The surrealist painter René Magritte questions the objective reality and emphasizes the arbitrariness of the relationship between an object, its image and its name: the evocation of mystery consists of images of familiar things gathered or transformed in such a way that they no longer conform to our ideas, whether naive or wise.
The Fall tells the remarkable story of a South African barefoot runner, an American track-and-field prodigy, and the events behind one of the most memorable moments in sporting history – the 1984 LA Olympics. The film charts two journeys, from rural South Africa under apartheid and the rolling hills of Southern California, to the starting line of the women’s 3,000 metres. It uncovers a tale of betrayal and exploitation, of the blurred lines between politics, media and sport, and of the dedication and sacrifice required to compete at the highest level. It’s a story that split governments and divided nations, but at its heart is a tale of two young women who, despite the turmoil in their lives, just wanted to run.
An intimate journey of a 37-year-old Cristina, as fate brings to her life both a new love and an unbeatable challenge. Determined to pass on a message of hope and a 'live in the now' mentality, Cristina's second cancer takes a toll on her diminishing body, however her love for Bruce only grows. Bruce stands by her side while juggling work and financial strains. The film follows Cristina's journey into her deep AMOUR, one that supports and lifts her up. If she had to choose between finding this deep and pure love and having cancer, or being cancer free but never experiencing true love... what would she choose? Her shocking answers are captured by veteran filmmaker Michèle Ohayon on camera.
Vintage tomorrows examines the steampunk movement's explosive growth, origins, and cultural significance. It explores the fundamental question: what can we learn about tomorrow from steampunk's playful visions of yesteryear?
Documentary telling the extraordinary story of Koko, the only 'talking' gorilla in the world, and her lifelong relationship with Penny Patterson. Project Koko started as a PhD project to teach sign language to a baby gorilla, but as Koko began to communicate with Penny, an intense bond formed between them. Penny has now been with Koko for over 40 years and claims Koko can reveal fresh insights into the workings of an animal's mind. Koko's unique life with Penny has been filmed every step of the way. Over 2,000 hours of footage chart the most dramatic moments - Penny's battle to keep Koko from being taken back to the zoo in which she was born, Penny's clash with academic critics who doubted her claims and the image of Koko mourning the death of her kitten.
Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)
In 2015, a new spanish political party, named Podemos, made history by becoming the third force of the parliament, just two years after its creation. This is how it happened.
Thanks to a remarkable discovery in the BBC's film vaults, the best of David Attenborough's early Zoo Quest adventures can now be seen as never before - in colour - and with it the remarkable story of how this pioneering television series was made. First broadcast in December 1954, Zoo Quest was one of the most popular television series of its time and launched the career of the young David Attenborough as a wildlife presenter. Zoo Quest completely changed how viewers saw the world - revealing wildlife and tribal communities that had never been filmed or even seen before. Broadcast 10 years before colour television was seen in the UK, Zoo Quest was thought to have been filmed in black and white, until now. Using this extraordinary new-found colour film, together with new behind-the-scenes stories from David Attenborough and cameraman Charles Lagus, this special showcases the very best of Zoo Quest to West Africa, Zoo Quest to Guiana and Zoo Quest for a Dragon in stunning HD colour.
A feature-length documentary to show why Britain should vote to LEAVE the EU - and would thrive outside of it. Brexit: The Movie spells out the danger of staying part of the EU. Is it safe to give a remote government beyond our control the power to make laws? Is it safe to tie ourselves to countries which are close to financial ruin, drifting towards scary political extremism, and suffering long-term, self-inflicted economic decline?
In an audacious investigation, Freightened will reveal the mechanics and perils of freight shipment; an all-but-visible industry that holds the key to our economy, our environment and the very model of our civilisation.
The hunt for aliens is on! After a distinguished career in cosmology Professor Martin Rees, the astronomer royal, has taken up the search for extra-terrestrials. Looking for aliens is no longer science fiction - it is a question that's engaging some of the greatest minds in science. As our knowledge of the universe has increased, we're getting closer to answers. Many scientists now think we live in galaxy with a billion Earth-like planets, many of which may be teeming with life. But what kind of life? Has anything evolved into beings we could communicate with? This film gets inside the minds of the scientists considering one of the most exciting and profound questions we can ask - are we alone in the universe? Professor Rees thinks we may have our idea of what an alien is like all wrong. If he's right, it's not organic extra-terrestrials we should look for, it's machines.
A new look at the public and private life of one of the most important statesmen in the history of Europe: Winston Churchill (1874-1965), soldier, politician, writer, painter, leader of his country in the darkest hours, winner of the Nobel Prize in Literature, a myth, a giant of the 20th century.
“Once upon a time, before people came along, all the creatures were free and able to be with one another”, narrates the voiceover. “All the animals danced together and were immeasurably happy. There was only one who wasn’t invited to the celebration – the frog. In his rage about the injustice, he committed suicide.” Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming “once upon a time” into “there is”. “Afterwards, nothing will be as it was and the melody of life will have changed”, explains a voice off-camera. Golden Bear for Best
Los Punks: We Are All We Have is an intimate documentary about the teens and young adults who find meaning in the thriving punk rock scene in the backyards of South Central and East Los Angeles.
In 1994, four women were accused, tried, and convicted of the heinous sexual assault of two young girls—as one newscaster puts it, “the modern version of the witchcraft trials.” Twenty years later, the four women have maintained their innocence, insisting that the accusations were entirely fabricated, and borne of homophobic prejudice and a late-’90s mania about covens, cults, and child abuse.
The Drive. The Fumble. The Shot. The Decision. José Mesa. And so it goes for Cleveland sports fans. BELIEVELAND attempts to explain the masochistic devotion many Browns, Indians, and Cavs fans have when it comes to cheering for teams that continue to break our hearts. Including interviews with ghosts of sports heroes past, current Cleveland personalities, and many of the very fanatics that keep taking their licks, BELIEVELAND is like group therapy where the patients are the ones asking “why, Why, WHY!” Only true Clevelanders can understand our love for our city, our loyalty to our teams, and the mentality that hungers for more even though it’s been 50 years since our last championship. And that’s because one day–one day–we’ll be able to say, “I told you so” to everyone who refuses to believe.