Popular Documentary Movies on Kanopy - Page 304

Cimarrón Spirit: Afro-Dominican Maroon Culture

2015

Cimarrón Spirit: Afro-Dominican Maroon Culture

2015
In the Dominican Republic, as early as 1512, African slaves escaped from Spanish plantations and lived with the island’s Taíno Indians or on their own in mountainous jungles in the remote frontier land of Hispaniola. These people who were known as “cimarrones,” meaning “maroons,” created their own independent communities that have survived for centuries and until recently remained isolated from mainstream Dominican society. These resilient and resourceful “outlaws” have long developed their own celebrations, many of which mock a society that enslaved and branded them. Cimarrón Spirit explores carnival traditions such as the ritualistic fire burning of the masks and costumes of “Judas,” “Cocorícamo,” and “Tifúas,” as figures important to the cimarrón culture of Elias Piña.
Kinja Iakaha, A Day in the Village

2003

Kinja Iakaha, A Day in the Village

2003
In A Day in the Village, Waimiri and Atroari filmmakers document the day-to-day life of their relatives in the Cacau village, located in the Amazon region. We watch as women prepare the midday meal and do laundry in the river. Men hunt for alligators, paca and tapir in the forest as well as make handcrafts during a rainstorm. Children play and help with chores such as fruit-gathering and fishing, with adults showing them the right way to do things. Through intimate, interwoven images, the video gives us a vivid sense of the daily pattern in this village.
Jarlmadangah: Our Dream

2007

Jarlmadangah: Our Dream

2007
Situated south of Derby in the West Kimberleys, Jarlmadangah is a unique community often hailed as 'a model community' for its many social and cultural achievements. At the centre of the story are two brothers, John and Harry Watson, Elders in the Nyikina and Mangala nations. The community was first formed in 1987 when John and Harry Watson set out to establish Jarlmadangah as a focus for strong family ties, traditional language, law and culture, with the main aim of passing these onto the next generations of young people in the two nations.
The Cows of Dolo Ken Paye: Resolving Conflict Among the Kpelle

2015

The Cows of Dolo Ken Paye: Resolving Conflict Among the Kpelle

2015
In Fokwele, Liberia, a town in transition to modern ways, conflicts arise because of differing life styles. Many old customs of the Kpelle tribe are still alive, but are complicated by new economic practices and social structures. Cattle divide the town into two classes: the rich cattle owners, and the poorer rice farmers, whose crops areoften marauded by the cattle and who in turn attack the cows. In this film, such an incident is followed through the proceedings of justice in the community.
Mystic Vision, Sacred Art

1996

Mystic Vision, Sacred Art

1996
This documentary provides an excellent introduction to the art of thangka, sacred Tibetan Buddhist painting, in the Kathmandu Valley of Nepal. Carefully filmed, it takes you through every step of the painting process of thangkas. It offers insight into the symbolic and religious meaning of thangkas and their importance for Tibetan Buddhist life.
The Feast in Dream Village

1988

The Feast in Dream Village

1988
The eastern Indonesian island of Sumba is the last island in the Malay archipelago where the majority of the people still follow their ancestral religion, called marapu. This film, shot in 1986, focuses on a challenge to the authority of the spirits and ancestors in a village ritual to restore fertility after a fire and famine. Narrated by the priests who communicate with the spirits in prayers and sacrifices, it documents a week of offerings, dancing and oratory in "Dream Village" in the western Kodi district. The name comes from a dream of prosperity the village founder once had, and dreams are also the ways in which priests are called to serve the spirits.
In the Footsteps of Taytacha

1985

In the Footsteps of Taytacha

1985
In the Footsteps of Taytacha follows a group of Quechua-speaking musicians and dancers as they leave their remote villages high in the Andes Mountains of Peru and join thousands of other highlanders on the annual religious pilgrimage to the sacred peaks of Qoyllur-Rití. Quollur-Rití, the largest and most important religious ritual in the southern Andes, occurs only five days out of the year and involves walking both day and night in terrain over 4400 meters in altitude.
Weaving the Future

1997

Weaving the Future

1997
Weaving the Future is a video portrait of a unique indigenous community living in the Andean highlands of northern Ecuador. The story of the Otavalo Indians is not a stereotypical tale of "isolated people struggling to survive." Just the opposite. The people of Otavalo have successfully adapted their traditions of weaving and crafts to the international marketplace. Selling their textiles in the U.S., Europe and even in Japan, the Otavalos are by any measure the most prosperous Native people in South America. Theirs is a fascinating story of economic success and social change.
Genocidio

1982

Genocidio

1982
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Sensitive Lovers

2020

Sensitive Lovers

2020
Dr. Elaine Aron and Dr. Arthur Aron explain how negative childhood experiences and buried traumas affect our adult relationships and provide suggestions for for wiser, more skillful and fulfilling relationships.
A Slow Boat to Somewhere: Exploring French Polynesia

2006

A Slow Boat to Somewhere: Exploring French Polynesia

2006
Ride along on a rustic, and rusting, Polynesian cargo boat as it makes deliveries to 21 of the globe's most isolated coral reef atolls, in the heart of the South Pacific Ocean. Along the 3,000-mile route meet black pearl divers, the man who found the Kon Tiki, Marlon Brando's 'Mutiny' girlfriend, a ship laden with NFL-sized crewman and many more - all set against the backdrop of a fast-and-forever changing Paradise. I jumped on the cargo boat for one of its monthly, 3,000-mile delivery jobs, taking us to ports-of-call that were literally just piles of sand and rock washed up on rims of coral, halfway between Australia and South America, each home to populations ranging from seven to two hundred fifty people. The trip took us through the Tuamotus, a chain of 78 atolls that sailors going back to Magellan dubbed the dangerous archipelago for its low-lying, barely visible, wooden-boat-sinking reefs.
Hosay Trinidad

