Know Your Ally: Britain was a 45-minute propaganda film made in 1944. It was narrated by Walter Huston and produced by the United States War Department and Signal Corp to solidify Anglo-American solidarity within the ranks as well as counter Nazi propaganda aimed at weakening the Alliance.
Johnny Cash: American Rebel is built around 12 essential Johnny Cash tracks spanning four decades that each deliver the passion, musicality and messages against war, injustice, racism and prejudice, including “Folsom Prison Blues,” “Jackson,” “San Quentin,” “Man in Black,” “Sunday Morning Coming Down,” “Ring of Fire” and “Hurt.” Each song illustrates a chapter in his life, as well the story of an ever-changing America from the 1950s to modern day, as told through interviews, archival concert footage, photographs and personal artifacts from the Cash family.
From the first kiss to breakup, Almy and Hammer record their relationship on a reel-to-reel ¾” tape recorder and microphone. Winner of the Louise Riskin Prize at the 1976 San Francisco Art Festival.
Through You Princess will follow Samantha, Kutiman, and some of the musicians around the world who are not aware of Kutiman creating his new music out of their musical web clips. Everyone is from another background, culture, and country, but all share now a mutual musical vision.
This film was made on the occasion of the celebration of the 20th anniversary of the Ilinden (St. Ellias Day) Rebellion. This panoramic film depicts the most significant historic figures and places situated in the Aegian, Pirin and Vardar regions.
The titular troublemakers are the New York–based Land (aka Earth) artists of the 1960s and 70s, who walked away from the reproducible and the commodifiable, migrated to the American Southwest, worked with earth and light and seemingly limitless space, and rethought the question of scale and the relationships between artist, landscape, and viewer. Director James Crump has meticulously constructed Troublemakers from interviews (with Germano Celant, Virginia Dwan, and others), photos and footage of Walter De Maria, Michael Heizer, Robert Smithson, Nancy Holt, and Charles Ross among others at work on their astonishing creations.
This one is a collage of Hollywood melodramas of the 1950s and 1960s, filmed directly from the television set. The constantly recurring motifs of suspense and clichés of plot make it possible to move seamlessly among scenes from different films with different protagonists: uneasy sleep, getting up, listening at the door, turning on the lights, being startled, etc. In the montage, the movements and gestures of the actresses – stars like Lana Turner, Tippi Hedren, and Grace Kelly– seem choreographed and planned for each other. The soundtrack supports this effect with connecting passages of sound that imitate the stereotypes of the genre. The treatment concentrates the dramatic shift from the familiar to the eerie and shows how women become the victims of the voyeuristic glance of film.
A diverse group of disabled people from across the U.S. take on leading roles in a magical rip-roaring costume drama Western, filmed on vintage Hollywood locations. This riveting film within a film immerses us in a dynamic, inclusive world of discipline and play, raising questions about why we so rarely see real disabled actors on the big screen?
The film presents a description of Puerto Rico of the late 1960s and early 1970s. It shows some of what the island had to offer at that time and explains that Puerto Rico is "American in every respect", except for its "360 days of sunshine", due to the results of Operation Bootstrap.
On the day young Alan receives his driver's license, Officer Hal Jackson visits the Dixon farm to sternly lecture the family on the dangers of carelessness at railroad crossings.
This educational film emphasizes the importance of good grooming and personal hygiene habits. Clothes should always appear clean and neat, and should be appropriate to the classroom setting. (Inappropriate dress makes you uncomfortable and conspicuous, not a good thing!) The functions of the skin are examined in scientific detail. Methods for cleaning the skin are demonstrated. Besides maintaining skin and body health, good grooming habits will help you "fit in" in various social situations, and may even help a gal attract a boyfriend!
The film follows the band Slowdive as they come up in the flourishing Thames Valley shoegaze scene and chronicles the making of their classic album Souvlaki. It features interviews with all of the band members as well as Creation Records' Alan McGee, producer Chris Hufford, and engineer Ed Buller.
The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.
A film celebrating the beauty and romance, the art and science of neon: visually stunning, one of the most environmentally friendly forms of lighting ever made, and endangered – LED is slowly but surely taking its place around the globe. Vivid, beautiful and insightful, Neon is the story of this noble element that has so profoundly coloured the modern world.
Interesting short documentary on young athletes in a Soviet ice skating program, some of whom are barely past toddler age. Kinetic and up close, the doc focuses on movement with music, eschewing interview and conversation, and mostly submerging political and social commentary.
An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.