On April 10th, 2020, Father Fred Mazzarella died from Cancer. He was a man with a powerful heart. He touched the hearts of many, including my own. This documentary will explore a glimpse into his life and the people he inspired.
Thousands of New Yorkers with severe mental illnesses won the chance to live independently in supported housing, following a 2014 federal court order. FRONTLINE and ProPublica investigate what’s happened to people moved from adult homes into apartments and find more than two dozen cases in which the system failed, sometimes with deadly consequences.
With Justice Amy Coney Barrett’s confirmation to the U.S. Supreme Court days before the 2020 presidential election, Sen. Mitch McConnell solidified the conservative majority he had been seeking for decades. FRONTLINE tells the inside story of McConnell’s hard-fought effort to transform the nation’s highest court in “Supreme Revenge: Battle for the Court,” an updated version of our 2019 film.
As America chooses its next president in the midst of a historic pandemic, FRONTLINE investigates whose vote counts — and whose might not.side the reality of labor trafficking in America. In this documentary with Columbia Journalism Investigations and USA Today, New Yorker writer Jelani Cobb reports on allegations of voter disenfranchisement, how unfounded claims of extensive voter fraud entered the political mainstream, rhetoric and realities around mail-in ballots, and how the pandemic could impact turnout.
The work of Jean Piaget has become the foundation of current developmental psychology and the basis for changes in educational practice. David Elkind, author of The Hurried Child and Miseducation, and a student of Jean Piaget, explores the roots of Piaget’s work and outlines important vocabulary and concepts that structure much of the study of child development. Using both archival film of Dr. Piaget and newly shot sequences of Dr. Elkind conducting interviews with children of varying ages, this film presents an overview of Piaget’s developmental theory, its scope and content.
Inside the core of the climate movement, concerned citizens in Germany put their bodies on the line to save an ancient forest from Europe’s largest coal mine. They form an unlikely alliance with a frustrated community in rural England who are forced into action to protect their homes from a new opencast coal mine.
Madame Pipi follows the personal journeys of female Haitian bathroom attendants in Miami’s hottest nightclubs and their support to Haiti through their tips.
The indigenous people of the Darién Gap rainforest work with conservationists to use their heritage and traditions to protect the endangered Harpy Eagle and, in turn, protect their community.
For the people of Mandak region, New Ireland,the most dramatic and complex ceremonial events are those surrounding death. The creation and presentation of the Malangan Labadama with its carved figures, masked dancers and feasting is the final tribute by three brothers to a deceased clansman and former leader.
The Path: Evolution is the third film of The Path Series trilogy and explores the theory that human beings are living in a virtual reality system similar to the rules of an assimilated video game. The filmmakers follow former NASA nuclear physicist, Thomas Campbell, as he shares his knowledge and the results of his research of consciousness, physics, metaphysics and morality to explain mind and matter, normal and paranormal, life, death, and purpose, with all of this logically flowing from the concept of reality as information. The Path: Evolution will undoubtedly challenge the viewer's current belief systems and leave a lasting impression on human beings to re-evaluate how they are behaving, treating others, and existing in the world.
The untold story of 36 Aboriginal women from Canada and Native women from tribes in Washington and Alaska who migrated in the 1940s to Bainbridge Island, the traditional territory of the Suquamish people.
The Hadhramaut region in the south east of Yemen is well known for its mud brick architecture. Throughout the centuries, the population has developed very sophisticated building techniques and created a unique architectural environment. Spectacular structures such as ten-story mud brick tower houses rise up from the valley's floor. In interviews throughout the documentary, the masons describe their working techniques and the challenges they face with the introduction of new, imported building materials. The Architecture of Mud documents the vernacular architecture, the building craft and the society they belong to.
Kwang-Ja Lee, a counsellor at ‘Lifeline Korea’ has been listening to anonymous people’s stories for 45 years. Every day, she is all ears to stories that cannot be shared anywhere else. Image and sound react to it and creates new reflective space that seems to be the bottom of one’s heart.
Our bodies are semi-permeable. All over the world, stories are being told about heroes who magically “close” their bodies, so as to become invincible. This film follows one such story, as it is told in Santo Amaro, Bahia (Brazil). Besouro Mangangà was a capoeira player, a black hero, who had closed his body. No bullets, no knives or daggers could pierce his skin. Bahian men explain how “closing the body” makes sense in their precarious and violent world, and why, in the end, this closure can never be accomplished. Soon the filmmaker realizes that his film is not only about the people in Bahia. He too is struggling with the porosity of his body, endlessly trying to strike a balance between shutting the world out and letting the world in. Competing for the RAI Film Prize and Basil Wright Film Prize.
An examination of the Olivetti store in Venice, Piazza San Marco -- a true icon of Italian architecture of the twentieth century restored in the 1950s by Carlo Scarpa.
A collage of daily life in Aq Kupruk builds from the single voice that calls the townspeople to prayer, the brisk exchange of the baazar, communal labor in the fields, and the uninhibited sports and entertainment of rural Afghans. The theme of the film focuses on rural society. The film and accompaning instructor notes explore concepts of development, modernization, environmental equilibrium, and especially change, identifying change agents, and analyzing barries and stimulants to change.
Why are two modern Buddhist countries fighting over an ancient Hindu temple because of a bad French map from the early twentieth century? By documenting this modern conflict over an ancient temple this film addresses a critical question for our times: How does culture matter in matters of war?