Percival Cadwallader Perkins was so bashful that whenever a woman would look at him he would blush like a beet, and this brought the "Happy Family," the cowboys of the Flying U, to calling him "Pink."
When Tommy, an Eastern young man, arrives in a Western town, the cowboys see that he is a tenderfoot and make him dance to the tune of a gun. Beecher, a ranchman, Hazel, his daughter, and Sid, the foreman, who is in love with Hazel, rescue Tommy.
Governor Price sends Sunset Carson to investigate a smuggling ring which is baffling the Border Patrol. Newspaper woman Ann Morton is working incognito in the saloon waiting for a break on ...
Money is mysteriously disappearing from a locked trunk atop the stage even though the trunk arrives still locked. When pals Bob Rivers and Grizzly get the jop driving the stage, the same thing happens.
William Russell plays Cliff Redfern, a hard-ridin' Westerner who takes a liking to Easterner Ned Caldwell (Cullen Landis), the dissolute son of a wealthy cattle rancher. Certain that all Caldwell needs to become a "real man" is a dose of frontier life, Cliff kidnaps Ned and brings him back to the wide open spaces.
A Hollywood singing-cowboy star with a big heart and an even bigger secret (he uses a double in most scenes because he can't ride, fight or sing) comes to the aid of a rancher about to lose his home on a rodeo bet.
David Morgan, a cowpuncher, is informed by Doctor Harding that the former's wife is in a serious condition and must be taken from the high altitude. An Indian horse thief shows David a way to make some money easy. That night, the Indian and the cowpuncher steal two horses. The Indian is captured by Broncho Billy, the sheriff, and squeals on Morgan. Dorothy, the cowpuncher's child, informs her father that a posse is coming up the road. Morgan instructs his child to say nothing to the men concerning his whereabouts. The cowpuncher crawls into the loft and pulls the ladder up after him. Broncho Billy enters, sees Morgan's wife is in a critical condition and asks the child where her father is. She tells him she does not know. The sheriff, hearing a sound above him, is about to fire his revolver into the loft, when the girl confesses that her father is above.
Mr. Joseph Close, ranch man, with his wife and daughter, visit the town for supplies. The daughter makes a hit with the storekeeper and it is with difficulty that the ranch man induces his daughter to leave. They return home, and the ranch man finds a letter in his mail box from Wm. Schrider, Attorney-at-Law, informing him that his brother is dead, and has left the sum of three million dollars to his daughter, on condition that she produce an official certificate of her marriage one month from the date of her uncle's death.
In order to prove his manliness to the girl he loves, a young urban dandy takes a job at a dude ranch. Predictable misadventure ensues in this poorly-made early talkie.
When the members of a caravan of pioneers find a daisy growing in the middle of the desert they decide to stop there and to build their town on this very spot. Houses soon spring up like mushrooms, immediately followed by a bank, a saloon, a prison, etc. Daisy Town is born. Unfortunately a city does not go without its bad boys and the peaceful place is soon turned into a lawless place. To restore law and order, a lawman is needed. Lucky Luke, the cowboy who shoots faster than his shadow, will be this man: all the villains had better watch out!
The 200th episode of the popular Spanish series "La que se avecina" received special screenings in more than 40 cinemas across Spain ahead of the premiere of season 16. The plot is an alternate history where the series' characters live in the Wild West.
With the increasing popularity of Republic's sagebrush crooner Gene Autry, rival company Columbia found it necessary to add a musical element to this Charles Starrett Western released in early 1937. As Starrett himself was no singer, the studio hired Donald Grayson to warble Lonesome River, Out in the Cow Country and Pancho's Widow, all by Ned Washington and Sam H. Stept.
The first all-women Western. Set in a fictional 1850, the movie is about one woman's attempt to recruit others for an all-women commune. "..a Warholesque frolic" -- Daphne Davis, Women's Wear Daily " Some great comments about women, men and the pros and cons of living with either." -- Women & Film: International Festival, 1973 "A group of wonderfully idiosyncratic women improvise characters close to their real lives and fantasy lives. Funny, ambling, off-handedly lyrical, the film....is above all excellent for sharing warm feelings in a group." -- Ms. magazine
Ex-convict Dale Revenal arrives at Dudley Appleton's ranch bearing a letter of introduction from John Silver, Appleton's old friend. Appleton hires Dale, who, through his winning manner, soon wins the respect of the ranch hands and the love of the ranch owner's daughter Mary Jane. Believing himself unworthy of her, Dale tells Mary Jane that he has a wife and child in Arizona, and she reluctantly agrees to marry Jack Nelda, a local rancher. Nelda realizes that Mary Jane is still in love with Dale and plots with Bessie Dupont and her brother Pinto to kill him.