Tells of Aborigines' removal from their families to be sent to work as servants for white people and the rise of the first Aboriginal organisations in the 1930's, in particular the Aborigines Progressive Association.
A complex visual study of the women of rural Senegal. Through a complicity of interaction between film and spectator, Reassemblage reflects on documentary filmmaking and the ethnographic representation of cultures.
In their final year at Muncie's Southside High School, a group of seniors hurtles toward maturity with a combination of joy, despair, and an aggravated sense of urgency. They are also learning a great deal about life, both in and out of school, and not what school officials think they are teaching.
When Women Kill is a poignant documentary exploring the shocking violence that seven women fell victim to at the hands of men. The program profiles the battered women who speak frankly about the cruel abuse, threats, and fears, and the overassertive men who led them down a one-way path to death and destruction. The film features in-prison footage, including a segment depicting a confession by a follower of the notorious Charles Manson, Leslie Van Houten, who was convicted of two killing sprees and committed to life in prison.
In hand-built, double-hulled canoes sixty feet long, the ancestors of today's Polynesians sailed vast distances using only the waves, the stars, and the flights of birds to navigate. Anthropologist Sanford Low visits the Caroline Islands of Micronesia to meet Mau Piailug, the last navigator initiated on his island and one of few men still practicing this once-essential art. He demonstrates his skill by sailing a replica canoe 2500 miles from Hawaii to Tahiti with no modern navigational instruments.
David Hockney is unquestionably one of the most passionate and versatile experimental artists on the contemporary scene. In the late 1970s the British artist developed a pioneering concept which also changed his perspective on painting – his “joiners”. In this film, the artist himself talks about this photographic approach, a kind of Cubism-inspired photocollage which explores the space-time continuum. Hockney allows the viewer to share in the creative “joiner” process and leads us step by step into the universe of his artistic creativity.
ANGELS OF WAR captures the experiences of villagers who lived through the Papua New Guinea campaign. Caught up in a war they could not understand or influence, they had no choice but to obey whoever held the gun. Their homes were bombed. They starved as refugees in the bush. They were conscripted as carriers. They fought as infantrymen and guerillas. In Japanese-held areas, they were forced to collaborate or risk execution; some were later hanged for treason by the Australians.
Citations from love letters and poems written between Karl Marx and his fiancée Jenny von Westphalen during their teenage years are combined with images, paintings, and beautiful, atmospheric landscapes of places connected to Marx.
Making of documentary on the set of New Zealand's first epic Utu (1983), working with little money and dealing respectfully with matters of cultural protocol. Merata Mita discusses complex issues of inter-cultural conflict.
Mammy Water is a pidgin English name for a local water goddess worshipped by the Ibibio, Ijaw, and Igbo speaking peoples of southeastern Nigeria. The water goddess traditionally gives wealth and children, compensates for hardships, and is sought in times of illness and need, especially by women. Her various cults are led, predominantly, by priestesses.
This film examines the implications of the Australian colonial era for the Gogodala people of the Fly River Delta, Western Papua New Guinea. Excessive missionary zeal, tolerated and encouraged by the government, contributed to the almost total destruction of Gogodala art and culture. More recently, an indirect grant from the Australian government has enabled the people to reconstruct a traditional longhouse, along with a new meaning and function: as a cultural center.
A compelling study of the Hopi that captures their deep spirituality and reveals their integration of art and daily life. Amidst beautiful images of Hopi land and life, a variety of Hopi — a farmer, a religious elder, a grandmother, a painter, a potter, and a weaver — speak about the preservation of the Hopi way. Their philosophy of living in balance and harmony with nature is a model to the Western world of an environmental ethic in action.
Theodore Roosevelt was America's 26th president and a larger-than-life legend whose incredible story must be seen to be believed. Narrated by George C. Scott, this documentary weaves extremely rare archival footage with meticulous recreations alongside the music of John Philip Sousa in a dynamic panorama of the great events of Teddy Roosevelt in the early years of the 20th century.
In the early 1980s, documentary filmmaker Stephen Schaller was instrumental in the rediscovery and restoration of The Lumberjack (1914), the oldest surviving film made in Wisconsin, and produced by a group of itinerant filmmakers who traveled from town to town making "local talent" pictures. Schaller's lovely and sometimes deeply emotional, 63-minute journal/essay film offers a look at the making of the Wausau, Wisconsin classic, including interviews with the one surviving cast member and the relatives of others who appeared in the movie.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
Through interviews, archival footage, photos and classic tunes, learn about the remarkable career and troubled life of legendary jazz cornetist Bix Beiderbecke, who influenced countless musicians before alcoholism lead to his premature death. Close friends and associates such as Hoagy Carmichael, Charlie David and Louis Armstrong share their memories of Bix's abilities, playing style and personality.
First Contact is a 1983 documentary by Bob Connolly and Robin Anderson which recounts the discovery of a flourishing native population in the interior highlands of New Guinea in 1930 in what had been thought to be an uninhabited area. It is based on the book of the same name by the same authors. Inhabitants of the region and surviving members of the Leahy brothers' gold prospecting party recount their astonishment at this unforeseen meeting. The film includes still photographs taken by a member of the expedition and contemporary footage of the island's terrain. It was nominated for an Academy Award for Best Documentary Feature.