The music speaks for itself in this performance documentary that highlights some of the biggest names within the country-folk scene in Texas and Tennessee during the last weeks of 1975 and the first weeks of 1976, eschewing narration and staged interviews.
Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.
Testimony of three Mexican women, Maria Teresa, Esperanza and Luz Maria. Each talks about their jobs, their personal and family relationships, their lack of freedom and the role of women in society in the 1970s.
Animator Robert Clampett presents a history of "Termite Terrace," the little shack on the Warner Brothers studio lot which in the 1930's and 1940's housed the animation unit which gave birth to Porky Pig, Daffy Duck and Bugs Bunny. Includes color and black-and-white home-movie-type footage shot at the time showing such animation greats as Clampett, Tex Avery and Chuck Jones. Also featured are nine complete Warner cartoons.
Thom Andersen's hour-long documentary adroitly combines biography, history, film theory, and philosophical reflection. Muybridge's photographic studies of animal locomotion in the 1870s were a major forerunner of movies; even more interesting are his subsequent studies of diverse people, photographed against neutral backgrounds.
A Chilean-Cuban documentary film, by Chilean filmmaker Patricio Guzmán, in three parts: The Insurrection of the Bourgeoisie (La insurrección de la burguesía 1975), The Coup d'état (El golpe de estado; 1976) and Popular Power (El poder popular; 1979).
The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.
Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.
In July 1974, a group of Chicago based blues artists who had already achieved legendary status gathered together with some of their younger "blues brethren" from all over the country to pay tribute to the man most responsible for bringing blues from the Mississippi Delta upriver to Chicago, Muddy Waters. Appearing with Muddy that night were his contemporaries Willie Dixon, Koko Taylor, Junior Wells and Pinetop Perkins, and from the next generation of blues lovers and performers, Mike Bloomfield, Buddy Miles, Johnny Winter, Dr. John, and Nick Gravenites -- all artists who were on their way to becoming legends themselves. What resulted from that joyous teaming was a truly historic session that not only presented some of the greatest blues classics ever written, but a never-to-be-forgotten hour that truly demonstrates the love of music by one generation for another.
Les Blank's first feature-length documentary captures music and other events at Leon Russell's Oklahoma recording studio during a three-year period (1972-1974).
Between 1923 and 1928, two men collaborated on a series of four books - "When We Were Very Young", "Winnie-the-Pooh", "The House at Pooh Corner" and "Now We Are Six" - which have since become classics in the field of children's literature. This film tells the story of the men and how those books came into being.
10/24/1973 Capitol Records Rehearsal Session, Capitol Record Tower, Los Angeles, CA SET: You can't blame the Youth. Slave Driver, Burnin' and Lootin', Rastaman Chant, Duppy Conqueror, Midnight Raver, Put it on, Stop that Train, Kinky Reggae, Stir it up, No more trouble, Get up stand up
Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.