Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.
The opening scene in this film is of an arrest in Hillsborough County Florida where a woman has scratched her husband while he was trying to restrain her from getting back in her car and leaving after an argument. The officers explain that she has committed a battery and thereby earned herself an inescapable arrest and overnight stay in jail because by law they have no discretion. This sets the stage for two hours of court proceedings before three different judges, each trying to apply the Florida domestic violence laws.
With a rare gift for unflinching impartiality, director Arthur Dong delves into the lives and attitudes of fundamentalist families who actively oppose homosexuality, despite having gay offspring themselves.
The Gettysburg Address is the subject of a new documentary by Ken Burns. The documentary tells the story of students at the Greenwood School whose study of the Gettysburg Address brings new understanding to the speech.
The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.
We Are the Giant tells the stories of ordinary individuals who are transformed by the moral and personal challenges they encounter when standing up for what they believe is right. Powerful and tragic, yet inspirational, their struggles for freedom echo across history and offer hope against seemingly impossible odds.
In the summer of 1964, more than 700 students descended on violent, segregated Mississippi. Defying authorities, they registered voters, created freedom schools, and established the Mississippi Freedom Democratic Party. Fifty years later, eyewitness accounts and never-before-seen archival material tell their story. Not all of them would make it through.
Focuses on the socialization of American females. It tells the story of six women and girls. The first film to emerge from the modern women's movement in the early 1970s.
In 1998 Wojciech Staroń made the documentary film "The Siberian Lesson". The film told the story of a young teacher who emigrated to the vicinity of Lake Baikal in order to teach Polish deportees’ descendants their native language. Many years later, as a married couple with two children, the director and his wife are leaving for Argentina. For their little son, this trip will not only be an encounter with an unknown language. Influenced by their Argentinian friend, Janek enters the fascinating world of imagination, and is introduced to the bitterness of childhood prematurely contaminated by the problems of grown-ups.
This film illustrates the life of the film director, Shui-Bo Wang in The People's Republic of China. We learn of the life of the director in his own words and images from a child steeped in the values of Chinese communism exemplified by Chairman Mao, to a young man striving to live up to those ideals both as an artist and a soldier.
The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.
The story of Estelle Ishigo, one of the few Caucasians interned with Japanese Americans during World War II. The wife of a Japanese American, Ishigo refused to be separated from her husband and was interned along with him. Based on the personal papers of Estelle Ishigo and her novel Lone Heart Mountain.
The Ax Fight (1975) is an ethnographic film by anthropologist and filmmaker Tim Asch and anthropologist Napoleon Chagnon about a conflict in a Yanomami village called Mishimishimabowei-teri, in southern Venezuela. It is best known as an iconic and idiosyncratic ethnographic film about the Yanomamo and is frequently shown in classroom settings.
A film about the fearless photographers and photojournalists who documented strikes, demonstrations, protests etc during the Chilean military regime of Augusto Pinochet, sometimes risking their very lives.
A Bit of Scarlet excavates clips from Britain's cinema archives to create a moving and humorous testament to the closeted gay and lesbian images from filmmaking's earliest days.
Almost fifty years ago, Mercedes Sosa drafted together with other young artists, the so-called "Manifesto del Nuevo Cancionero" (The New songbook Manifesto). Apart from the millions of records she sold, the thousands of concerts she made all over the world, her countless fans and detractors, Mercedes Sosa left behind an indelible legacy. This film is a deep intimate journey into Mercedes Sosa's world, not only as an artist but as human being. An autobiography through her own voice, with never seen before archive and several international artists giving their testimony about Mercedes's.
A historical account of military policy regarding homosexuality during World War II. The documentary includes interviews with several homosexual WWII veterans.
BRAKHAGE explores the depth and breadth of the filmmaker’s genius, the exquisite splendor of his films, his magic personal charm, his aesthetic fellow travelers, and the influence his work has had on generations of other creators. While touching on significant moments in Brakhage’s biography, the film celebrates Brakhage’s visionary genius, and explores the extraordinary artistic possibilities of cinema, a medium mostly known only for its commercial applications in the form of narratives, cartoons, documentaries, and advertising. BRAKHAGE combines excerpts from Brakhage’s films and films of other avant-garde filmmakers (eg, George Kuchar, Jonas Mekas, Willie Varela, Bruce Elder, and others); interviews with Brakhage, his friends, family, colleagues, and critics; archival footage of Brakhage spanning the past thirty-five years; and location shooting in Boulder, Colorado and New York.