New Documentary Movies on Kanopy - Page 282

Wild Wheels

1992

Wild Wheels

1992
A documentary spotlighting "car-art" in America.
Frans Hals of Antwerp

1992

Frans Hals of Antwerp

1992
Frans Hals (1582-1666) was a portrait painter with a unique style, admired for its originality and vivacity not only by the Impressionists but also by artists like van Gogh or Picasso. Very little documentation of his life exists today, so this film uses the thorough contemplation of his canvases as the key to his story. Works by the landscape artists and still-life painters of his time help to illustrate the age in which he lived. The film furthermore exemplifies the elaborate conventions of portraiture at the time.
Diego Rivera: I Paint What I See

1992

Diego Rivera: I Paint What I See

1992
8
The first biographical film on the famed Mexican artist, traces his life from childhood through his Cubist period, his leading role in the Mexican mural renaissance, his fame as a muralist in the USA, and his later years. The film explores Rivera's life and work, including his stormy relationship with Frida Kahlo and the destruction of his famous mural at Rockefeller Center. Shot on location in Mexico and the United States, the film includes a remarkable collection of archival film and photographs, much of which has not been seen before. The text is drawn from the writings of Rivera and Kahlo and from other historical texts. Using Rivera's own words, this richly detailed film brings to life the difficulty he faced in his transition from studio artist to public and political artist, and the conflicts that arose from that point onward.
Black Harvest

1992

Black Harvest

1992
6.6
Joe Leahy is the half-caste son of one of the first explorers of the Papua New Guinean interior. The documentary explores his relationship with the tribes that work his coffee plantation and explores what happens when the coffee market situation becomes more difficult.
Deep Blues

1992

Deep Blues

1992
8.5
This warm 90 minutes documentary shows us unknown blues musicians from Mississippi. They play everywhere : on the streets, in dirty little bars, in a barber shop, in big clubs. The film really captures the true faces of blues and shows us that this music had nothing to do with nostalgia or record company hypes. Documentary on the Delta blues.
Voices from the Front

1992

Voices from the Front

1992
In New York City, a distraught activist confronts the mayor with a story of a friend who languished on a cot in an emergency room hallway for nine days, only to die 48 hours after leaving the hospital. In 1988, thousands of activists hold the Food and Drug Administration under siege, demanding speedier drug approval. In 1990 AIDS activists converge on the National Institute of Health, calling for a more equitable clinical trial system and expanded research into new drugs and treatment. Voices From the Front, the first feature-length documentary on AIDS activism in America, makes clear the emotional and political effects of community activism using the voices of those directly engaged. It is a powerful distillation of pictures and words from events organized to change public consciousness, expose the failure of the health care systems, and challenge government inaction and neglect concerning AIDS.
Lessons of Darkness

1992

Lessons of Darkness

1992
7.8
Shortly after the Gulf War, oil fires were raging all through Kuwait. In the week before this sea of fire would be extinguished, Werner Herzog filmed this apocalyptic landscape with its murky skies, scorched earth and capricious flames.
Color Adjustment

1992

Color Adjustment

1992
6.9
From Amos 'n' Andy to Nat King Cole, from Roots to The Cosby Show, black people have played many roles on primetime television. Brilliantly weaving clips from classic TV shows with commentary from TV producers, black actors and scholars, Marlon Riggs blends humor, insight, and thoughtful analysis to explore the evolution of black/white relations as reflected by America's favorite addiction.
A Shamanic Medium of Tsugaru

1992

A Shamanic Medium of Tsugaru

1992
Ms. Taki Kudo says she has been able to connect with deities since she was six or seven years old. Even in modern Japan, mediums like Ms. Kudo are in demand, providing such traditional services as expelling a curse and invoking spirits for health and long life. At twice-annual rituals at Mt. Osore-Zan, she and other female spirit mediums allow the dead to speak through them, relaying insight, comfort and warnings from the deceased to their loved ones. Another important duty is caring for the mulberry-wood Oshirasama puppets representing individual souls. Ms. Kudo dresses and stores the puppets and performs the lively rites in which spirits come down from the mountain in order to protect and purify the people of her village - the deities are cajoled by offerings of food, lights, money and candy.
Admission Impossible

