'Red' Bowman is a worthless renegade, an alleged rustler, to whom fate has been unduly kind to allow him to escape so long the honest judgment and double earned punishment. His daughter, a curly-headed ragged little sunbeam, keeps house for him as best she can, accepting with model fortitude her brutal father's blows and lashings. When he beats her too mercilessly she runs away, if she can, to hide until his anger cools. One day he is interrupted in his amusement of "lickin' the kid" by a group of stern, determined cowboys, who threaten to lynch him if he dares whip the little girl again. 'Red' slinks away and postpones the lashing for another time. That night, he and a pal, another black-hearted scoundrel, make a raid on a bunch of cattle, but are caught in the act.
Heading up the Chisholm Trail with a small herd and just a few men, Breezy has his cattle rustled by Curley and his gang. Returning to Texas, Breezy convinces the ranchers to send their cattle north in one big herd guarded by a lot of men. Outnumbered, Curley has a plan to get the cattle.
Steve Landry arrives as the new Marshal of a town that is having trouble with outlaws. When an outlaw escapes over the State line out of his jurisdiction, the Durango Kid brings him in. The Durango Kid then continues to break up the outlaw raids. But Belle, the saloon owner who is in cahoots with the outlaws, notices the the boot prints of the Durango Kid match those of the new Marshal and a trap is sent to get Durango.
After five years of being away, Rick Nelson returns to San Francisco to find it filled with corruption - and crooked politicians. It isn't until he meets a beautiful San Franciscan, that Nelson decides to get involved with bringing law-and-order to the city by the bay!
Sammy Garrett, the wife of a champion rodeo performer, is tired of her subsidiary role at home as a housewife. So she becomes an aspiring rodeo rider herself, encouraged by her one-time performer mother, and eventually confronts her new lifestyle, despite her husband's disapproval. Based on the true story of rodeo champion Sue Pirtle.
O'Hara has been hired to lead a wagon train west. Instead he has led it off the trail to where it can be attacked by his Indian friends. But Tennessee Mathews is familiar with O'Hara's tactics and sends for the soldiers.
The film's highlight was a scene in which Mix, hoping to escape a pursuing posse, jumps towards a moving train and crashes neatly through one of the passenger windows.
A young man is lured into a cardgame by a crooked dealer. He is about to lose all the money that was given to him to get medicine for his mother when a local cowboy comes to his rescue.
1865: A young French officer, travelling the U.S. in search of the murderer of his best friend, gets involved in a struggle between poor farmers and a rich landowner. To help the farmers, he offers them his "Savate" (French kickboxing) skills.
The Last Outlaw (1919) proved very tantalizing. An end-of-the-West Western, it shows its grizzled hero revisiting the town of his youthful exploits. But now, in an anticipation of Ride the High Country (1962), civilization has taken over. Cars chase Bud off the streets and the theatre features movies (Universal Bluebirds at that, a bit of product placement). Ford heightens the contrast by letting us into the hero’s memory, introduced by the title: “Memories of the past flashing back to him”—the earliest reference to the term “flashback” I recall seeing in the movies.
Oklahoma outlaw Belle Starr meets the Dalton gang when rescued from lynching by Bob Dalton, who falls for her. So do gang member Mac and wealthy saloon owner Tom Bradfield, who's enlisted in a bankers' scheme to trap the Daltons. Discord among the gang and Bradfield's ambivalence complicates things, as Belle demonstrates her prowess with shootin' irons and horses, and as a surprisingly racy saloon entertainer.
In a small western town in the late 1800′s, two outlaws take a blind preacher, his wife and an Indian girl as hostages in their flight from the law. Excitement mounts when Dan, one of the outlaws makes a shocking discovery. The last train to Cortez lays bare the agony that torments Dan but the train brings an unexpected surprise.
In this Western, Frank Keenan has a dual role -- kind-hearted gambler John Lynch and evil bandit Big Rivers. The only person who realizes there is a resemblance between the two is dance hall girl Nita (Maude George), who was abused by the outlaw and cared for by Lynch.