Shot in 1959, Michael Blackwood’s first film Broadway Express is a portrait of New York City’s diverse population, as captured in the city’s subways during the evening rush hour and late at night. The film is a portrait of the city through the faces of the passengers held captive for the ride.
SIT-IN (1960) is filmmaker Robert M. Young’ (Nothing But A aman, The Ballad of Gregorio Cortez) seminal documentary on how the Student Nonviolent Coordinating Committee and Students of Fisk University desegregated the lunch counters in Nashville, TN.
Set at the 1958 Newport Jazz Festival, this documentary mixes images of water and the town with performers and audience. The film progresses from day to night and from improvisational music to Gospel. It's a concert film that suggests peace and leisure, jazz at a particular time and place.
An educational physics film utilizing a fascinating set consisting of a rotating table and furniture occupying surprisingly unpredictable spots within the viewing area, Leacock’s Frames of Reference (1960), features fine cinematography by Abraham Morochnik, and funny narration by University of Toronto professors Donald Ivey and Patterson Hume, in a wonderful example of the fun a creative team of filmmakers can have with a subject other, less imaginative types might find pedestrian.
"Araya" is an old natural salt mine located in a peninsula in northeastern Venezuela which was still, by 1959, being exploited manually five hundred years after its discovery by the Spanish. In images, the life of the "salineros" and their archaic methods of work before their definite disappearance with the arrival of the industrial exploitation.
Windjammer, the first presentation in CINEMIRACLE, is the record of a training cruise of the full-rigged S/S Christian Radich from Oslo across the Atlantic, through the Caribbean, to New York and back home again.
A mix of documentary and scripted footage on the Bowery, New York City's skid row. Against a backdrop of men (and a few women) drinking in bars, talking and arguing, and sleeping on sidewalks, we have the story of Ray.
An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.
Using a specially designed transparent 'canvas' to provide an unobstructed view, Picasso creates as the camera rolls. He begins with simple works that take shape after only a single brush stroke. He then progresses to more complex paintings, in which he repeatedly adds and removes elements, transforming the entire scene at will, until at last the work is complete.
Seven Wonders of the World is a 1956 film in Cinerama. Lowell Thomas searches the world for natural and man made wonders and invites the audience to try to update the ancient Greek list of "Seven Wonders of the World."
The profession of capturing animals in action on celluloid is both an art and science. Some of the most exciting footage can be obtained in different ways. Examples are: a large herd, such as of reindeer, moving as one; slow motion footage of fast moving animals, such as racing greyhounds, especially when they do something unexpected; mothers and their newborn offspring doing what comes naturally; animals placed among special props; animals placed in human situations; combining the exciting and dangerous, such as the running of the bulls in Pamplona and the bullfights to follow; placing animals that are not natural companions together; and placing animals in the situation of a challenge, such as a bunch of bananas just out of reach of a hungry monkey. Many of these elements are combined into the final sequence of a steeplechase race.
A Ukrainian couple become refugees during and after World War Two, and they end up as Displaced Persons (DPs) in a camp in Germany, before they are eventually accepted for resettlement in Australia.
Narrated by actress Katharine Cornell and filmed in black and white, it spends the first 24 minutes introducing viewers, through newsreels, interviews, and old photographs, to the story of the deaf and blind disabled-rights pioneer. News footage shows her international appearances and visits with heads of state, including President Eisenhower allowing her to feel his face. The second half takes a day-in-the-(exceptional)-life approach to Keller's existence circa 1955. Made just 13 years before her death, Keller's famed tutor-translator-friend Anne Sullivan had already died, leaving her live-in replacement, Polly Thomson, to share the film's focus. From the time Keller takes her morning walk along the 1,000-foot handrail around her yard through her workday to her nightly reading of her Braille Bible, her serene acceptance of her life will amaze and inspire. Preserved by the Academy Film Archive in 2006.
"Mammy Water" is mother sea, source of food. Jean Rouch filmed this short documentary in the Gulf of Guinea, in Ghana, where is held a colorful festival, the Chama, in which the participants offer cassava, gin and tobacco to the spirits of water and sacrifice a white ox to thank them and express their gratitude and respect.
Designed to introduce the then-new widescreen process Cinerama, audiences experience the roller coaster at Rockaways' Playland, the temple dance from Aida, Niagara Falls, a Viennese choir, the canals of Venice, a military tattoo in Edinburgh, a bullfight, and more. The film concludes with a view from the nose of a low-flying B-25 while America the Beautiful plays.