Mankind's numerous ways of measuring the passage of time through history are depicted through stop-motion animation, from ancient sundials to simple mechanical devices, up through complex modern timepieces.
This film examines the reasons why the United States decided to engage in the Korean War. Scenes describe Russia's attempt to gain power following World War II (Korea included), and its refusal to allow free elections in the country. Footage shows Soviet-backed North Korean troops' movement into South Korea on June 25, 1950, the United Nations' response, and the armed struggle against both North Korean and later Chinese troops led by General Douglas MacArthur. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2005.
Grandad of Races is a 1950 American short documentary film about the Palio di Siena held in the Piazza del Campo in Siena, directed by André de la Varre. It won an Oscar at the 23rd Academy Awards in 1951 for Best Short Subject.
The Yellow Cruise is a French documentary film initially directed by André Sauvage and taken over by Léon Poirier following the intervention of André Citroën. The film was presented in Paris in 1934. André Sauvage was hired by the Pathé-Natan company to follow the yellow cruise through Asia. In 1931 and 1932, forty-two men, including Pierre Teilhard de Chardin, scholars and doctors traveled thirty thousand kilometers on the Silk Road through the Middle and Far East, in caterpillar propellants. Together, despite the bad weather, the difficulties of the terrain, the mechanical failures and the political conflicts, they reached Beijing on February 12, 1932. André Citroën who asked to see the film, dissatisfied with the result, bought it from Bernard Natan and entrusted the editing by Léon Poirier, who had filmed La Croisière Noire in Africa in 1926. This film will mark the break in the film career of André Sauvage.
Oscar winning postwar propaganda film in support of the United Nations Relief and Rehabilitation Administration. Strident but poignant, focusing on children. The film surveys the Nazi/Japanese atrocities, post-war devastation and the early relief efforts. This film was responsible for raising over $200,000,000, making it a top moneymaking film. Preserved by the Academy Film Archive in 2005.
More than two decades ago, a country in Europe existed that marked the border to a different political and economic system, yet was the very heart of the continent. This country called the German Democratic Republic, made Socialism a reality and was home to 17 million people. Born in the deep eastern provinces, Ringo Rösener witnessed East Germany's collapse as a nation. Ringing in the new millennium, he leaves his hometown of Anklam to live out his homosexuality – something he had never dared to do. Would an openly gay life even have been possible in the real Socialist system? Ringo Rösener meets six gay men who lived in the GDR. Some of them speak openly about their sexuality for the first time in their lives. Little by little, they open up, share their stories, and talk about their lives in the supposedly uniform state.
An account of the life and work of American film director Sam Peckinpah (1925-84), a tortured artist whose genius and inner demons changed the Western genre forever.
A look at how the weather bureau tries to warn farmers and businessmen about approaching large storms. Although some precautions can be taken to lessen their impact, storms have to run their course, and there is really not much we can do about them.
A candid-camera view of professional wrestling as seen in the Montréal Forum, where some of the biggest bouts are staged, and in back-street wrestling parlours where the warriors practice their art.
John Ford splices together footage of Torpedo Squadron 8, all but one of whom were later shot down and killed in the Battle of Midway. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2007.
Numerous women sit in rows at machines where they appear to be winding some type of wire and tooling it onto machines. Two young men push spools of this wire down the aisle. Supervisors, male and female, walk down the aisle and observe the women's work, stopping for a while at one woman's station.
Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.