1999

Hosay Trinidad

1999
Hosay Trinidad is an ethnographic film about the observance of Shi'ite Muharram rites on the island of Trinidad.
Some Aspects of Cape Verdean Culture

1975

Some Aspects of Cape Verdean Culture

1975
"Some Aspects Of Cape Verdean Culture" is a re-discovered and restored documentary shot in 1975 in cape verde at the time of independence by pioneering video artist Anthony D. Ramos. This was some of the earliest video work by ramos, who received a 1975 grant from the Rhode Island Council for the Humanities for travel to Cape Verde and a sony color 1/2" reel to reel video camera . Ramos , a cape verdean american, traveled to the islands of Sao Tiago, Fogo and Sao Vicente , and was the only american camera to capture the historic end of 500 years of Portuguese colonial rule. Over eighty hours of video were shot, and efforts are currently underway to raise funds to restore and transfer the rest of videos in this valuable archive.
Horses of Life and Death

1991

Horses of Life and Death

1991
The Pasola, a traditional jousting battle with hundreds of horses and riders, is the Sumbanese New Year celebration, and also a ritual that anticipates the rice harvest. It is staged to welcome the annual swarming of sea worms on the western beaches, since the worms are seen as representing the spirit of the rice crop. The spirit of the fertility of the seas and the land comes from the body of a sacrificed girl, and her return each year is celebrated with a dramatic display of masculine virility, courage, and horsemanship.
The Garifuna Journey

1998

The Garifuna Journey

1998
A celebratory documentary, with engaging scenes of fishing, cooking, dancing, cassava preparation, thatching a temple, spiritual ritual, music and dance all demonstrating the Garifuna link to the Carib-African past. Descendants of African and Carib-Indian ancestors, the Garifuna fought to maintain their homeland and resisted slavery. For this love of freedom, they were exiled from St. Vincent in the Caribbean by the British in 1797. Despite exile and subsequent Diaspora, their traditional culture survives today. It is a little known story that deserves its place in the annals of the African Diaspora. In first person Garifuna voices, this documentary presents the history, the language, food, music, dance and spirituality of the Garifuna culture.
Unity Through Culture

2011

Unity Through Culture

2011
Soanin Kilangit is determined to unite the people and attract international tourism through the revival of culture on Baluan Island in the South Pacific. He organizes the largest cultural festival ever held on the island, but some traditional leaders argue that Baluan never had culture and that culture comes from the white man and is now destroying their old tradition. Others, however, take the festival as a welcome opportunity to revolt against '70 years of cultural oppression' by Christianity. A struggle to define the past, present and future of Baluan culture erupts to the sound of thundering log drum rhythms.
The Wood and the Calabash

2002

The Wood and the Calabash

2002
Among the Senufo people of northern Côte d'Ivoire, the balafon (xylophone with calabash resonators) is an emblematic musical instrument. Balafon makers are all musicians, but a balafon player isn't necessarily an instrument maker. The film shows in detail the manufacture of this musical instrument, an indispensable element in the life of the Senufo people. Each step is shown, from the initial prayer to the genies of the balafon before felling a tree, through the cutting and tuning of the keys and the resonators, to the fixing of the buzzing membranes, which give this instrument its very characteristic timbre. Nanga, the balafon maker, talks about his work and discusses different aspects with friends during a meal.
The Joy of Youth

2002

The Joy of Youth

2002
Among the Senufo people of northern Côte d'Ivoire, the balafon (xylophone with calabash resonators) is an emblematic musical instrument. The music of the balafon is a source of joy while the young men are doing collective work in the fields, at age-group ceremonies, for the poro initiatory society, for the catholic mass and during young people's dance evenings. Musicians and non-musicians, young and old, talk about the different occasions for which this instrument is an indispensable presence marking the rhythms of life for this agricultural people. Traditional balafon music is far from dying out, and its extraordinary vitality and importance are evident in the activities of the younger generations.
Fate of the Lhapa

2007

Fate of the Lhapa

2007
Fate of the Lhapa is a feature-length documentary about the last three Tibetan shamans living in a Tibetan refugee camp in Nepal. Each lhapa requested that their story be filmed. Their fear was that the next heir might not appear until after their own deaths. Subsequently, with no lhapa alive to mentor the children, the documentary would be used to transmit the knowledge to the next generation. Their tales of nomadic childhoods, shamanic callings and apprenticeships, cosmologies of disease and treatments, and of their flight from Tibet during the Chinese occupation in the late 1950s is be juxtaposed with images of present-day life in the camp, current healing practices and shared concerns of the future and the fate of their tradition.
Gogodala: A Cultural Revival?

1983

Gogodala: A Cultural Revival?

1983
This film examines the implications of the Australian colonial era for the Gogodala people of the Fly River Delta, Western Papua New Guinea. Excessive missionary zeal, tolerated and encouraged by the government, contributed to the almost total destruction of Gogodala art and culture. More recently, an indirect grant from the Australian government has enabled the people to reconstruct a traditional longhouse, along with a new meaning and function: as a cultural center.