There's a bad mood rising against the corporate brands. No Logo is the warning on the label. In the last decade, No Logo has become a cultural manifesto for the critics of unfettered capitalism worldwide. As the world faces a second economic depression, No Logo's analysis of our corporate and branded world is as timely and powerful as ever. Equal parts cultural analysis, political manifesto, mall-rat memoir, and journalistic exposé, No Logo is the first book to put the new resistance into pop-historical and clear economic perspective. It tells a story of rebellion and self-determination in the face of our new branded world.
The Darkness of Day is a haunting meditation on suicide. It is comprised entirely of found 16mm footage that had been discarded. The sadness, the isolation, and the desire to escape are recorded on film in various contexts. Voice-over readings from the journal kept by a brother of the filmmaker’s friend who committed suicide in 1990 intermix with a range of compelling stories, from the poignant double suicide of an elderly American couple to a Japanese teenager who jumped into a volcano, spawning over a thousand imitations. While this is a serious exploration of a cultural taboo, its lyrical qualities invite the viewer to approach the subject with understanding and compassion.
Comedian Doug Benson, the subject of Super High Me, is back to answer one question: What is the subject of that cult hit pot-umentary up to now? He’s got three popular podcasts, 400,000 plus Twitter followers, a series on Comedy Central, and a new comedy doc: The Greatest Movie Ever Rolled. It’s a fast paced look at life on the road for a comic with a rabid following, as he travels with his buddy - clean-livin’, wound-up karate enthusiast, Graham Elwood - on a tour to raise money to make a movie about going on tour to raise money to make a movie. Yeah, so very Spurlock of him. Doug finds fun everywhere he goes, and he’d like to share it with you.
The Dotted Line is an in-depth look at what it takes to be a big-time agent in the fiercely competitive world of major league sports. Agents Peter Greenberg and Eugene Lee are profiled along with their clients New York Mets' pitcher Johan Santana (Greenberg's) and NFL hopefuls Jacquian Williams and Robert Hughes (Lee's).
Ten years later, the events of September 11, 2001, still resonate - especially for the people who were in critical leadership positions on that fateful day. Hear intimate accounts from New York Mayor Rudy Giuliani and the chiefs of the NYPD and FDNY, Secretary of Defense Donald Rumsfeld, Vice President Dick Cheney and many others who found themselves at the center of the action. Unprecedented decisions. Unimaginable tragedy. This is the definitive story, from 6 am to midnight, of a day that changed the world.
Year 2002. In a neighborhood of Barcelona, residents demonstrate against the expropriation of their homes. Since the 80s, this neighborhood in ruins is the main drug market in the city. Juan lives there with his father, eight brothers and about twenty nephews. Surrounded by addicts, Juan output grows hoping his mother from prison. The neighborhood will be demolished, and the family will have to find another home.
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan.
This is a short film that, although a documentary in appearance, has very little to do with the generic conventions of that form. It would seem, then, that what we have here is the embryo of what he was subsequently to call the "elementary": an abstract or lyrical modality in the perception and exposition of the real.
Art Kane, now deceased, coordinated a group photograph of all the top jazz musicians in NYC in the year 1958, for a piece in Esquire magazine. Just about every jazz musician at the time showed up for the photo shoot which took place in front of a brownstone near the 125th street station. The documentary compiles interviews of many of the musicians in the photograph to talk about the day of the photograph, and it shows film footage taken that day by Milt Hinton and his wife.
Far Out Isn't Far Enough: The Tomi Ungerer Story depicts one man's wild, lifelong adventure of testing societal boundaries through his use of subversive art. This 98-minute film combines traditional documentary storytelling with original animation from over 70 years worth of art from the renegade children's book author and illustrator. Using a historical palette of 20th century events to paint an artist's epic yet controversial life story, this HD documentary film offers a feature-length retrospective of Ungerer's life and art, pondering the complexities and contradictions of a man who, armed with an acerbic wit, an accusing finger and a razor sharp pencil, gave visual representation to the revolutionary voices during one of the most tantalizing and dramatic periods in American history. Far Out Isn't Far Enough explores the circumstances of his meteoric rise and fall on American soil...
A chilling post mortem on the tragic case of two teenagers who decided to shoot themselves in the head with a shotgun, and the ensuing court case staged to place the blame on the heavy metal band Judas Priest.
An intimate, and often humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive, and illuminating study of belonging, friendship, and family in the lives of those for whom dispossession is the norm, and yearning their daily lives.