New Documentary Movies on Kanopy - Page 296

Two Laws

1982

Two Laws

1982
White people don't understand that there are two laws - white people have different laws from Aboriginal people. TWO LAWS is a film about history, law and life in the community of Borroloola in far North Queensland. The films offers viewers a remarkable and different way of seeing and hearing. Like the film, BACKROADS, it is one of the few productions at that time in which Aboriginal people had creative input. The impetus for TWO LAWS came from the community themselves. There was substantial collaboration with the film makers before and during the shooting period. It is one of the most outstanding films to be made during the 1980s. It is an historical analysis of what, nearly forty years later, is an increasingly contemporary question. Two Laws.
In Our Water

1982

In Our Water

1982
7
A New Jersey family discovers their drinking water is contaminated with deadly poisons from a nearby landfill.
Her Name Came on Arrows - A Kinship Interview with the Baruya of New Guinea

1982

Her Name Came on Arrows - A Kinship Interview with the Baruya of New Guinea

1982
In the eastern highlands of Papua New Guinea, French anthropologist Maurice Godelier invites five of his Baruya friends and informants to his house to discuss Baruya kinship and rules of marriage. As Godelier poses questions, the kinship rules that provide the cohesive fabric of Baruya culture are brought to life. Abstract terms are given practical meanings as Godelier investigates Baruya customs of stealing wives, exchanging sisters for wives, stealing names and exchanging 'food for blood.'
To Find the Baruya Story

1982

To Find the Baruya Story

1982
This multi-faceted film, photographed in both 1969 and in Paris in 1982, illustrates an anthropologist's actual fieldwork methods and personal relationships among the Baruya, and provides an in-depth view of the Baruya's traditional salt-based economic system. The film follows Dr. Godelier as he explores the complexities of food production and the effects of new technologies. He comments: "I have to find and bring together the different pieces of Baruya culture... That's my job, to find the story."
The Tree of Knowledge

1982

The Tree of Knowledge

1982
6
Set in Huehuetla, Puebla, a Totonac Indian community in East Central Mexico, this documentary contrasts two systems of education. The public school system uses patriotic symbols to "integrate" Indian pupils into the national culture while teaching them to reject their own identity.
Yell Once a Week

1982

Yell Once a Week

1982
The film’s title is taken from a song, used here as a leitmotif, written by Günter Jordan and the East German rock group Pankow. This sensitive report about rebellious teenagers in Berlin’s “wild East” was banned before its first screening.
Roses in December

1982

Roses in December

1982
The film begins with the exhumation of four American women tortured, raped, and murdered by the right-wing government of El Salvador on December 2, 1980. The women — Dorothy Kazel, an Ursuline; Ita Ford and Maura Clarke, Maryknoll mission sisters; and Jean Donovan, a young laywoman from Cleveland — were providing food, shelter, medical care and burial to the poor. They were targeted for assassination by a death squad within the U.S.-supported Salvadoran military as part of a policy of suppressing the poor and “liberation theology.” The award-winning documentary focuses primarily on the life of Jean Donovan through archival news footage, interviews, home movies, and diary readings.
Bread and Dripping

1982

Bread and Dripping

1982
Women's unwritten history is passed down through memories. Shows women talking about their experiences of the Great Depression in Australia. Covers such areas as: aboriginal women; paid and unpaid work; mothering; marriage; women's participation in the political struggles of the 1920's and 30's.
Frida Kahlo

1982

Frida Kahlo

1982
1
Frida Kahlo: declared a symbol of Mexican national heritage, made into a cult figure by the women's movement, praised by the likes of Picasso and Breton, this film uses images and music to reveal the soul of an icon.
Philip Guston: A Life Lived

1982

Philip Guston: A Life Lived

1982
Late in life, the artist looks back over a career that originated in social realism during the '30s, moved to the center of Abstract Expressionism, and culminated in a return to figuration. Filmed at his retrospective in San Francisco in 1980 and at his Woodstock studio, where Guston is seen painting, the artist speaks candidly about his philosophy of painting and the psychological motivation for his work.
Fela Kuti: Music Is the Weapon

