Green was the symbol of recognition among the supporters of Iranian presidential candidate Mir-Hossein Mousavi. This documentary-collage illustrates with animated blogs and tweets the story of democracy under fire and the dramatic events before and after the 2009 presidential elections in Iran.
Follow General George Armstrong Custer from his memorable, wild charge at Gettysburg to his lonely, untimely death on the windswept Plains of the West. On June 26, 1876, Custer, a reputation for fearless and often reckless courage ordered his soldiers to drive back a large army of Lakota and Cheyenne warriors. By day's end, Custer and nearly a third of his army were dead.
30+ interviews in 10 U.S. states with authors, collectors, journalists, professors, bloggers, students, artists, inventors and repairmen (and women) who meet up for ‘Type-In’ gatherings to both celebrate and use their decidedly lo-tech typewriters in a plugged-in world.
A Journey to the Origins of Modern Yoga. Yoga is known to go back to God Shiva, who perfected 8,4 million postures, according to Indian tradition. Far less known is the fact that yoga is at the same time an early 20th century-creation of Indian savant T. Krishnamacharya, which is what this film is about. Krishnamacharya's life and teachings are seen through the eyes of the director on his search for authentic yoga. His journey leads him from students and relatives of Krishnamacharya's such as the legendary teachers Iyengar and Pattabhi Jois to the source of modern yoga: the palace of the Maharaja of Mysore, where Krishnamacharya founded the first ever yoga school. A feature-length documentary including rare historical footage as well as lavish reenactments.
As recently as forty years ago, most sections of the Maasai were semi-nomadic and relatively independent of the nation-state. However, political, social and economic changes in East Africa have forced many herders to adopt a sedentary lifestyle. The Chairman and the Lions introduces Frank Kaipai Ikoyo, a charismatic Ilparakuyo Maasai who, at thirty-three, is the leader of a Tanzanian village called Lesoit. Ikoyo was elected to his post at the age of twenty-six in part because he had completed primary school. That someone so young would be accorded such authority would have been without precedent not long ago. Yet this ethnography of Ikoyo's duties as village chairman shows how literacy and insight into the workings of the nation-state are essential for Maasai to combat the many lions, both real and figurative, that beset them: land grabbers, "bush" lawyers, unemployment, out-migration and poverty.
Ngaben: Emotion and Restraint in a Balinese Heart takes an impressionistic look at the ngaben from the perspective of a mourning son, Nyoman Asub, and reveals the intimacy, sadness, and tenderness at the core of this funerary ritual and the feeling and force that underlie an exquisite cultural tradition. Amidst ample cultural and interpretive understandings of the cremation ceremony, the film purposefully provides a personalistic, impressionistic, and poetic glimpse of the process and the complex emotions involved.
Descending from a long line of fishermen on the Yangtze River, Liu Gujun had to redefine his professional activity when the construction of the famous Three Gorges Dam began. His father, who has recently passed away, had to stop fishing the river due the growing pollution that the dam has created and asked his son to start cleaning the river. In the Chinese tradition of respect for the elder, Lui Gujon took the last wishes of his father very seriously. As such, he puts all his energy and invests every penny of his personal wealth into the ambitious project of cleaning up the river. For lack of sufficient grants from the government, Liu even contracts heavy loans to build a small flotilla of cleaning boats.
A terrible flood destroys the home of the AH family in a small village in China's Southern Guangdong province. Life was already a constant struggle for them, but this disaster turns their existence into a nightmare. Over a period of 12-months the filmmaker follows the family during the challenging period of building a new shelter. During this time they will have to confront many obstacles, material and emotional as well as those associated with local and regional governments, which in the end profoundly changes them forever.
This Song GAO directed documentary follows the stories of Feng Haitao, Li Yuchun, and Jin Lian after they graduate from the Sichuan Normal University. As they seek employment in one of China's largest cities, Chengdu, the program makes us question the validity of a college diploma and whether wealth is more important than education. Following each graduate from the moment they receive their diplomas, we track their highs and lows as the pressures of the modern world are thrust upon them. As we become more connected with their lives we start to wonder that even with China's growing influence in the world, are there still enough jobs for China's next generation of graduates?
In this documentary, we follow the twenty-three families strong nomadic Guoshan tribe, a sub-group of Yaos. They follow a thousand year old tradition of selecting a new temporary home every two or three generations, usually distancing themselves from their previous temp-home by several hundreds of miles. Provided now with a substantial piece of land for them to build their own permanent village and farm their own land, the tribe's leader as well as thirty members decide to precede the tribe's move. Although they have a strong sense of community they are used to operating individually for their survival. In this instance, as they learn to become farmers, it has been decided between them to operate under a collective scheme, just as in the early days of China's communist revolution.
There are more than 2,500 pensioners living in a large private retirement home located in a suburb of Canton (Guangzhou), China. As we discover the daily lives of these people, the film focuses on the lives of two elderly ladies: Ms. Kuang and Ms Xie. The documentary reveals how today's urban China can be reflected by the story of these two women, who find themselves away from their families, in a retirement home. Here, in the wake of serious health considerations, they have to build new relationships, define a new rhythm to their daily life and invent new ways to be with others.
The Jin Cheng restaurant in China's Chao region has a reputation for excellence due to its "Chao" specialties. To guarantee the authenticity of "Chao" flavors, the supplying of fish, shellfish and tofu, among others, must come from the original source…where the skills of this ethnic group are still applied in accordance with the ancestral rules and where the quality and freshness of the products is indisputable. Nothing can be properly done if the traditions are not respected. A fascinating documentary on Chinese culture, traditional skills and ethnic belonging.
This video presents the real-life case of 96-year-old Miss Mary, who was financially exploited and later, sexually assaulted by her grandson. Miss Mary had been living with her grandson and his wife for five years during which financial abuse took place. After the attack and hospitalization, she was placed in a nursing home under the name "Jane Doe" for safety reasons. However, she retained her strength of character, and fully participated in the subsequent trial and prosecution of her grandson.
Peter Proctor is New Zealand's father of biodynamic agriculture. Peter has been gardening and making compost for over 65 years. "Biodymanics makes organics work." Compost is the fundamental element in all gardening & farming. This master class takes you through the biodynamic compost making process from gathering and assembling your materials to creating the perfect compost heap. Rudolf Steiner believed biodynamic compoast was the foundation of humanity and the vital link between the cosmos and the earth. In Perfect Compost, Peter Proctor walks you through every step to building perfect compost.
A visit to the studio of Ernst Wilhelm Nay, a remarkable, if somewhat solitary German artist, who established his status at age 30, just before the advent of the Nazi takeover. Nay belonged to the persecuted generation of German artists who, just as their work began to blossom, were forced out by Hitler's art dictatorship. Labeling the art "decadent", the Hitler regime called for the removal of Nay's paintings from museum collections and the artist was banned from showcasing his new work. After the end of World War II, Nay returned to painting and worked tirelessly to make up for lost time, producing new pieces year after year and quickly becoming one of Germany's leading painters. Ernst Wilhelm Nay died in 1968 at the age of 65 yet his studio, still intact, offers a retrospective of his work starting from the 1920s. His wife, Elisabeth Nay walks us through the studio, offering insights into her husband's process and creative intent.