The uncensored history from the Brazilian band Ratos de Porão, one of the oldest Hardcore bands in the world. Almost three decades of drugs, madness and a lot of noise, told by the people who made and still make part of this institution of heavy rock.
A musical documentary and tribute about "choro", an older style of playing that forms the foundation of all Brazilian composition, including samba and bossa nova.
Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures.
Produced by Channel 4, Still Tickin´: The Return of A Clockwork Orange examines the controversy over Kubrick’s iconic film, explaining the film’s “demonic level of attention,” and its influence on culture, politics and society, which led to the director’s self-imposed ban.
The Mississippi River Flood of 1927 was the most destructive river flood in American history. In the spring of 1927, the river broke out of its banks in 145 places and inundated 27,000 square miles to a depth of up to 30 feet. Part of it enduring legacy was the mass exodus of displaced sharecroppers. Musically, the Great Migration of rural southern blacks to Northern cities saw the Delta Blues electrified and reinterpreted as the Chicago Blues, Rhythm and Blues, and Rock and Roll. Using minimal text and no spoken dialog, filmmaker Bill Morrison and composer - guitarist Bill Frisell have created a powerful portrait of a seminal moment in American history through a collection of silent images matched to a searing original soundtrack.
"This Nude World" is a groundbreaking 1932 "documentary" celebrating the age-old tradition of playing volleyball in you socks... and nothing else. The film purports to pose probing questions about the morality of nudist colonies o cover its actual aim of getting naked people on screen... primarily in long shots. A highlight of the film is the peeks at the phenomena in Germany, France (including Lido de Paris) and the United States along with wonderful pre-WWII footage of the cities visited A real hoot. It passed the National Board of Review in 1932.
A documentary about youth politicians changes radically on July 22nd 2011, when a right-wing extremist murders 69 people at a summer camp run by the Workers Youth Party.
"TESTAMENT is James Broughton's exquisite self-portrait. A major figure in avant-garde filmmaking and poetry since the 1940s, Broughton views his life and life's work with irony, charm, humor, and a combination of joyous self-love and gentle self-depreciation. Scenes from his earlier films mix the elements of humor, magic, slapstick, melodrama, and romance which mark his aesthetic. A plethora of rich personal symbols is woven throughout the film, tied together by verbal games, Zen poems, anecdotes, songs, a child's prayer, dreams, and visions." - Karen Cooper "James Broughton's TESTAMENT is one of the most remarkable films ever produced within the American independent cinema. It is the most moving and most sublimely detached of the recent trend of filmic autobiographies - by Jerome Hill, Jonas Mekas, and Stan Brakhage, to name only the masters, and Broughton's peers." - P. Adams Sitney "A beautiful, important, mysterious work." - Amos Vogel
As he did with his critically-acclaimed "Blockade," a documentary re-creation of the WWII siege of Leningrad, which received its NY theatrical premiere in March 2007, filmmaker Sergei Loznitsa has once again scoured the Russian film archives for "Revue," selecting excerpts from newsreels, propaganda films, TV shows and feature films that present an evocative portrait of Soviet life during the 1950s and 1960s. With scenes taken from the length and breadth of the “Soviet Motherland,” "Revue" illustrates industry and agriculture, political life, popular culture, and technology. The film’s fascinating flow of disparate scenes representing typical Soviet life of the period is, seen from today’s perspective, alternately poignant, funny, and tragic
How does a country go from a dictatorship to a democracy? A detailed report on the political representation in the heart of the Spanish Transition, only a few months after General Franco’s death, when the sincere democratic vocation of Spanish people must effort to destroy, one heavy brick after another, the wall that those who supported the dictatorship and those who fought it from the exile built with resentment, hatred and prejudices.
This fly-over features Germany filmed from helicopters and small airplanes. Footage was released as a multi-episode tv series over several years and this feature-length movie.
Ballerina is a 2006 documentary film that follows the training sessions, rehearsals, and everyday lives of five Russian ballerinas at different stages in their career.
100 years after an iceberg defeated the 882-foot luxury liner on its maiden voyage, scientists and historians are still exploring the Titanic. Armed with modern camera technology, submersibles were sent down to the ship's final resting place with the hope of capturing HD 3D visuals of the wreckage, in order to support or even confirm theories about the damage that took the boat down. Now, History Channel has brought some of that footage home in this 45-minute TV special, presented in 3D so that future generations can see it for themselves.
It's a question that surprises most people: “Would you have sex with an Arab?” Film-maker Yolande Zauberman doesn't just ask anyone this question, she asks people in the clubs and bars and streets of Tel Aviv. 20% of Israelis are of Arab origin, but for some the question is still incomprehensible, for others long since reality and yet others a political issue. One thing it is never is immaterial. The film manages to break down the Middle East conflict into individuals and to show what enormous influence it has, even into the most intimate of spheres.
The onset of the 21st Century will be an era in which the very nature of what it means to be human will be both enriched and challenged as our species breaks the shackles of its genetic legacy and achieves inconceivable heights of intelligence, material progress, and longevity. While the social and philosophical ramifications of these changes will be profound, and the threats they pose considerable, celebrated futurist Ray Kurzweil presents a view of the coming age that is both a dramatic culmination of centuries of technological ingenuity and a genuinely inspiring vision of our ultimate destiny.