Two narrative and aesthetic levels—a stylized studio room with a horror vibe that the fictional Nora can't leave, and a voyeuristic handheld camera recording a nervous girl in a real setting—connect the main character's body and experience with sexualized violence. A variation on Ibsen's woman, whose story is taken over and rewritten by a man, creates a counterpoint to the image of the contemporary heroine, who speaks for herself falteringly and painfully and refuses to be silenced.
The seemingly purely observational fascination with insect bodies is disrupted by a diegetic soundtrack composed of distinctive frequencies to which the observed creatures are exposed. This scientific film experiment, which results in a visual transcription of their auditory responses into colored marks on a speaker, concludes with a tragic punchline.
Mājā – a Sanskrit term denoting a veil, illusion, or deceptive reflection that conceals the true nature of reality while simultaneously creating it. The film translates this ancient metaphor into slowly flowing black-and-white images: mesmerizing details, alternating light and shadow, flowing water that melts on the girl's face like a translucent veil. The central symbol of the film is a mirror cube – both a deception and a gateway, in which reality shatters into a dimension of reflections and opens up a space for quiet contemplation.
A collage of excerpts from Czechoslovak television educational programmes from the 1970s and 1980s devoted to the artificial termination of pregnancy is accompanied by an urgent voice-over reflecting on what really shapes the history of abortion: is it the idea of self- ownership and freedom, the development of medical technologies, state reproductive policy, or market logic? The film paints a complex picture of the reproductive history of socialist Czechoslovakia, in which media representations of abortion—so different from the rhetoric surrounding the feminist pro-choice movement in the US—are transcribed into intimate bodily experience.
A young filmmaker finds a notebook containing his great-grandfather's memoirs from the Spanish Civil War in Soria. He discovers that his great-grandfather was persecuted and imprisoned for years and attempts to reconstruct his story by revisiting these locations to film them.
Told almost entirely without spoken words, this film unfolds in the language of its subjects: Guatemalan Sign Language. In a country where more than 850,000 Deaf people receive little institutional support, silence becomes both a barrier and a form of connection. Through classrooms, homes, and everyday life, the film observes a community building its own means of understanding and belonging. Among those leading the way are Melkin, Dairy, and Jonathan, the teachers, students, and leaders within Guatemalan Deaf Ministries, where the language of hands has become the language of hope.
A team that made history, a city that found its pride. In 2005 the London Knights gave their city a season that will never be forgotten. Led by Coach Dale Hunter and a roster stacked with talent, the Knights stormed through the playoffs and lifted the Memorial Cup on home ice at the John Labatt Centre. From veterans to rising stars, every player contributed to a championship run that rewrote Canadian junior hockey history. Team of the Century brings that extraordinary season back to life. With rare footage and fresh interviews, the documentary dives into the personalities, plays, and perseverance that turned a group of teenagers into icons. Fans will hear directly from players who went on to long NHL careers, alongside voices from across the locker room who remind us that every shift, every save, and every goal mattered.
Minimalist musical accompaniment, together with sound design replicas and emotionally charged screams from a crime drama revolving around the character of a deranged criminal, unify the vertical montage of 16mm film strips. The result is a slightly paranoid and self-ironic mélange, which is shaped as a structural film.
When 74-year-old Robert Tilley agreed to take photographer Ting Ting Chen on a road trip across Newfoundland, neither could have predicted the deep, cross-generational friendship that would blossom between them, nor how Robert's role in Ting Ting's art would challenge traditional ideas of the artist-muse relationship. This touching short film explores the concepts of aging, memory and identity while demonstrating the power of creative connection.
In the middle of the national carnival parade, a devil walks along the Malecón of Santo Domingo, asking participants and spectators what they feel during the carnival. For what purpose?
Queen Elizabeth I commissions a magnificent mechanical organ for Sultan Mehmed III, crafted by the famed Thomas Dallam. The organ, adorned with singing birds and celestial mechanisms, is shipped over six months of treacherous seas. Upon arrival, Dallam assembles it and personally plays the organ as the Sultan eagerly awaits. Yet, despite its grandeur, the organ’s story ends in tragedy. Postbellek's short documentary was produced with the guidance and narration of Emre Aracı, and it leverages artificial intelligence by Atıl Altaş.
A legendary flamenco dynasty channels raw emotion and family bonds into electrifying performances, creating a powerful legacy of Spanish dance artistry across generations.
In the mid-1920s, Cevat Şakir, also known as Halikarnas Balıkçısı, was sentenced to death for an article he wrote in a magazine and was exiled to Bodrum. Instead of rotting in prison, he took a step towards a new life with the helping hand extended by the district governor. He left his past behind and made his name forgotten.
Nawras, a Jordanian-Palestinian queer artist, has been living in Bratislava, Slovakia, for the past four years. Existing within two communities and clashing cultures, she is pushed towards a third goal; to find peace and a place she can call home. Can she reclaim the culture she was born into, this time, as she chooses to define it, and in doing so, create a community which will become her family?