In 1994, the Latin Kings became the Latin King and Queen Nation. They claimed to have abandoned their criminal past and to be following in the footsteps of the Black Panthers and the Young Lords.
During the spring of 2000, eleven girls aged 8 to 16 from a variety of socio-economic backgrounds and two classrooms of middle and high school students were interviewed about their views on media culture and its impact on their lives. Their insightful and provocative responses provide the central theme of the film, a half-hour examination of how the media presents girls. Juxtaposing footage culled from a typical week of TV broadcasting with original interviews, WHAT A GIRL WANTS will provoke debate and, ideally, act as a catalyst for change in media content.
The Atlanta murders of 1979–1981, sometimes called the Atlanta child murders, were a series of murders committed in Atlanta, Georgia, between July 1979 and May 1981. Over the two-year period, at least 28 children, adolescents, and adults were killed. Wayne Williams, an Atlanta native who was 23 years old at the time of the last murder, was arrested, tried, and convicted of two of the adult murders and sentenced to two consecutive life terms.
In a documentary that spans two continents and several generations, acclaimed director John Paskievich delves into the experience of exile and its impact on the human spirit. Almost fifty years after his family fled Ukraine for freedom in Canada, the filmmaker visits his parents' homeland. It's a place both familiar and foreign. Drawing on his years growing up in Winnipeg, Paskievich explores how children of refugees and immigrants are caught between two worlds. While they struggle to put down roots in a new country, they must also preserve traditions of a distant land they have never known. Paskievich's journey through Ukraine is interwoven with stories of displacement from other prominent Ukrainian Canadians--authors George Melnyk and Fran Ponomarenko, filmmaker Bohdana Bashuk, director Halya Kuchmij and dancer Lecia Polujan. A rich tapestry of memory and history, My Mother's Village brings to light the humour, anger, joy and complexity of living between borders.
Samaki wa Dar es Salaam/Fishers of Dar is an ethnographic film about the fishermen and women of downtown Dar es Salaam, Tanzania. It explores the continuity and integrity of traditional fishing practices in new, contemporary settings
Tapa cloth, or ngatu as it is called in Tonga, is cloth made from the bark of the mulberry tree. The inner bark is beaten into fine sheets and painted using traditional designs. After centuries of use, ngatu has literally become the fabric of Tongan society. In Tonga and throughout much of Polynesia, bark cloth has deep symbolic and ceremonial use. At birth, babies are swaddled in it. At marriage, newlyweds line their wedding bed, and at death, the departed are buried wrapped in it. This documentary investigates the highly collaborative process of making ngatu and the organizations of women who carry on with the tradition. While the process continues to be passed on from generation to generation, there are signs of change as a cash economy begins to infiltrate Tongan life. Young people show less interest in such labor intensive endeavor in the face of the older generation's belief that this tradition will never die.
Australia has one of the highest youth suicide rates in the world. The suicide rate in men under 25 has tripled in the last 30 years, and young men in rural and remote communities are particularly vulnerable. This reality has disturbing implications for society. When it affects you directly, it's shattering. In this very personal film, director Jessica Douglas-Henry and her sister Alix explore the impact of their brother’s suicide. In 1996 James Dalmann killed himself. He was found dead in the bathroom of his housing commission unit in Geraldton, Western Australia. James was only twenty. Although this film is about James, it's really Alix's story. It's about the people left behind, whose lives have been changed forever by the suicide of someone they loved. Although Our Brother James focuses on a personal tragedy, it is ultimately a film about survival and growth, about love, strength and hope for the future.
This film offers an exclusive invitation into the secret world of Frank Auerbach. The legendary painter rarely leaves his studio: he works 365 days a year, from sun-up to sun-down in a furious race against time. There is not a minute to waste. His main links with the outside world are the models who’ve sat for him for between ten and forty-two years. They are from diverse backgrounds: acting, academia, filmmaking and business. They talk with insight about being painted and about the man behind the canvas. Auerbach is filmed in his studio, sketching in the National Gallery and around Camden town, talking about his sitters, his routine, his compulsions, strange rituals, his ambitions and his heroes.
This documentary offers rare interviews with over 15 major Asian-Pacific American women poets. Organized in interwoven sections such as Immigration, Language, Family, Memory, and Spirituality, it is a sophisticated merging of Asian-American history and identity with the questions of performance, voice, and image.
"Sol LeWitt: 4 Decades" presents an opportunity to accompany one of the great artists of our time on a tour of his work, from his formative years to the present. Joined by curator Gary Garrels, LeWitt offers context and motive behind his 2000 retrospective exhibition at Chicago's Museum of Contemporary Art. A heavy emphasis is placed on LeWitt's spectacularly large scale wall drawings, for which he is best known. Garrels, who with LeWitt, spent three years on the creation of the exhibition, leads the artist through his breakthroughs of four decades, from the 1960s to the present.
Four Ikpeng children introduce us to life in their village. They show their families, their toys, and their celebrations with grace and lightheartedness. We meet the characters that make up their everyday world - from baby chickens to the village chief - and we see the children helping with chores, learning to hunt, going to school and playing games. Often comparing and contrasting themselves to earlier generations, they are aware of their cultural heritage and how it has changed since their grandparents' time. Engaging and candid, the Ikpeng children are full of curiosity and ask that people of other cultures send their own video-letters.
Home to some of the most majestic scenery in the United States, Yellowstone National Park contains nearly 9,000 square miles of forests, geysers and other natural wonders. This documentary explores the park's history and its most well-known sites -- including Yellowstone Falls and Old Faithful -- and includes a short film on the wolves that call the park home, as well as clips from the 1930s drama "Yellowstone." This video is part of a DVD set entitled America's National Park Collection and is DVD 3 out of 6.
The Victorian era is often cited for its lack of sexuality, but as this documentary reveals, the period's artists created a strong tradition surrounding the classical nude figure, which spread from the fine arts to more common forms of expression. The film explains how 19th-century artists were inspired by ancient Greek and Roman works to highlight the naked form, and how that was reflected in the evolving cultural attitudes toward sex.
In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.
Cunnamulla, 800 kilometres west of Brisbane, is the end of the railway line. In the months leading up to a scorching Christmas in the bush, there's a lot more going on than the annual lizard race. Here, Aboriginal and white Australians live together but apart. Creativity struggles against indifference, eccentricity against conformity.
Re-enactments illustrate the details of the three principle stages of the battle of Antietam, fought November 17th, 1862. Also features animated tactical maps, dramatic readings of personal papers, and expert narrative commentary.
This documentary, narrated by Academy Award winner Linda Hunt and directed by Jed Riffe, tells the story of how the discovery of a 9,000-year-old skeleton on the banks of the Columbia River near Kennewick, Washington, reignited the conflict between anthropologists and Native peoples over the control of human remains found on ancestral Indigenous lands.
This film, shot by 100 amateur camera operators, tells the story of the enormous street protests in Seattle, Washington in November 1999, against the World Trade Organization summit being held there. Vowing to oppose, among other faults, the WTO's power to arbitrally overrule nations' environmental, social and labour policies in favour of unbridled corporate greed, protestors from all around came out in force to make their views known and stop the summit. Against them is a brutal police force and a hostile media as well as the stain of a minority of destructively overzealous comrades. Against all odds, the protesters bravely faced fierce opposition to take back the rightful democratic power that the political and corporate elite of the world is determined to deny the little people.