1982

Fela Kuti: Music Is the Weapon

1982
6.2
Musician Fela Anikulapo Kuti recorded more than 60 albums to promote the magic of Afrobeat but never lost his political voice as an outspoken critic against widespread government corruption in Nigeria. This documentary examines the role that Fela, dubbed "Black President," played in shedding light on atrocities in his homeland and in promoting the ascent of African music worldwide.
Stoney Knows How

1981

Stoney Knows How

1981
5
A visit with a master of the Oldest Art In The World: tattooing. Disabled by arthritis since the age of four, confined to a wheelchair, his growth stunted, Stoney St. Clair joined the circus at 15 as a sword swallower. A year later he took up tattooing, and traveled with circuses and carnivals for fifty years practicing his craft. As we watch him at work, we see the determination which led Stoney to use his crippled hands in an art where mistakes are permanent, and we realize Stoney has overcome his handicap to heal himself and others with the magic of symbols. The film ends with a visit by New Age tattoo master Don Ed Hardy, who receives a permanent souvenir by Old School tattoo master Stoney.
Brooklyn Bridge

1981

Brooklyn Bridge

1981
7.6
Today it's a symbol of strength and vitality. 135 years ago, it was a source of controversy. This documentary examines the great problems and ingenious solutions that marked the construction of the Brooklyn Bridge. From conception to construction, it traces the bridge's transformation from a spectacular feat of heroic engineering to an honored symbol in American culture.
Urgh! A Music War

1981

Urgh! A Music War

1981
7.3
Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.
Collum Calling Canberra

1981

Collum Calling Canberra

1981
Gordon Smith, head of the Collum Collum Aboriginal Co-operative which operates a cattle station in northern New South Wales, and Sunny Bancroft, the station manager, are negotiating with the Aboriginal Development Corporation in Canberra for a loan. Finance is needed to stock the property with breeding cattle so that the station can become financially independent.
Vernon, Florida

1981

Vernon, Florida

1981
6.7
Early Errol Morris documentary intersplices random chatter he captured on film of the genuinely eccentric residents of Vernon, Florida. A few examples? The preacher giving a sermon on the definition of the word "Therefore," and the obsessive turkey hunter who speaks reverentially of the "gobblers" he likes to track down and kill.
We Were German Jews

1981

We Were German Jews

1981
In 1943 Herbert and Lotte Strauss made the courageous decision to escape from Germany and almost certain extermination in a Nazi concentration camp. This is a personal account of their dramatic flight, building a new life in the United States, and coming to terms with the Holocaust. "We Were German Jews" grapples with the torment of living with the legacy of the Holocaust. The film chronicles Herbert and Lotte Strauss' return visit to Germany. They were not trying to assuage any sense of guilt over having survived; they wanted to confront the past by going back to where they had lived before the onslaught that claimed most of their relatives. This understated, very personal story adds significantly to the body of evidence that explores human behavior in the face of genocide and insists that we remember the past and learn from it.
Edith Head

1981

Edith Head

1981
A light-hearted, toe-tapping portrait of the well-known 8 Oscar winning Hollywood costume designer filmed in her opulent house and garden. Edith Head presents some of her famous designs using glamorous models to impersonate Mae West, Barbara Stanwyck, Dorothy Lamour, Ginger Rogers, Audrey Hepburn, Elizabeth Taylor and Grace Kelly. They move to the music of the films for which she was the designer as Head recalls the times and places that served as inspiration for the famed looks.
Stations of the Elevated

1981

Stations of the Elevated

1981
7.4
Stations of the Elevated exposes viewers to an underground art scene- that is, one found exclusively on the sides of subways and train cars. A moving portrait of late-70's NYC, the film boasts a soundtrack by jazz legends Charles Mingus & Aretha Franklin.
The Animals Film

1981

The Animals Film

1981
9
The film offers a comprehensive examination of the exploitation of animals in modern society.