A film describing the political history of Dubrovnik and the history of its architecture, painting, literature and science until the end of Republic of Ragusa.
"Kon-Tiki" was the name of a wooden raft used by six Scandinavian scientists, led by Thor Heyerdahl, to make a 101-day journey from South America to the Polynesian Islands. The purpose of the expedition was to prove Heyerdal's theory that the Polynesian Islands were populated from the east- specifically Peru- rather than from the west (Asia) as had been the theory for hundreds of years. Heyerdahl made a study of the winds and tides in the Pacific, and by simulating conditions as closely as possible to those he theorized the Peruvians encountered, set out on the voyage.
This classroom training film was designed to show the achievements of Roman culture in the areas of government, architecture, engineering, language and writing. It was aimed at intermediate and high-school students.
Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more erratic Shao-lin; in the middle, there is an abrupt change to leaping sword movements, in the center of which, at the apogee of the leap, there is a long held freeze-frame.
This War Department bulletin from 1947 shows captured German V-2 Rockets being tested at White Sands, New Mexico. German scientist Wernher von Braun designed and helped develop this "vengeance" weapon at Peenemunde during WWII. This was the first long-range ballistic guided missile.
The final entry in a trilogy of films produced for the U.S. government by John Huston. Some returning combat veterans suffer scars that are more psychological than physical. This film follows patients and staff during their treatment. It deals with what would now be called PTSD, but at the time was categorised as psychoneurosis or shell-shock. Government officials deemed this 1946 film counterproductive to postwar efforts; it was not shown publicly until 1981.
Produced and presented as evidence at the Nuremberg war crimes trial of Hermann Göring and twenty other Nazi leaders, this film consists primarily of dead and surviving prisoners and of facilities used to kill and torture during the World War II.
The seventh and final film of Frank Capra's Why We Fight World War II propaganda film series. This entry attempts to describe the factors leading up to America's entry into the Second World War.
The sixth film of Frank Capra's Why We Fight propaganda film series illustrates Japan's occupation of China, including Madame Chiang Kai-Shek's stirring address before congress, the rape of Nanking, the great 2,000 mile migration, and Claire Chennault's Flying Tigers.
The fifth film of Frank Capra's Why We Fight propaganda film series, revealing the nature and process of the fight between the Soviet Union and Germany in the Second World War.
The fourth of Frank Capra's Why We Fight series of seven propaganda films, which made the case for fighting and winning the Second World War. It was released in 1943 and concentrated on the German bombardment of the United Kingdom in anticipation of Operation Sea Lion, the planned German invasion.
A stately film about the history of St Paul’s Cathedral in London, with a focus on the architecture and individuals buried there, and the impact of the Blitz.
The second film of Frank Capra's Why We Fight propaganda film series. It introduces Germany as a nation whose aggressive ambitions began in 1863 with Otto von Bismarck and the Nazis as its latest incarnation.
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
A depiction of life in wartime Britain during the Second World War. Director Humphrey Jennings visits many aspects of civilian life and of the turmoil and privation caused by the war, all without narration.
This is the authentic story of a bombing raid on Germany... how it is planned and how it is executed. Every person seen in the picture is a member of the Royal Air Force from Commander-in-Chief to aircraft hand, re-enacting his own daily life on the job. They are the men and women who actually direct, plan and execute the raids.