Grace Martin, the adopted daughter of Sheriff Martin, was rescued by him from a band of Indians when she was an infant. She is in love with Buck Gibson. Grace asks the Sheriff's consent to marry Buck, and his thoughts revert back to the time when he saved Grace from Indians. He gives his consent to Grace's request to marry Gibson, and Grace runs away happy to tell her lover of the good news. That night Buck Gibson and some pals rob the town bank, and Buck is identified as one of the bandits.
Pierre, away in the Northland, loves Jeanne. His love is returned and they are engaged to be married. Pierre leaves for a trapping expedition, and in the meantime the girl is enamored with the tales told by Niklo, an itinerant trapper, and becomes infatuated with him.
Jim Rose is a young ranch hand in love with the boss' daughter, Mabel. The rancher, King Brentwood, who is being sued for breach of promise by a local widow, opposes the match. Learning that the annoying woman is coming to pay him a visit, Brentwood has his men fake a holdup of her stagecoach.
Annette finds a baby in the snow alongside her dead mother and takes it to Baptiste Dupre and his wife, where the two of them grow up. A corrupt sheriff is infatuated with her, and Jean Rivard (Tom Mix), an officer in the Royal Canadian Mounted Police, must rescue her from him. Ace High is one of the earliest surviving Tom Mix westerns.
Frank Leon Smith's well-written story told of Carter's Creek, a bustling mining camp, and of how Beth Cameron (Rich) seeks to avenge the murder of her father (Frederick Vroom) by donning men's clothing and raiding the vicinity.
A slick city crook arrives in the town and succeeds in making honest Nell fall in love with him. He then suggests an entertainment with local talent, the while his confederates crack the safe and make off with the town's wealth. Nell, with her faithful but brainless lover, journeys to the city in pursuit of the loot and the looter
The First Story is the first film in a trilogy of "westerns." Here the central idea is Power in its various forms, especially as seen overland in the quintessential American West: the big rigs on I 90 and the freight trains crossing Wyoming. It is the contrast of these machines to the broad landscape and animal life that digs at this mythological space and questions what other meanings might be created.