Jack Black is the master of ceremonies, leading Courteney Cox, Lisa Kudrow, Adam Scott, and Ben Stiller through a laugh-filled escape room adventure as they solve puzzles, find clues, and crack jokes to laugh their way through a fun maze of rooms.
Les Etoiles de Midi is an engaging docudrama about some of the more spectacular exploits of French mountain climbers over the last several decades. In one re-enacted story, there is a wartime escape through the mountains, and in another, a daring rescue of a pair of climbers who had been missing. The actors themselves are adept at the sport of climbing, and they give the scenes an immediacy and real daring that brings the stories alive. A combination of their acrobatics and skill and the outstanding episodes in the history of French climbing creates a winning 78 minutes.
Susan Starr is a talented young concert pianist preparing for the biggest competition of her life. She also happens to have a terrible cold that keeps her in bed and an omnipresent mother. Battling against 34 of the most talented pianists in the world at the Metropolitan Opera House in New York, Susan hopes to win not only prize money in the Dimitri Mitropoulos International Piano Competition, but also the recognition that could launch the musical career for which she has been working since she was three years old. Following Susan through the hectic days leading up to the event and through the competition itself, the film captures the intense reality of an aspiring young artist facing the challenge of her life.
"Mondo Inferno"- This shockumentary takes us on visits to a restaurant that serves up delicious dog meat dishes, mud-wrestling clubs, a chastity belt store. We get to see bizarre funeral rites, snake charmers, bloodsuckers and a hidden-camera expose into the local baby selling and slave markets!
Ravi Shankar plays the sitar, while members of the Children's Little Theatre Unit of Calcutta dance. Presents a montage of scenes from 20th-century India. A segment from "India, Haunting Passage," part of the "Esso World Theater" program of 1964.
The very first feature-length discussion and breakdown of the entire "Emmanuelle" phenomenon - the atmosphere in Europe that led to the production of the original and its subsequent impact across the continent and indeed the world.
A powerful investigation into the political and criminal enterprise of kidnappings as ISIS rose to power in war torn Syria. It inter cuts exclusive footage with interviews of negotiators, investigators, fixers and even a used car salesman who are caught up in the confusion.
A portrayal of Futurist artist José de Almada Negreiros, who said: "I wanted others to say of me: 'Look, a man!' The same way they say: 'Look, a dog!' when a dog passes by; or how you say: 'Look, a tree!', when there is a tree. Which means as an entity, without the use of adjectives, only as one whole: A man!"
After rocker Kurt Cobain's death, ruled a suicide, a film crew arrives in Seattle to make a documentary. Director Nick Broomfield talks to lots of people. Portraits emerge: a shy, slight Kurt, weary of touring, embarrassed by fame, hooked on heroin; an out-going Courtney, dramatic, controlling, moving from groupie to star.
Mora is the son of a German Jewish man who joined the French Resistance. Grosskopf is the son of a Nazi Party member who joined the Wehrmacht. They become good friends and reconcile their opposite family histories.
A Japanese tent theatre company tours from Tokyo to Melbourne and performs a play about the ghost of Kamikaze Pilots. Cambis has created a portal from this to the cinema screen that shows first hand the actor's art in the context of war.
From world-renowned performer of the Jazz Age, to WWII spy, to civil rights activist – a look into the iconic life and legacy of Josephine Baker, narrated by Arsenio Hall, including rare archive footage, and interviews with Debbie Allen, Lynn Whitfield (who portrayed Baker in The Josephine Baker Story), and two of Baker’s sons.
Robert Castle is the idealistic pastor of St. Mary's Episcopal Church in Harlem, and also the cousin of filmmaker Jonathan Demme. Demme's affectionate portrait of his cousin traces Castle's story, beginning with his first parish assignment, in New Jersey in the early 1960s, in an increasingly African-American-populated neighborhood rocked by violence and civil rights protests. The film raises intimate discussions of race, faith and family, while also showing Castle's daily routine as a pastor.