the body of Park Kyung-seok and the hands of Moon Jong-taek, the film documents Park's daily struggles on the subway and the public outcry over 'inconveniencing innocent people.' Holding his camera, Moon confronts a wall of indifference as they repeat the same fight in an unchanging world.
Kostas spent years sailing the endless oceans as a ship engineer. Now retired on land, with the marks of time growing deeper, he lives between memories of the past and the singing of his canaries.
As rhythmic machines press zinc sheets into coffins, factory workers reflect on their own mortality. Does daily contact with death heighten their awareness of life’s impermanence?