From feminist director and provocateur Monika Treut comes this eclectic collection of four short documentaries profiling unconventional women. One has Camille Paglia explaining her ways of thinking. One has Annie Sprinkle explaining her approach to performance art, which includes inviting audience members to view her cervix with a speculum. One interview investigates a professional woman's preoccupation with sadomasochism. The fourth documents the life adjustments of an F2M (female-to-male) sex change who looks like a dangerous biker, with slick black hair, a matching motorcycle jacket, and tattoos.
An intimate portrayal of a peculiar Jewish family running a small town strip club, while attempting to nurse their relationships and themselves back to health.
The water beats relentlessly against the Hell's Mouth (Boca do Inferno), one of the main natural attractions of Lisbon's west coast, filmed from above almost in a vertical plunge onto the deep, rocky ground.
An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.
This is a documentary on the 70's French porn industry. There are generally two kinds of porn documentaries--those that actually take an insightful look behind the scenes, and those that are just an excuse to show a lot of nudity and XXX porn footage. This is actually somewhere in between. It's generously seasoned with porn footage, but there are also a lot of (fully-clothed) interviews, and they even talk to the owners of porn theaters, some typical porn customers (including some pre-adolescent boys who are walking by the the theater--I wonder what their parents thought of that?), as well as a guy who makes promotional billboards for porn movies although he claims never to have seen one!
How do you make one of the world's most revered fashion brands your own? A look at the life and work of Gucci fashion designer, Frida Giannini. Taking advantage of rare, behind-the-scenes access, director Christina Voros shows how the Florentine trendsetter has been re-imagined in the past few years.
This movie covers the final hour leading up to the Columbine High Massacre. On April 20, 1999, two boys from Columbine High School in Colorado embarked on a massacre and killed 12 students, one teacher, and injured 21 other students, before turning the guns on themselves.
In NORTH ON EVERS James Benning takes the road movie seriously, making his circular trip across the U.S. a marvelously photographed, intensely felt, and disturbing portrait of contemporary America. In many ways, this recent film is a departure of Benning’s earlier films which are characterized, at times, by extremely long, carefully planned takes and a minimal narrative approach. In NORTH ON EVERS, the shots are kept short with a narrative that is direct and detailed, like a diary or a long series of postcards to a friend. What this work shares with the other films is a dry wit and a deep interest in the American social landscape.
For over 130 years till 1996, more than 100,000 of Canada's First Nations children were legally required to attend government-funded schools run by various Christian faiths. There were 80 of these 'residential schools' across the country. Most children were sent to faraway schools that separated them from their families and traditional land. These children endured brutality, physical hardship, mental degradation, and the complete erasure of their culture. The schools were part of a wider program of assimilation designed to integrate the native population into 'Canadian society.' These schools were established with the express purpose 'To kill the Indian in the child.' Told through their own voices, 'We Were Children' is the shocking true story of two such children: Glen Anaquod and Lyna Hart.
The House of Suh” tells the story of Andrew and his sister Catherine, and how the values, conflicts, and dysfunctions of their Korean immigrant family led to the murder of Robert O’Dubaine. Eloquently narrated by Andrew, the documentary highlights issues of assimilation and the struggle between freedom and responsibility, raising questions about guilt, innocence, and the illusive gray area in-between.
Being in the World is a celebration of human beings, and our ability, through the mastery of physical, intellectual and creative skills, to find meaning in the world around us. This film takes us on a gripping and surprising journey around the world meeting extraordinary people, showing how we go from following rules to proficiency, to becoming masters in the form artists, craftsmen, athletes, and, ultimately, unique human beings attuned to the sacred.
Michael Powell makes a moving return trip to the remote island of Foula, forty years after he shot his first major feature there - 'The Edge of the World (1937)'.
Director Dag Yngvesson begins making a documentary about the porn industry, until he is asked by a desperate director to shoot film for his next adult movie. After agreeing, he is led deeper and deeper into the world of porn, speaking frankly with many of the industries most famous icons (Jeanna Fine, Bill Margold) and a 19-year-old newcomer named Selena who discusses her career choice on film with her mother. Viewers are invited into many areas of the industry previously not discussed including the private lives of its stars and the inner workings of the industry, in particular how directors go about casting their stars.
A montage of the weird, a freak-out film that appeared when the expression was in fashion and in flower, along with the flower people. The film was one of the first exponents of the mobile camera-rock track-optical effect school of filmmaking, and it is much a document as it is a documentary. A repellent and fascinating depiction of the Sunset Strip in Hollywood, along with Haight-Ashbury in San Francisco and the East Village in New York. Tiny Tim amounts to something resembling a recurring motif and narrator.