A psychedelic documentary of the body electric, with music by Pink Floyd. The film was directed and produced by Roy Battersby. The film's narrators, Frank Finlay and Vanessa Redgrave, provide commentary that combines the knowledge of human biologists and anatomical experts. The film's soundtrack, Music from the Body, was composed by Ron Geesin and Roger Waters.
Jan Saudek, Czechoslovakia’s most famous living photographer, is the subject of this often-shocking kaleidoscopic biopic by friend and colleague Adolf Zika. With an unblinking eye, Zika chronicles the drama-filled life and work of a controversial artist who, though little-known in the United States, has enjoyed international acclaim throughout his fifty-year career
With footage shot in the center of Egypt's Tahrir Square from the beginning of the battles to the climax of the celebration, audiences experience first-hand the people-powered revolt that brought down a dictator and changed Egypt forever.
Produced and directed by Walt Missingham who, in 1983, became the first non-Chinese to practice Kung Fu at the Shaolin Temple, this authoritative and informative programme uses rarely seen archive footage to trace both the history of martial arts and the phenomenal impact Bruce Lee had on this culture. Narrated by Lee's daughter, Shannon Lee Keasler.
A long distance call from a long lost lover makes her reminisce about their common past. She remembers the spring when they met in Paris, the riots, the vespa and the cat named Baby. A film about love, time and things that got lost along the way.
This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism and the persecution of Jews, as well as with their historical continuities.
Fear and Loathing on the Road to Hollywood, also known as Fear and Loathing in Gonzovision, is a documentary film produced by BBC in 1978 on the subject of Hunter S. Thompson, directed by Nigel Finch. The road trip/film pairs Thompson with Finch's fellow Briton the illustrator Ralph Steadman. The party travel to Hollywood via Death Valley and Barstow from Las Vegas, scene of the pair's 1971 collaboration. It contains interviews with Thompson and Steadman, as well as some short excerpts from some of his work.
Continuation of "The History Of Iron Maiden" documentary series, which began with The History of Iron Maiden – Part 1: The Early Days. Band members, crew, friends and associates talk about the period in the band's career which saw the writing, recording and release of the Powerslave album, the following World Slavery Tour and the recording of the Live After Death album.
Sharply critical film about rural water pollution in the Jutland countryside district of medical officer Jens Jensen. Situations of everyday water use are illustrated by graphic representations of a well and surrounding soil layers. A new well is correctly constructed in the farmyard.
Director Liu Jiayin casts her parents and herself as fictionalized members of a Beijing family that has fallen on hard times and ekes out an existence by making bags out of oxhide for sale.
A documentary which explores the making of Jim Henson and Frank Oz's 1982 fantasy film 'The Dark Crystal', which originally aired on PBS in the United States on January 9, 1983. This one-hour documentary details the technological innovations in the field of animatronics, art design, film making, and Henson's own brand of magic. Requiring 5 years of production, including over two years of pre-production, The Dark Crystal was inspired by the imagination of artist Brian Froud and conceived by scores of talented designers, builders, technicians, and performers. The World of the Dark Crystal shows how Jim Henson's Creature Shop in London and the Muppet Workshop in New York brought Brian Froud's art and Jim Henson's vision to life.
The film begins by showing images of the Holocaust, and stating that Hitler sanctioned the killing of 11 million people. This is followed by Comfort interviewing people about Adolf Hitler; their responses indicate a lack of historical knowledge, although he also finds a neo-Nazi who claims to love Hitler. Comfort proposes a hypothetical situation to his interviewees, asking if they would kill Hitler if they had the opportunity at that time in history. He asks more hypotheticals dealing with what his interviewees might do in other circumstances related to the Holocaust. He then switches his topic to make similar comparisons to abortion within the United States and the right to life, personalizing his arguments to make comparisons between the Holocaust and abortion in order to place the interviewees on the spot. The documentary concludes with Comfort stating that over 50 million abortions have occurred to date; he calls this the "American Holocaust".
The title tells us where we are; the vignette is in two parts, spliced together. On a busy sidewalk, a police officer holds the left arm and a suited man holds the other of a Chinese wearing a loose white shirt and hat - marching the man up the slight incline past the camera.
After looking at a photograph from the end of World War II of two young boys holding guns, celebrating the liberation of Warsaw, a documentarian for Polish television tries to find the boys and discover how their lives have went.
Eufrosina Cruz was the first woman that became Congress President in Oaxaca. This is the story about women in politics in Mexico and their fight to reach their right to vote, their right to be in power. A journey that just started.
A journey through the incredible story of Renato Zucchelli, the last travelling shepherd living in a metropolis, who conquered the city with only his sheep and the power of fantasy.
Vou Rifar Meu Coração is a documentary about the performers and the followers of Brazilian romantic music – also known as brega (kitsch), often called "cheesy" by critics and the wealthy elite. Frequently associated with bad taste and poor quality, the style is admired by the lower working class, or unemployed population, originally from rural origins, banished to the cities in search of work and a better life. Using the music as a catalyst, this documentary shows the sentiments, love, suffering and sexuality of the fans and their idols, creating a scenario that reveals their practices and desires.