In 1984-85, people at Lake Tahoe fell ill with flu symptoms, but they didn't get better. Medical literature documents similar outbreaks: in 1934 at LA county hospital, in 1948-49 in Iceland, in 1956 in Punta Gorda, Florida. The malady now has a name, chronic fatigue syndrome, and filmmaker Kim Snyder, who suffered from the disease for several years, tells her story and talks to victims and their families, and to physicians and researchers: is it viral, it is psychosomatic, is it one disease or several (a syndrome) ; what's the CDC doing about it; what's it like to have a disease that's not yet understood? Her inquiry takes her to Punta Gorda and to a high-school graduation.
Documentary look at the 1996-97 effort of the dancers and support staff at a San Francisco peep show, The Lusty Lady, to unionize. Angered by arbitrary and race-based wage policies, customers' surreptitious video cameras, and no paid sick days or holidays, the dancers get help from the Service Employees International local and enter protracted bargaining with the union-busting law firm that management hires. We see the women work, sort out their demands, and go through the difficulties of bargaining. The narrator is Julia Query, a dancer and stand-up comedian who is reluctant to tell her mother, a physician who works with prostitutes, that she strips.
Carl-Gustaf Nykvist's documentary about his father, Sven Nykvist. The film is based on Sven's memoirs with Sven himself as narrator. A journey to the place of birth, Moheda, constitutes the hub of the film and during the journey friends and memories emerge. Written by Fredrik Klasson
The house is rockin' and the laughs are rollin' as comedians Steve Harvey (The Steve Harvey Show), D.L. Hughley (The Hughleys), Cedric The Entertainer (The Steve Harvey Show) and Bernie Mac (Life) meet in this riotously comedy summit directed by Spike Lee.
From 1915-1939, Frances Marion was one of the most powerful talents in the movie industry. In one of the most liberating eras for women in film, she wrote more than 200 movies and was the world's highest paid screenwriter - man or woman. Kathy Bates gives voice to Marion's words from her letters, diaries, and memoirs. Includes commentary by silent film historian Kevin Brownlow, critic Leonard Maltin, and Marion's celebrated biographer Cari Beauchamp. Current women filmmakers reflect on the legacy left to them by Marion and the pioneering women of early Hollywood.
On November 27, 2000, Blaine began a stunt called "Frozen in Time", which was covered on a TV special. Blaine stood encased in a massive block of ice located in Times Square, New York City. He was lightly dressed and seen to be shivering even before the blocks of ice were sealed around him. A tube supplied him with air and water while his urine was removed with another tube. He was encased in the box of ice for 63 hours, 42 minutes and 15 seconds before being removed with chain saws. The ice was transparent and resting on an elevated platform to show that he was actually inside the ice the entire time.
The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.
A Boy Named Sue chronicles the transformation of a transsexual named Theo from a woman to a man over the course of six years. Following Theo's physiological and psychological changes during the process, as well as their effects on his lesbian lover and community of close friends, A Boy Named Sue tells a story about gender identity, relationships, and how even things that seem permanent can change.
In 1955, as a hotly contested hockey season was coming to an end, the star of the Montreal Canadiens, Maurice "the Rocket" Richard, was suspended for attacking an opponent with a stick and hitting a referee by then president of the NHL Clarence Campbell. This set off a huge riot in the streets of Montreal. The documentary claims, unconvincingly, that this event added to the sparks of the political revolution in Quebec that led to the rise of the separatist movement.
At first glance Brazil appears to be an alluring playground of exciting carnivals, sultry samba, divine football and a vibrantly diverse people. But behind this dazzling facade lies a disturbing story of history’s largest-ever slave population. Astonishingly Brazil, a Portuguese colony, received ten-times more African slaves than the numbers transported to North America. This programme looks at those estimated 4 million people with whose blood, sweat and tears Brazil was built. Without them none of Brazil’s present-day success and appeal would exist. Using contemporary testimonies, this film takes a hard look at Brazil s dark history through the eyes of those slaves. They lived in squalid conditions on remote plantations or in teeming cities harboring fatal diseases. Most Africans survived only seven years in this ‘New World’.
From the banks of the Bahamas to the seas of Argentina, we go underwater to meet dolphins. Two scientists who study dolphin communication and behaviour lead us on encounters in the wild. Featuring the music of Sting. Nominated for an Academy Award®, Best Documentary, Short Subject, 2000.
A powerful and emotional documentary about Korean women forced into sexual servitude by the Japanese Imperial Army during World War II, Silence Broken dramatically combines the testimony of former comfort women who demand justice for the "crimes against humanity" committed against them, along with contravening interviews of Japanese soldiers, recruiters and contemporary scholars who deny the existence of comfort women or claim that these victims "did this for money." In the film, these women demand an official apology, admission of moral as well as legal guilt, and compenstion from the Japanese government. They want human dignity and justice restored to them. The individual testimonies in Silence Broken, combined with unusual archival footage and dramatized images, shatter the half-century of silence and create a collective story filled with soulful sorrow and amazing resilience of the human spirit.
Nightingale, Not the Only Voice follows the lives of three artists, including the film’s director, on their shared journey through real and psychological oppression to self-discovery. Tang Danhong examines her past—particularly her relationship with her parents—and looks at the painful, formative moments that inform her current psychological state, her life, and her art.
Documentary about a Jewish senior citizens' acting group on the Lower East Side of Manhattan. The film covers both the progress and impediments of a play the group is mounting about senior citizens looking for love and the life/love stories (past, present, and predictions) of the players.
This documentary provides a detailed look at the works of the German artist, now best known for his collages and junk sculpture. Schwitters began painting as an expressionist, but in 1919 he turned to collage, incorporating into his works trash such as train tickets and newspapers, which he exploited for their colour, texture, and surprise value. Includes many of Schwitters' most famous creations filmed during an exhibition of his works at the George Pompidou Museum.