Voices of the Transition is an enthusiastic documentary on farmers- and community-led responses to food insecurity in a scenario of climate change and peak oil.
After Coal profiles inspiring individuals who are building a new future in the coalfields of eastern Kentucky and South Wales. Meet ex-miners using theater to rebuild community infrastructure, women transforming a former coal board office into an education hub, and young people striving to stay in their home communities. The stories of coalfield residents who must abandon traditional livelihoods illustrate the front lines of the transition away from fossil fuels.
Years after the U.S. invasion of Iraq, a loosely organized insurgency continues to target American and Coalition soldiers, as well as Iraqi security forces and civilians, with devastating results. In this sobering account of the ongoing violence, Ahmed Hashim, a specialist on Middle Eastern strategic issues and on irregular warfare, reveals the insurgents behind the widespread revolt, their motives, and their tactics. The insurgency, he shows, is not a united movement directed by a leadership with a single ideological vision. Instead, it involves former regime loyalists, Iraqis resentful of foreign occupation, foreign and domestic Islamist extremists, and elements of organized crime. These groups have cooperated with one another in the past and coordinated their attacks; but the alliance between nationalist Iraqi insurgents on the one hand and religious extremists has frayed considerably.
One of the few ethnographic films in which the anthropologist appears as one of the subjects - a lively introduction to the nature of fieldwork. Napoleon Chagnon, who lived among the Yanomamo for 36 months over a period of eight years, is shown in various roles as "fieldworker": entering a village armed with arrows and adorned with feathers; sharing coffee with the shaman Dedeheiwa who recounts the myth of fire; dispensing eyedrops to a baby and accepting in turn a shaman's cure for his own illness; collecting voluminous genealogies; making tapes, maps, Polaroid photos; and attempting to analyze such patterns as YÄ…nomamö village fission, migration, and aggression.
A conservative Oklahoma family is shattered when their gay teenage son commits suicide after a bitterly controversial town meeting discussing a proposal for Gay and Lesbian History Month. In their search to unravel the mystery behind his death, they discover a tragic secret, and begin to question their own civic responsibility as they undergo a harrowing transformation from private citizens to public defenders of their son's legacy.
Yanomamo feasts are ceremonial, social, economic, and political events. They are occasions for men to adorn their bodies with paint and feathers, to display their strength in dance and ritualized aggression; for trading partnerships to be established or affirmed; and for the creation or testing of alliances. In the feast filmed in 1968, the Patanowa-teri had invited the Mahekodo-teri to their village. The two groups had been allies until a few years before this event, when they had fought over the abduction of a woman. They now hoped to renew their broken alliance, which they did successfully. Soon after the filmed feast, the two villages together raided a common enemy. A detailed discussion of this feast, and of the significance of feasting among the Yanomamo, is found in chapter 4 of Chagnon's Yanomamo: The Fierce People. The film's graphic representation of reciprocity and exchange may enrich (and be enriched by) a reading of Marcel Mauss' The Gift.
Feature length documentary film on population growth and its challenges, with a focus on women's empowerment and family planning. Shot in USA, Kenya, Egypt, Pakistan and the Philippines.
Witnessing the highest rate of HIV infection in the world and the lowest life expectancy on the planet, three grandmothers in Swaziland cope in this critical moment in time.
This short documentary tells the story of Marie Wilcox, the last fluent speaker of the Wukchumni language and the dictionary she created in an effort to keep her language alive.
Among the most acclaimed choreographers in American history, Paul Taylor has been reinventing the roles of music, movement and theme in dance for nearly 60 years. In that time he has offered only glimpses into his creative process. Creative Domain is a rare in-depth documentation of how he creates a single dance. Through the lens of award-winning cinematographer Tom Hurwitz, we see Paul’s non-verbal communication with his dancers. Below the surface of this dance and the many works that came before, is Paul’s power of acute observation, revealing a side to his choreography that is strangely prophetic. The dominant voice is Paul’s, between the guarded and unguarded moments we see him with new eyes and new understanding.
Only metres above sea level, the nation of Kiribati is on the front line of climate change. Maria Tiimon, a Kiribati woman living in Sydney, is passionate about her homeland and, despite her shyness, is determined to raise the world's awareness of its predicament.
On New York's rapidly gentrifying Lower East Side sits the Streit's Matzo factory. When its doors opened in 1925, it sat at the heart of the nation's largest Jewish immigrant community.
The first comprehensive treatment of the subject of librarians. A vivid blend of factual documentary, feature film and storytelling, it reveals the history and realities of librarianship in the entertaining and appealing context of American movies. Interviews with actual librarians, intercut with film clips of cinematic librarians, examine such issues as literature, books, and reading, censorship, library funding, citizenship and democracy. For the first time, we see and understand the real lives and real work of American librarians who for decades have been a cultural for hiding in plain sight.