The story of the legendary wits who lunched daily at the Algonquin Hotel in New York City during the 1920s. The core of the so-called Round Table group included short story and poetry writer Dorothy Parker; comic actor and writer Robert Benchley; The New Yorker founder Harold Ross; columnist and social reformer Heywood Broun; critic Alexander Woollcott; and playwrights George S. Kaufman, Marc Connelly, Edna Ferber and Robert Sherwood.
Stations of the Elevated exposes viewers to an underground art scene- that is, one found exclusively on the sides of subways and train cars. A moving portrait of late-70's NYC, the film boasts a soundtrack by jazz legends Charles Mingus & Aretha Franklin.
Documentary film and home movie about Dwight Core, Jr., a boy with Down syndrome. The footage was originally shot throughout the 1960s and 1970s by Core's father, Dwight Core, Sr. The footage was later discovered and completed by the filmmaker's grandson, George Ingmire.
Essay documentary explores eroded emulsions and images for lost vestiges of lesbian and gay culture. First feature by a pioneer of lesbian cinema, Hammer weaves gay and lesbian couples with footage that unearths the forbidden and invisible history of a marginalized people.
A collection of short films made by the Lumiere brothers, a team of pioneering filmmakers in turn-of-the-century France, narrated by Bertrand Tavernier.
The film evolves around questions of identity, popular memory and culture. While focusing on aspects of Vietnamese reality as seen through the lives and history of women resistance in Vietnam and in the U.S, it raises questions on the politics of interviewing and documenting.
A diary film about Kawase's relationship with her grandma and her search for her father, whom she has not seen since her parents divorced during her early childhood.
In 1940, the Kilgore College Rangerettes became the first dancing drill team in the nation. They have been performing at half-time shows during college football games ever since.
One of the most remarkable and innovative documentaries ever made, this film follows the famous true story of two English women who as babies got switched in the hospital and 20 years later discovered that they'd been raised by the wrong sets of parents. Romand enlists all the surviving family members in her haunting and bizarre investigation, which involves not only a recounting but a reenactment of all the significant events in the two daughters' emotional histories.
It’s a black-and-white record of European cities in the dark (2-5am), from Basle to Belfast. Quiet, and meditative, what emerges most strongly is an eerie sense of city landscapes as deserted film sets, in which the desolate architecture overwhelms any sense of reality. The only reassurance that we are not in some endless machine-Metropolis is the shadow of daytime activity: a juggernaut plunging through a darkened village, a plague of small birds in the predawn light. The whole thing is underscored by a beautiful ‘composed’ soundtrack, from quietly humming streetlights to reggae and the rumble of armoured cars in Belfast. A strange and remarkable combination of dream, documentary and science-fiction.
A documentary film about a tour of three Finnish rock bands around Saimaa lake system in a steam boat in 1981. The bands (Juice Leskinen Slam, Eppu Normaali and Hassisen Kone) are shown playing songs in their gigs and, in between, the members give intimate interviews or just act plain silly and have a good time.
The beginning of the 20th century. The recklessness of fanatics is pushing humanity towards the abyss. A revolution begins in Russia. Crazy Dr. Farkus induces an orgasm of inanimate matter. White Moroccan dwarfs are becoming active. A second Sun appears in the sky. In this difficult environment, captains selflessly confront the forces of chaos, maintaining the cosmic balance of history.
This film turns on two basic axes: the inquiry into ways of cinematographic representation and a critical image of official Spain at the time of the Franco dictatorship. “Montage of attractions” and Brechtianism in strong doses. Umbracle is made up of fragments (some are archive footage) that resound rather than progress by unusual links, with dejá vu scenes that promise us more but remain tensely unfinished. Jonathan Rosembaun said: “few directors since Resnais have played so ruthlessly with the unconscious narrative expectations to bug us”. Learning from the feeling of strangeness caused by Rossellini as he threw well known actors into savage scenery in southern Europe. Portabella makes Christopher Lee wander around a dream-like Barcelona. Without a doubt Portabella’s most structurally complex and most profoundly political film, that is ferociously poetic.
It is slow, succinct and absolutely riveting. With his photojournalist's eye, and simple but inspired camera work, Depardon plunges us into both the sounds and silences of a day and a night in the city.
Art Kane, now deceased, coordinated a group photograph of all the top jazz musicians in NYC in the year 1958, for a piece in Esquire magazine. Just about every jazz musician at the time showed up for the photo shoot which took place in front of a brownstone near the 125th street station. The documentary compiles interviews of many of the musicians in the photograph to talk about the day of the photograph, and it shows film footage taken that day by Milt Hinton and his wife.
A chilling post mortem on the tragic case of two teenagers who decided to shoot themselves in the head with a shotgun, and the ensuing court case staged to place the blame on the heavy metal band Judas Priest.