Doctor Lambert takes his wife west to a mining town, where he can both minister and doctor. His wife is not happy and upon discovering she is pregnant, runs away with a gambler. He soon dumps her, and she comes back and dies giving birth to a baby girl. Lambert, out of his mind with rage, leaves the baby on a doorstep and vows to never have faith again. He returns to the mining town fifteen years later a drunkard. He meets young, kind Lily Sawyer and is greatly impressed by her compassionate nature. Meanwhile, the gambler has returned and decides to abduct Lily, but his partner recognizes Lambert and tells him Lily is his daughter. He kills the gambler before he can harm Lily and soon his faith returns.
An epic story set in the early western 1860s involving a working cowboy and a young Indian boy. As a child, Sandy Steele witnesses the death of his family at the hands of a brutal raiding Indian Party. Growing to manhood and working as a ranch foreman, Steele encounters the hand of fate when he is thrown together with Little Hawk, an Indian child whose family has just been killed by white men.
Michael, a half-breed Indian, is forced off a wagon train by scout Michael. Seeking revenge, he murders the wife of a college professor, kidnaps her baby daughter, and raises her as his own.
Tom and Sally are the only survivors when their wagon train is attacked by Swift Wing's braves. Starlight aids in their escape and they join a group of hunters. But there is more trouble when the tribe attacks again.
Kidnapping by Indians is a 1899 British silent short Western film, made by the Mitchell and Kenyon film company, shot in Blackburn, England. It is believed to be the first Western film, pre-dating Edwin S. Porter's The Great Train Robbery by four years.
When Bill Croft, a notorious gunfighter, is bushwhacked, innocent rancher Frank Douglas is accused of the crime on circumstantial evidence and sentenced to be hanged. Jack Douglas, Frank's son, sets out to prove his father's innocence with the help of Jean, the murdered man's daughter; Jack eventually apprehends the killer and forces him to confess, but the sheriff is unable to stop the execution without an official pardon.
Billy Brooks, who exhibits an effeminate personality, leaves his Wall Street magnate father and goes on the road as a perfume salesman. In an effort to cure his son of his womanly ways, Brooks, Sr. wires Nebeker, an old rancher friend, to kidnap Billy from the train and "make a man of him."
Jim Richeson was a haunted man, but he smiled carelessly as he handled the sign offering a reward for his capture, dead or alive. He smiled again as he wheeled his horse and galloped off down the road, waving a satirical adieu to the posse. A pretty mountain girl with pail in hand, stood at the pump when Jim rode up. He took the pail from her, drank deeply, and then, as an afterthought, seized her and kissed her heartily. Then he leisurely mounted his horse and galloped off. Furious at the insult, the girl rushed for a gun, only to meet her lover, just as he rounded the bunkhouse. That person at once flew into a passion and gave hot chase to the vanishing bandit, vowing to have his life. Meanwhile, the girl, at the head of a posse, followed less swiftly. A royal battle took place in the mountains. Dick and Jim, sheltered behind the great rocks, tried every expedient known to the West in an effort to kill each other.
An escapist hacker and his high-tech counterpart journey through surveillance state America, crossing frontiers that test their friendship and ignite a fight for independence.
The story, which is well known to every school child, is taken from Parkman's History and is presented without alteration or embellishment, and in the number of people employed and in the character or the scenic mountings is by long odds the greatest Indian production yet offered under the Kalem trade-mark. It will be remembered that Major Gladwynn, Commandant of Fort Detroit in 1763, had declared his love for a young Indian girl and she had become much attached to him. At this period Pontiac was at the height of his power and had sent emissaries about the villages of the Ottawas inciting war against the whites. The final plan involved the entry to the fort of a number of picked chieftains, each carrying a shortened gun beneath his blanket. The mission was ostensibly to be one of peace, but at a signal from Pontiac the chieftains were to drop their blankets and to massacre the whites.
A short Western. Ivi, the beautiful daughter of an Indian chief, has three suitors. A competition will decide who gets to marry her. The winner is not Panther, who was Ivy’s favourite. But after he manages to catch a horse thief, he does wind up marrying her after all.
It's 1885. Wild bison are scarce in the North West Territories. Luther Giddings (Paul Spence), a scout of mixed blood returns to the buffalo ranch where he was born to reunite with his half brother, William Turner (Dave Lawrence). Greeted by a rag tag posse of racists, homophobes and gossips, the only kindness Luther receives is from the rancher's effeminate son. Whiskey floats more trouble than it drowns and before long, he is on the run, the bison rancher's inept outfit on his tail. When Luther discovers that the captive white buffalo has followed him, he vows to return the animal to her people to trigger the return of the Great Herds. With an two thousand pound buffalo and a reluctant brother from another father in tow.
Despite his unprepossessing screen personality, singing cowboy Jimmy Wakely was starred in a series of Monogram westerns, one of which was West of the Alamo. Wakely and comedy sidekick Lee "Lasses" White play a pair of government agents who work undercover to solve a series of baffling crimes. It comes to no one's surprise that the criminal mastermind is the town's leading citizen, in this case banker Clay Bradford (Jack Ingram). As was typical in the Wakely westerns, West of the Alamo is approximately 25 percent action and 75 percent musical. Among the guest warblers this time out is the Arthur Smith Trio, headed by a gospel singer who'd later emcee a popular religious TV talk show.
Early silent screen leading man Roy Stewart played a dual-role in this independently produced "Northwestern" about identical twins, separated at birth, who grow up on opposite sides of the law.