New Documentary Movies on Kanopy - Page 297

Frida Kahlo

1982

Frida Kahlo

1982
1
Frida Kahlo: declared a symbol of Mexican national heritage, made into a cult figure by the women's movement, praised by the likes of Picasso and Breton, this film uses images and music to reveal the soul of an icon.
Philip Guston: A Life Lived

1982

Philip Guston: A Life Lived

1982
Late in life, the artist looks back over a career that originated in social realism during the '30s, moved to the center of Abstract Expressionism, and culminated in a return to figuration. Filmed at his retrospective in San Francisco in 1980 and at his Woodstock studio, where Guston is seen painting, the artist speaks candidly about his philosophy of painting and the psychological motivation for his work.
Fela Kuti: Music Is the Weapon

1982

Fela Kuti: Music Is the Weapon

1982
6.2
Musician Fela Anikulapo Kuti recorded more than 60 albums to promote the magic of Afrobeat but never lost his political voice as an outspoken critic against widespread government corruption in Nigeria. This documentary examines the role that Fela, dubbed "Black President," played in shedding light on atrocities in his homeland and in promoting the ascent of African music worldwide.
Stoney Knows How

1981

Stoney Knows How

1981
5
A visit with a master of the Oldest Art In The World: tattooing. Disabled by arthritis since the age of four, confined to a wheelchair, his growth stunted, Stoney St. Clair joined the circus at 15 as a sword swallower. A year later he took up tattooing, and traveled with circuses and carnivals for fifty years practicing his craft. As we watch him at work, we see the determination which led Stoney to use his crippled hands in an art where mistakes are permanent, and we realize Stoney has overcome his handicap to heal himself and others with the magic of symbols. The film ends with a visit by New Age tattoo master Don Ed Hardy, who receives a permanent souvenir by Old School tattoo master Stoney.
Brooklyn Bridge

1981

Brooklyn Bridge

1981
7.6
Today it's a symbol of strength and vitality. 135 years ago, it was a source of controversy. This documentary examines the great problems and ingenious solutions that marked the construction of the Brooklyn Bridge. From conception to construction, it traces the bridge's transformation from a spectacular feat of heroic engineering to an honored symbol in American culture.
Urgh! A Music War

1981

Urgh! A Music War

1981
7.3
Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.
Collum Calling Canberra

1981

Collum Calling Canberra

1981
Gordon Smith, head of the Collum Collum Aboriginal Co-operative which operates a cattle station in northern New South Wales, and Sunny Bancroft, the station manager, are negotiating with the Aboriginal Development Corporation in Canberra for a loan. Finance is needed to stock the property with breeding cattle so that the station can become financially independent.
Vernon, Florida

1981

Vernon, Florida

1981
6.7
Early Errol Morris documentary intersplices random chatter he captured on film of the genuinely eccentric residents of Vernon, Florida. A few examples? The preacher giving a sermon on the definition of the word "Therefore," and the obsessive turkey hunter who speaks reverentially of the "gobblers" he likes to track down and kill.
We Were German Jews

1981

We Were German Jews

1981
In 1943 Herbert and Lotte Strauss made the courageous decision to escape from Germany and almost certain extermination in a Nazi concentration camp. This is a personal account of their dramatic flight, building a new life in the United States, and coming to terms with the Holocaust. "We Were German Jews" grapples with the torment of living with the legacy of the Holocaust. The film chronicles Herbert and Lotte Strauss' return visit to Germany. They were not trying to assuage any sense of guilt over having survived; they wanted to confront the past by going back to where they had lived before the onslaught that claimed most of their relatives. This understated, very personal story adds significantly to the body of evidence that explores human behavior in the face of genocide and insists that we remember the past and learn from it.
Edith Head

1981

Edith Head

1981
A light-hearted, toe-tapping portrait of the well-known 8 Oscar winning Hollywood costume designer filmed in her opulent house and garden. Edith Head presents some of her famous designs using glamorous models to impersonate Mae West, Barbara Stanwyck, Dorothy Lamour, Ginger Rogers, Audrey Hepburn, Elizabeth Taylor and Grace Kelly. They move to the music of the films for which she was the designer as Head recalls the times and places that served as inspiration for the famed looks.
Stations of the Elevated

1981

Stations of the Elevated

1981
7.4
Stations of the Elevated exposes viewers to an underground art scene- that is, one found exclusively on the sides of subways and train cars. A moving portrait of late-70's NYC, the film boasts a soundtrack by jazz legends Charles Mingus & Aretha Franklin.
The Animals Film

1981

The Animals Film

1981
9
The film offers a comprehensive examination of the exploitation of animals in modern society.
The Last to Know

1981

The Last to Know

1981
Via New Day Films: "Nearly one half of the estimated ten million alcoholics in the country are women, yet their special problems are totally ignored. Concealed by families, protected by friends and physicians, these women are kept invisible. They themselves are often The Last to Know. This extraordinary film speaks directly to these women by sensitively focusing on four intimate stories and shows how the medical community, the media and the values of society at large actually perpetuate alcoholism and prescription drug abuse in women."
Model

1981

Model

1981
6.1
MODEL shows male and female models at work on TV commercials, fashion shows, magazine covers, and advertising for a variety of products, including designer collections, fur coats, sports clothes and automobiles. The models are seen at work with photographers whose techniques illustrate different styles of fashion and product photography. The business aspect of running an agency is also shown: interviewing prospective models, career counseling, arranging portfolios, talking with clients, and planning trips. The film presents a view of the intersections of fashion, business, advertising, photography, television and fantasy.
Imagine the Sound

1981

Imagine the Sound

1981
6.6
An examination, shown through both interviews and performances, of the avant-garde free jazz movement which reigned during the 1960s.
The New Deal for Artists

1981

The New Deal for Artists

1981
The Arts Project of the Work Projects Administration (1935-1942) was a USA government agency established to support writers, theater people, painters, sculptors, and photographers.
The Decline of Western Civilization

1981

The Decline of Western Civilization

1981
7.1
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
Backs to the Blast: An Australian Nuclear Story

1981

Backs to the Blast: An Australian Nuclear Story

1981
A document of Australia's nuclear industrial history, from uranium mining and its toxic legacy to the nuclear weapons tests conducted at Maralinga in South Australia.
The Willmar 8

1981

The Willmar 8

1981
6
Risking jobs, friends, family and the opposition of church and community, eight unassuming women begin the longest bank strike in American history.
There Was Always Sun Shining Someplace: Life in the Negro Baseball Leagues

1981

There Was Always Sun Shining Someplace: Life in the Negro Baseball Leagues

1981
Chronicles the history of Negro Leagues baseball by using rare historical footage and interviews with black baseball greats.