Dean extrapolated landscape images from 1920s Ford advertisements, leaving out the cars to focus on their representations of place and nature. She made the animation using a digital version of a multiplane camera technique employed in early Disney films to create an immersive and 3D illusion by separating two-dimensional images. This technique was itself inspired by Ford’s assembly line; Dean uses it to explore historical depictions of the American dream, exaggerating the subject matter’s fantastical style. [Overview courtesy of the Whitney Museum of American Art]
When a frontier family, living in Kwa-Zulu Natal’s Old West, is beset upon by a band of thugs seeking to steal their homestead’s title deed by any means necessary, a father will have to fight to protect not only the safety of his wife and children, but his right to farm the land he inherited from his father before him, and in so doing, teaching his children the value of a family standing united together against all odds.
A Western drama about two brothers who are in love with the same girl. When one of them wrongly thinks she has chosen for the other, he leaves for Mexico.
“Burlesqueing western conventions, this film has silent movie titles and music and a posse of shetland ponies. A gumnut satire of Westerns with a fine eye for the absurd.” (The Australian Filmmakers Co-operatives Catalogue of Independent Film)