In 1914, the Czech architect Jan Letzel designed in the Japanese city of Hiroshima Center for the World Expo, which has turned into ruins after the atomic bombing in August 1945. “Atomic Dome” – all that remains of the destroyed palace of the exhibition – has become part of the Hiroshima memorial. In 2007, French sculptor, painter and film director Jean-Gabriel Périot assembled this cinematic collage from hundreds of multi-format, color and black and white photographs of different years’ of “Genbaku Dome”.
At a time in the United States when the tech sector outpaces the overall growth of the employment market, CODE asks the important question: Where are all the women?
The New Yorker is the benchmark for the single-panel cartoon. This light-hearted and sometimes poignant look at the art and humor of the iconic drawings shows why they have inspired and even baffled us for decades. Very Semi-Serious is a window into the minds of cartooning legends and hopefuls, including editor Bob Mankoff, shedding light onto how their humor evolves.
A behind the scenes look at the making of the movie Bullitt with a strong focus on the attention to details taken. It features some of the preparations made before shooting began, but is mostly focused on the onsite filming locations which brings a strong amount of reality to the film as the title suggests.
Basically we just drove around aimlessly, stopping any time we saw something or someone that interested us and one thing would lead to another and the universe would pull us in one direction or another. Most of what you’re seeing in the final film is the entirety of our interaction with these guys. It was quick and to the point and I didn’t even interview people besides the occasional “Any words of wisdom?” So what we got was a whole bunch of people telling stories and talking about whatever was on their mind. It was a strange and exciting journey that took us to a lot of places we didn’t expect.
In the world's fastest growing sport, an Irishman from Crumlin stands on the threshold of becoming its next global superstar. This special documentary enters the high-stakes world of the UFC as it follows 'The Notorious' Conor McGregor over the most important six months of his fighting career.
1949, a French explorer goes on a solitary expedition in the Amazon forest. He leaves behind him a diary that reflects the meaning of Pure Life and his encounters but leaves the mystery of his own disappearance unsolved. Based on a true story.
Each night in Silicon Valley, the Line 22 transforms from a public city bus into an unofficial shelter for the homeless in one of the richest parts of the world.
In an extravagant house in Paris, people gather for sexual ceremonies in luxurious environments. The 83-year-old author, Catherine Robbe-Grillet is the brains and heart behind the erotic role playing. She is the dominatrix who controls what goes on and her partner, who is 31 years her junior, has promised to submit to her smallest command. Lina Mannheimer portrays a puzzling, intellectual and deeply fascinating woman who, accompanied by her husband Alain Robbe-Grillet, has dedicated herself to investigating sex both in life and in literature. The sadomasochistic ceremonies are presented with an intense presence and cinematic focus in this beautiful and thought-provoking debut film about desire, power and silk scarves.
A chance meeting in a parking lot in 1979 between filmmaker Trent Harris and a young man from Beaver, Utah inspired the creation of an underground film that is now known as Beaver Trilogy. But the film itself is only part of the story.
In March 2012, Iranian movie "A Separation" by Asghar Farhadi, won the Oscar Award for the Best Foreign Language Film. For the Iranian people this was more than a cinematic award. When sanctions and threats of war with Iran covered the world headlines, Farhadi talked about Iran's love for peace and the rich culture of the Iranians on the stage when receiving his award. This time the Iranians voice was heard through someone other than the government officials. This documentary shows the reaction of the Iranians to this Oscar award and has a general view on Iran's society of today.
Interweaving stonework and filmmaking, Beavers evokes memory through hammer strokes and chisel sounds that shape both image and rhythm. In this dialogue of repetition and variation, the film carves out a space where emptiness itself gains form, allowing vision beyond sight.