New Documentary Movies on Kanopy - Page 310

Un homme est mort

1951

Un homme est mort

1951
Film about the death of the worker Édouard Mazé, killed in Brest by the mobile guards, during the demonstrations and strikes of 1951.
Kon-Tiki

1950

Kon-Tiki

1950
7.4
"Kon-Tiki" was the name of a wooden raft used by six Scandinavian scientists, led by Thor Heyerdahl, to make a 101-day journey from South America to the Polynesian Islands. The purpose of the expedition was to prove Heyerdal's theory that the Polynesian Islands were populated from the east- specifically Peru- rather than from the west (Asia) as had been the theory for hundreds of years. Heyerdahl made a study of the winds and tides in the Pacific, and by simulating conditions as closely as possible to those he theorized the Peruvians encountered, set out on the voyage.
Ancient Rome

1949

Ancient Rome

1949
This classroom training film was designed to show the achievements of Roman culture in the areas of government, architecture, engineering, language and writing. It was aimed at intermediate and high-school students.
Meditation on Violence

1949

Meditation on Violence

1949
5.5
Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more erratic Shao-lin; in the middle, there is an abrupt change to leaping sword movements, in the center of which, at the apogee of the leap, there is a long held freeze-frame.
The ABC of Internal Combustion Engines - The Automobile Engine

1948

The ABC of Internal Combustion Engines - The Automobile Engine

1948
The second of the Power Primer series of GM American Industrial Films, this one looking at the automobile engine.
The ABC of Internal Combustion Engines

1947

The ABC of Internal Combustion Engines

1947
Another of the Power Primer series of GM American Industrial Films, this one looking at the internal combustion engine.
Let There Be Light

1946

Let There Be Light

1946
7.4
The final entry in a trilogy of films produced for the U.S. government by John Huston. Some returning combat veterans suffer scars that are more psychological than physical. This film follows patients and staff during their treatment. It deals with what would now be called PTSD, but at the time was categorised as psychoneurosis or shell-shock. Government officials deemed this 1946 film counterproductive to postwar efforts; it was not shown publicly until 1981.
Nazi Concentration Camps

1945

Nazi Concentration Camps

1945
7.7
Produced and presented as evidence at the Nuremberg war crimes trial of Hermann Göring and twenty other Nazi leaders, this film consists primarily of dead and surviving prisoners and of facilities used to kill and torture during the World War II.
War Comes to America

1945

War Comes to America

1945
7
The seventh and final film of Frank Capra's Why We Fight World War II propaganda film series. This entry attempts to describe the factors leading up to America's entry into the Second World War.
Why We Fight: The Battle of China

1944

Why We Fight: The Battle of China

1944
6.5
The sixth film of Frank Capra's Why We Fight propaganda film series illustrates Japan's occupation of China, including Madame Chiang Kai-Shek's stirring address before congress, the rape of Nanking, the great 2,000 mile migration, and Claire Chennault's Flying Tigers.
Why We Fight: The Battle of Russia

1943

Why We Fight: The Battle of Russia

1943
6.8
The fifth film of Frank Capra's Why We Fight propaganda film series, revealing the nature and process of the fight between the Soviet Union and Germany in the Second World War.
Why We Fight: The Battle of Britain

1943

Why We Fight: The Battle of Britain

1943
6.7
The fourth of Frank Capra's Why We Fight series of seven propaganda films, which made the case for fighting and winning the Second World War. It was released in 1943 and concentrated on the German bombardment of the United Kingdom in anticipation of Operation Sea Lion, the planned German invasion.
St. Paul's Cathedral

1943

St. Paul's Cathedral

1943
A stately film about the history of St Paul’s Cathedral in London, with a focus on the architecture and individuals buried there, and the impact of the Blitz.
Why We Fight: Divide and Conquer

1943

Why We Fight: Divide and Conquer

1943
6.8
The third film of Frank Capra's 'Why We Fight" propaganda film series, dealing with the Nazi conquest of Western Europe in 1940.
Why We Fight: The Nazis Strike

1943

Why We Fight: The Nazis Strike

1943
6.3
The second film of Frank Capra's Why We Fight propaganda film series. It introduces Germany as a nation whose aggressive ambitions began in 1863 with Otto von Bismarck and the Nazis as its latest incarnation.
Symphonies in Stone: St. Paul's Cathedral

1942

Symphonies in Stone: St. Paul's Cathedral

1942
A short guide around St Pauls Cathedral.
Why We Fight: Prelude to War

1942

Why We Fight: Prelude to War

1942
6.4
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
Listen to Britain

1942

Listen to Britain

1942
6.2
A depiction of life in wartime Britain during the Second World War. Director Humphrey Jennings visits many aspects of civilian life and of the turmoil and privation caused by the war, all without narration.
Target for Tonight

1941

Target for Tonight

1941
5.6
This is the authentic story of a bombing raid on Germany... how it is planned and how it is executed. Every person seen in the picture is a member of the Royal Air Force from Commander-in-Chief to aircraft hand, re-enacting his own daily life on the job. They are the men and women who actually direct, plan and execute the raids.
Pursuit of Happiness

1940

Pursuit of Happiness

1940
6.1
Photographer Rudy Burckhardt shows us the ebb and flow of people rushing about Manhattan. Equally exhilarating in his novel approach to snap images quickly on the run, a method he inaugurated and that continues to the present day. In film, he added slow and fast motion, split-screens and superimpositions to his repertory.