A propaganda short about the 1944 United States presidential election, produced by the Office of War information, for overseas distribution. It is meant to explain how the democratic process in America works. Preserved by the Academy Film Archive in 2007.
In 1972, the camera eye observes Friedensreich Hundertwasser in the ambiance he has created for himself and presents a wide selection of his beautifully coloured pictures, which are owned by collectors all over the world, while the artist himself speaks about his life, his work, his ideas, and his manifestoes.
When, in the late 1990s, Israeli student Teddy Katz exposed the massacre of Palestinian civilians by Israeli forces in the village of Tantura, in May 1948, during the first Arab-Israeli war, he was initially praised for his pioneering work; but he was soon infamous and branded a traitor. Decades later, incendiary new evidence emerges that corroborates Teddy's findings.
This film, shot by 100 amateur camera operators, tells the story of the enormous street protests in Seattle, Washington in November 1999, against the World Trade Organization summit being held there. Vowing to oppose, among other faults, the WTO's power to arbitrally overrule nations' environmental, social and labour policies in favour of unbridled corporate greed, protestors from all around came out in force to make their views known and stop the summit. Against them is a brutal police force and a hostile media as well as the stain of a minority of destructively overzealous comrades. Against all odds, the protesters bravely faced fierce opposition to take back the rightful democratic power that the political and corporate elite of the world is determined to deny the little people.
The Chun Doo-hwan regime seized power in a coup d'etat, massacred peaceful protesters. People from all walks of life have been fighting the military dictatorship in their own way. And the story of reporter Lee Sang-ho, who has been covering for over 30 years, begins.
A portrait of a small Ontario town, this film introduces its audience to the people of Holstein by filming them in the old-fashioned general store, the blacksmith's shop and the town granary. Old-time residents reminisce, while old-fashioned sleighs travel down the main road bordered by beautiful old frame houses.
Shida is the new kid in class in a private boarding school in Tanzania. He is shy, he has no self-esteem, he does not speak one word of English - the primary language in the school, and he suffers from albinism. Like most children with albinism in the country Shida was taken away from his parents to be protected from the witchcraft related killings. The film follows Shida during his first year at the new school where the rules are strict and tolerance low. He is trying his best to meet the demands. The school is a chance of an education and to escape a life on the bottom of society. With the help from his new friend Allan he is struggling to become better in school and to be accepted by the teachers and pupils.
In a series of juxtaposed images and sounds, Jaromil Jireš comments on the tragic premature death of thousands as well as their posterity due to the atomic bomb.
Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.
Travel is at a tipping point. From Carribean beaches to remote villages in Kenya, forgotten voices reveal the real conditions and consequences of one of the largest industries in the world. The role of the modern tourist is on trial.
Filmmaker Connor Luke Simpson explores the underground-and often misunderstood-subculture known as feederism. A community where the fatter you are, the sexier you are.
Risk Factor begins with filmmaker Robert Lang expressing confusion about his personal risks and the societal risks that seem to threaten us all. Which risk factors are truly dangerous? And which ones don’t matter? To gain insight, he decides to go on a journey to meet the world’s top risk experts.
On October 1, 1975, World Heavyweight Boxing Champion Muhammad Ali was in the ring with his arch rival Joe Frazier for the third time. This fight in the Philippines, which has been nicknamed "Thrilla in Manila," is considered one of the most dramatic boxing matches in history - in the words of the voice-over, "They hated each other." With the help of archive material and eyewitness accounts (including Imelda Marcos), this documentary not only reconstructs the match, but shows us what was happening behind the scenes as well.
The growth and success of Gianni Versace: his childhood and adolescence in Reggio Calabria in the 60s, his first steps in the world of fashion. The docufilm collects a series of interviews with friends and colleagues as well as archival images of fashion shows and interviews.
A temporary house for abandoned children near the front line in eastern Ukraine is run by a small group of social workers determined to provide comfort and safety. It may be humble and somewhat run-down, but this house is filled with love and offers up to nine months of refuge to kids whose fate will be determined by the system. During this short time, the caretakers try to nurture within them a sense of stability and normalcy.