1992

Admission Impossible

1992
For much of the 20th century, successive Australian governments pursued a policy of deporting and barring entry to any race of people they considered undesirable. This was known as the White Australia policy. Admission Impossible is the true story of the behind-the-scenes political forces and the propaganda campaigns that attempted to populate Australia with “pure white” migrants.
Benny and The Dreamers

1992

Benny and The Dreamers

1992
A small group of Pintupi living in west Central Australia today can remember their first meeting with a white man, their first impressions of the white man's world and their expectations of what the white world had to offer.
Framing Lesbian Fashion

1992

Framing Lesbian Fashion

1992
2
Framing Lesbian Fashion looks at the evolution of lesbian attire and identity – butch/femme, flannel, androgyny, cross-dressing and drag, queer fluorescent, S/M and leather, lipstick and more.
Neighborhood Tokyo

1992

Neighborhood Tokyo

1992
7
Miyamoto-cho is a community of Mom-and-Pop stores and family enterprises located near the center of Tokyo. Competition from supermarkets and shopping centers threatens the livelihoods of long-term residents. High land prices tempt owners to tear down old homes and replace them with apartment buildings; this in turn is changing the composition of the population. Against this backdrop, residents strive to maintain the close social ties, symbols of local identity, and community rituals that keep Miyamoto-cho from becoming just another mailing address. Theodore Bestor began his research here in 1979. His prize winning book of the same name is available through Stanford University Press. This documentary is one of a series depicting the variety of life in today's Japan in the context of human problems common to all industrial nations. A comprehensive study guide is available.
Time of the Gods

1992

Time of the Gods

1992
5
The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.
Imagining Indians

1992

Imagining Indians

1992
With an all Indian crew, Victor Masayesva visited tribal communities in Arizona, Montana, New Mexico, South Dakota, Washington and the Amazon to produce this film.
The Colours of My Father: A Portrait of Sam Borenstein

1992

The Colours of My Father: A Portrait of Sam Borenstein

1992
6.5
The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.
Educating Peter

1992

Educating Peter

1992
6.4
A young boy with down syndrome attends his first year in a "regular" classroom. This documentary traces that year and the changes that take place for Peter, his teacher, and the other students. Oscar-winning documentary short from 1992.
Changing Our Minds: The Story of Dr. Evelyn Hooker

1992

Changing Our Minds: The Story of Dr. Evelyn Hooker

1992
3.6
The life and work of the woman described as "The Rosa Parks of Gay Rights". During the repressive 1950's, Dr. Evelyn Hooker undertook ground breaking research that led to a radical discovery: homosexuals were not, by definition, "sick." Dr. Hooker's finding sent shock waves through the psychiatric community and culminated in a major victory for gay rights: in 1974 the weight of her studies, along with gay activism, forced the American Psychiatric Association to remove homosexuality from its official manual of mental disorders. Startling archival footage of the medical procedure used to "cure" homosexuality, images from the underground gay world of the McCarthy era, and home movies of literary icon Christopher Isherwood bring to life history which we must never forget.
Africa, I Will Fleece You

1992

Africa, I Will Fleece You

1992
5.8
This documentary of repressive political realities in Cameroon begins with the 1990 publication of an open letter to President Biya calling for a national conference - and the immediate arrest of the letter's author and publisher. The narration then examines the nation's colonial history, beginning with the first German missionary in 1901, the establishment of schools, French occupation following World War I, the paucity of books written by and published by Cameroonians, and the repression of the CPU, a leftist organization of the 1950s and 1960s. Cameroon and its people are the lark, its feathers plucked first by colonialism and then by native strongmen: 'Alouette, je te plumerai.'
Trouble Behind

1991

Trouble Behind

1991
During World War I, African-Americans worked on the railroad near Corbin, Kentucky. When whites returned from the war, there was conflict. Whites sought their former jobs and positions in the community. In 1919, a race riot occurred. Whites put the African-Americans on railroad cars and ran them out of town. In Trouble Behind, members of the Corbin community speak out on the issue. The filmmakers also interview former members of the Corbin, which at the time of filming had only one black family. Some Corbin residents express confusion as to why African-Americans don't move back. Others openly use racial epithets. Some young adults seem troubled by the racism, past and present. Others don't.