An old Bolivian man nears the end of his life. He has property and status, but not contentment. Believing himself posessed by evil spirits, he opens his heart to reveal his anguish. His personal tragedy brings us close to every man's confrontation with the unknown, old age, and death.
The film exposes the life of women who have been trafficked in various parts of India. Some of them have been trafficked because of debt bondage and some for sexual exploitation.
Aamakaar tells the story of preservation. This film depicts the struggles of a small fisihing village in North Kerala that is fighting the assault on its estuary by sand mining. The villagers are also engaged in the conservation of Olive Ridley turtles that have come to their beach to nest. They make a connection between a species fast becoming extinct and the fate of a community that could face displacement.
The shooting of this peasant chronicle in the Gruyère region of Switzerland lasted a whole year, from July 1989 to July 1990. A year of work and festivities in the family of Conrad and Louise Bapst, their children and grandchildren who live in La Roche (canton of Fribourg). In summer, part of the family goes with the herd to the upper pastures, and will move six times in the next three months, as the grass for the cows grows in higher and higher places. At the farm below, the rest of the family mows the hay and the after crop, and tends the vegetable garden. Fall and winter bring new chores, along with feast-days, and the sale of cheeses to pay for rented pastures. We see the family participate in a vote for or against the Swiss Army, and at a meeting where mountain farmers discuss whether or not to join the European Union. The film displays the patient and human approach of an almost silent minority of Switzerland.
The story of a 6th generation Texan as he explores ranches from Montana to Argentina working alongside American Cowboys. The story's focus is on cattle operations and how the heart of the American Cowboy has not changed.
A documentary short exploring the conversations during end-of-life care with pediatric Palliative care specialist Dr. Nadia Tremonti. Filmed in Detroit at the Children's Hospital of Michigan over several years 'Palliative' aims to draw attention to a vital area of care struggling to overcome the stigmas of death and dying.
The eastern Indonesian island of Sumba is the last island in the Malay archipelago where the majority of the people still follow their ancestral religion, called marapu. This film, shot in 1986, focuses on a challenge to the authority of the spirits and ancestors in a village ritual to restore fertility after a fire and famine. Narrated by the priests who communicate with the spirits in prayers and sacrifices, it documents a week of offerings, dancing and oratory in "Dream Village" in the western Kodi district. The name comes from a dream of prosperity the village founder once had, and dreams are also the ways in which priests are called to serve the spirits.
Once entertainers and employees of the royal courts, they were believed to have mystical powers. Today they fight for dignity in life and death. This film is about the extreme hardships, resilience and beauty of Kashmir’s Hijra (transgender) community and their growing movement for basic human rights.
For these villagers, giving birth is a family affair; while a young girl is in labor, the birth attendant, mother and mother-in-law alternate between lending a hand and storytelling. Barbara Johnson studied documentary film and photography with Jerry Liebling and Elaine Mayes at Hampshire College from 1970-1974. She began working for the Smithsonian's newly formed National Anthropological Film Center in 1975. She was sent to Nepal to document early childhood socialization and daily life in a large farming village in the Kathmandu Valley.
Fate of the Lhapa is a feature-length documentary about the last three Tibetan shamans living in a Tibetan refugee camp in Nepal. Each lhapa requested that their story be filmed. Their fear was that the next heir might not appear until after their own deaths. Subsequently, with no lhapa alive to mentor the children, the documentary would be used to transmit the knowledge to the next generation. Their tales of nomadic childhoods, shamanic callings and apprenticeships, cosmologies of disease and treatments, and of their flight from Tibet during the Chinese occupation in the late 1950s is be juxtaposed with images of present-day life in the camp, current healing practices and shared concerns of the future and the fate of their tradition.
Healing in Timor-Leste is rarely straightforward. Timorese people acknowledge and embrace multiple pathways to healing in a complex interplay between spiritual care, comfort and personal connection. Through lifelong observation and learning, they trial a variety of practices and pass down their knowledge to the next generation. Holding Tightly observes seven approaches to healing in remote, rural and urban parts of the Baucau municipality in the country’s east, spanning contexts and experiences from the armed resistance era to the independence period.
From its shocking opening image of a bridge snapped in two, Zero Position crosses an eerie landscape fractured by dueling Russian separatist and Ukrainian forces. On this cinematic journey, there are no interviews or extensive explanations of the conflict between the opposing sides. Accompanied by an evocative soundscape, the film moves like a ghostly presence through a troubled region, pausing at heavily armed checkpoints and competing front lines. As the camera captures people scurrying past the aftermath of conflict, carrying plastic bags bulging with items gleaned from abandoned homes, we see the stark reality of a people caught in a borderland between East and West. Director Louie Palu's expressive, sparse and poetically delivered voiceover adds context to places the nightly news cameras don't take us, including an old coal mine and a family's home. Through its mood and atmosphere, Zero Position offers us an experiential look at a region on the brink of all-out war.
Despite the loneliness he experiences living in New York, Miguel remains resiliently motivated to help the family he hasn’t seen in 13 years. Combining dreamlike depictions of Miguels memories of his childhood in Oaxaca, Mexico with his everyday experience as a migrant worker, THE TIME OF THE FIREFLIES is a poignant depiction of the sacrifice many are forced to make in order to support their families.
Investigates how Scott Pruit, a former state senator and minor league baseball team owner, went from fighting the Environmental Protection Agency to running it, rolling back years of policy. FRONTLINE tells the inside story of how the major reversal of the Clean Power Plan and other environmental policy rollbacks happened; how President Trump’s Environmental Protection Agency administrator, Scott Pruitt, went from fighting the federal agency to running it; and how the anti-regulatory and anti-climate change science movements in America reached a moment of triumph.
There can be no real gender justice without an unpacking of the power structures surrounding the reproductive health industry complex—and of the choices that the market pushes on women. Abby Epstein’s latest documentary highlights the dark history of eugenics and underfunded research that the birth control pill, often heralded as a feminist turning point in the history of reproductive rights, hides within itself.
For the people of Mandak region, New Ireland,the most dramatic and complex ceremonial events are those surrounding death. The creation and presentation of the Malangan Labadama with its carved figures, masked dancers and feasting is the final tribute by three brothers to a deceased clansman and former leader.
The Path: Evolution is the third film of The Path Series trilogy and explores the theory that human beings are living in a virtual reality system similar to the rules of an assimilated video game. The filmmakers follow former NASA nuclear physicist, Thomas Campbell, as he shares his knowledge and the results of his research of consciousness, physics, metaphysics and morality to explain mind and matter, normal and paranormal, life, death, and purpose, with all of this logically flowing from the concept of reality as information. The Path: Evolution will undoubtedly challenge the viewer's current belief systems and leave a lasting impression on human beings to re-evaluate how they are behaving, treating others, and existing in the world.